Tag Archives: Pasifika Cinema

Moana 2 Review: A Visual Spectacle with Emotional Depth

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TL;DR – While the plot might be a bit convoluted in places, and the music does not hit quite as hard. When the story, emotion, and characters collide, you can’t help but feel that joy wash over you.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Moana blows a shell horn.

Moana 2 Review –

This is a good day for me because I honestly believe that Moana is the best-animated film that Disney has made in their current era. I loved the world that they built, the narrative they created, and the music they crafted. Coming back into this world was always going to be a joy for me, but given how much I liked the first film, can it ever live up to what has come before?

So, to set the scene, it has been a number of years since the events of Moana, and Moana (Auliʻi Cravalho) has spent that time exploring out from Motunui to find new foods, new resources, but also to reconnect with the people that Te Fiti had cut off. However, no matter how many islands she discovers, she can’t find any people. But when Heihei (Alan Tudyk) stumbles across some pottery that shows that there are people out there, Moana puts together a team of Loto (Rose Matafeo), Kele (David Fane), and Moni (Hualālai Chung) to explore. However, there may be a god out there who does not want them to succeed, hoping she will end up like her ancestor Tautai Vasa (Gerald Ramsey), the last Wayfinder who failed to find the fabled island.

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The Convert – Movie Review

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TL;DR – A very compelling narrative of finding oneself far away from home.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

The New Zealand coastline.

The Convert Review –

There was a whole wave of unintended consequences when the British gallivanted around the world, sticking their flag on any spot of land that they could. You know, other than the conquest, murder, and resource exploitation, that is. In what is now New Zealand, one of these was the Musket Wars, where tribal structures across the islands were ripped apart. Today’s film jumps into the heart of this and the world it is creating.  

So, to set the scene, it is 1830, and Thomas Munro (Guy Pearce) is on a dangerous journey across the Tasman Sea to his new home on the Islands of New Zealand in the town of Epworth. He has been hired as the new lay preacher, but before he reaches there, he saves the life of Rangