Tag Archives: Novel Adaption

Foundation: Creation Myths & Season 2 – TV Review

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TL;DR – The crisis climbs to a crescendo as cracks cascade over a crumbling continuum of chance and causality.  

Rating: 4 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

The death of Terminus.

Foundation Review –

Well, we have come to the end of the second season, and what a fascinating season it was. Adapting novels to work in a visual medium is no small feat, let alone one of the founding icons of Science Fiction. Taking a selection of interconnected short stories and making them work as a whole and in a framework that will work with a modern audience is a tightrope to pull off, and today, we will see just how well they have managed this task.  

So to set the scene, we open in the moments after Long Ago, Not Far Away ended by discovering just how Hari Seldon (Jared Harris) survived being very dead, so dead that even Salvor (Leah Harvey) believed he had passed. A trick from Gaal (Lou Llobell) so powerful that not even Tellem Bond (Rachel House) sees through the deception. As Terminus lays there as a flaming ruin, with Brother Day’s (Lee Pace) fleet in orbit, the question becomes, how can psychohistory’s plan continue from here? When all we know has been left in ruins. But when a sensor is tripped, Demerzel (Laura Birn) soon discovers that secrets can escape no matter how much you try to control them. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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The Last Voyage of the Demeter (Dracula: Voyage of the Demeter) – Movie Review

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TL;DR – An interesting idea and a tense watch, but it never seems to find its feet and feels drawn out.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Dracula appearing in the night.

The Last Voyage of the Demeter Review –

Well, it looks like vampires are back in vogue, specifically the first pop-culture vampiric icon, Dracula. Already this year, we have gotten Renfield, a more satirical take on the walking unholy monster that lives off the blood of others. But today, we dive back into a more traditional horror telling of the character building from an exert of the original Bram Stoker novel.

So to set the scene, it is July 6th, 1897, and in the port of Varna in Bulgaria, the merchant ship Demeter has docked to pick up cargo and welcome new hands. Captain Elliot (Liam Cunningham) is impressed by Clemens’ (Corey Hawkins) quick actions in saving his grandson Toby (Woody Norman) from a falling crate, so he lets him come on as the ship’s doctor. But some of these new crates are stamped with a dragon, which freaks out one of the new crew members, who runs off the ship before they can embark. All is fine until one of the crates falls over as they pass through the Aegean Sea, and they fine a girl barely alive. It is then that the killings start.

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Red, White & Royal Blue – Movie Review

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TL;DR – A perfectly fine rom-com, but the narrative never gets beyond the surface level.

Rating: 3 out of 5.

Post-Credit Scene – There is a post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

A forced photo shoot.

Red, White & Royal Blue Review –

While some might find them sappy, I will openly admit that I love a good rom-com, especially an excellent political rom-com like Dave or The American President. In fact, I have not seen one of these in quite a while, so when I heard there was a new one out on Amazon, well, I had to check it out.

So to set the scene, we are in London at Westminster Abby, where Prince Philip (Thomas Flynn), the future King, has married his childhood friend Martha (Bridget Benstead). But this is not the heart of the story because also in attendance is Prince Henry (Nicholas Galitzine), his sister Princess Beatrice (Ellie Bamber), the son of the President of America Alex Claremont-Diaz (Taylor Zakhar Perez) and the granddaughter of the Vice President, Nora Holleran (Rachel Hilson). Henry and Alex intensely dislike each other, shenanigans occur, and oh, is that a falling cake and a forced fake press damage control tour?  

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Meg 2: The Trench – Movie Review

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TL;DR –Well, Meg 2 is an absolutely abysmal film that flounders at almost every stage while it fails at every front of knowing what sort of film it wants to be.

Rating: 1.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

They walk through the Trench.

Meg 2 Review –

Well, blast, look, honestly, I didn’t see this coming. I was someone who quite liked the first Meg because it scratched that perfect dumb but fun itch that you can get with over-the-top action films. It wasn’t a perfect film by any stretch of the imagination, but it was still entertaining. So, surely a second attempt at this world will at least be amusing… well, unfortunately not.

So to set the scene, it has been some time since the first film, and Jonas Taylor (Jason Statham) has been working for the Oceanic Institute based out of Hainan, China, for Jiuming Zhang (Wu Jing). But on his days off, he clandestinely monitors any shady people who could be harming the environment, such as the cargo shin The Kitty Blue that is illegally dumping radioactive material into the Philippine Sea. But things go amiss when the Meg Haiqi breaks out of their enclosure, and they find that they are not the only humans at the bottom of The Trench.

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The Night Agent: Season 1 – TV Review

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TL;DR – While not groundbreaking, what we get is a solid spy thriller with a dash of West Wing to boot.

Rating: 3.5 out of 5.

Disclosure – I paid for the Netflix service that viewed this show.  

The Capital Building

The Night Agent Review –

I am always looking for a new spy series to dabble in after last year’s delightful The Recruit. When I heard rumblings that The Night Agent was one to give a watch. So, I had some time off from work and thought I would give it a watch, then bamm, that first scene happened, and then wait, where did all those episodes go?

So to set the scene, Peter Sutherland (Gabriel Basso) is an FBI agent who was going about their day when they noticed that a gentleman (Andre Anthony) had just left their bag on the DC Metro. Opening it, he found there was a bomb and was able to evacuate the train before it exploded. A year later, Chief of Staff Diane Farr (Hong Chau) has given him a job in The White House, working the late shift as a Night Action operator. Most nights, all that entails is him looking over briefs and giving advice. But one night, the phone rings because Rose Larkin’s (Luciane Buchanan) family has been attacked, and she has been given this one lifeline for help. Now from here, we will be looking at the series as a whole, so there will be some [SPOILERS] ahead.  

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The Portable Door – Movie Review

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TL;DR – A delightful romp through a world where coincidence can be bought and manipulated.     

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid to watch this film

The portable door.

The Portable Door Review –

Few things get me into the cinema as quickly as ‘made by The Jim Henson Company’. No matter what they are involved in, you know it will be fascinating to watch. But add in some lovely Magical Realism and a cast of zany characters, and you have a must-watch.

So to set the scene, Paul Carpenter (Patrick Gibson) is down on his luck and trying to find a job to pay the bills before he gets kicked out of his flat. All he has to do is get to the café. What could go wrong? Well, everything, apparently. Both shoelaces might break, the trousers might have a stain, and a dog might run off with your scarf. But what if, coincidentally, running after the dog, you find a small door for applicants, and what if you find yourself in the company JW Wells and Co that is expecting you even though you never applied for something? But what if, in that interview, you notice that the cracks in the wall remarkably resemble a map of London? You might find yourself employed by a company that believes that coincidence can be manipulated and controlled.   

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True Spirit – Movie Review

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TL;DR – An impressively acted story that is let down by forced conflict and unnecessary padding.     

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit sequence

Disclosure – I paid for the Netflix service that viewed this film.

The Pink Lady leaves Sydney Harbour.

True Spirit Review –

There are these moments that you remember because they touched all of society when they happened. Usually, these are moments of tragedy that cut through the world, but for Queensland and Australia, we had the moment built on triumph. Today’s film is based on that long journey by Jessica Watson across the planet.

So to set the scene, Jessica Watson (Teagan Croft) grew up on the Sunshine Coast of Queensland, Australia, where water was always on your doorstep. She learned how to sail on the open ocean, catching the wind and riding the waves here thanks to her coach Ben Bryant (Cliff Curtis). Jessica had one dream: to sail around the world by herself, which took a bit of a beating when her boat was severely damaged by a cargo ship in the 2009 trail run. But with everything going against her, Jessica is determined to make the trip before the government legislates that she can’t go.

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Spoiler Alert – Movie Review

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TL;DR – Well, if ugly crying in the cinema surrounded by people ugly crying in a cinema is a recommendation for you, then here it is.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film.

A bubble being blown.

Spoiler Alert Review –

I am someone who does not mind a good cry in the cinemas. It can be cathartic and shows that the filmmakers have connected with you on an emotional level. However, there is a difference between having a good cry and being so emotionally devastated that you are ugly crying in a room full of strangers. And when I say ugly cry, I mean ugly. Well, today, we are looking at a film that did just that.

So to set the scene, Michael Ausiello (Jim Parsons) focuses his life on his work, like ranking all the Gilmore Girls from Best to Rory [which like fair]. But one night, after being dragged out to a club, he spots a man across the dance floor that smiles at him, so he waves back. Actually, Kit Cowan (Ben Aldridge) was smiling at his friend Nina (Nikki M. James) at the bar, but he took up the bait. It is the perfect meet-cute, bar the fact that, spoiler alert, we know from the start that this relationship is destined for tragedy.

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Memory – Movie Review

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TL;DR – An interesting concept let down by sloppy execution.     

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this film

bullet smashes through a window.

Memory Review –

As we gallop towards the end of the year, it is time to catch up with the films I had missed along the way. The first of these is Liam Neeson playing an assassin with early onset Alzheimer’s, and while that is a set-up that is at the very least intriguing.

So to set the scene, Alex Lewis (Liam Neeson) is a hitman for hire and has no compunction murdering a son while his mother sits in her hospital bed, unable to do anything but watch. The only issue is that he has early onset Alzheimer’s, a problem in his line of work where there is no such thing as retirement. This all comes to a head when Alex is tasked to take out Ellis Van Camp (Scot Williams) in El Paso, Texas. However, he didn’t know the next target was Beatriz Leon (Mia Sanchez), a young sex-trafficking victim, who should be off-limits. But you don’t say no to people like this.        

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The Peripheral: Season 1 – TV Review

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TL;DR – While it expertly builds tension and the world, it ends on a flat note of frustration  

Rating: 3.5 out of 5.

Disclosure – I paid for the Prime Video service that viewed this show.

End Credit Scene – The final episode, The Creation of a Thousand Forests, has an end credit scene.

Warning – Some scenes may cause distress.

Flynne connects to the VR Set

The Peripheral Review –

It has been a while since I have sat down to a good sci-fi mystery. One that makes you scratch your head and wonder how all the different parts connect. I think the last one that truly captured me like this was Westworld. Which is good timing because you can see those influences in the show we are looking at today.

So to set the scene, we open in London in 2099 as Wolf (Gary Carr) sits on a park bench as holographic galleons recreate a battle on the pond in front of him. As he watches a young girl Aelita (Sophia Ally), approaches the bench without shoes. She wants to save a world, not the one they are in now, that is lost, but another world, one that can still be saved. In the Blue Ridge Mountains in 2032, Flynne Fisher (Chloë Grace Moretz) is helping her sick mother, Ella (Melinda Page Hamilton), when she notices that her medicine is being cut by her no-good brother Burton (Jack Reynor). Confronting him, she instead gets dragged into helping some guys beat a level in a WW2 VR Video Game, something she is very good at. At work, she is given a package for her brother, a new VR machine that she can beta test, and get money for her family. But the immersive VR set in a future London is more real than anyone expected. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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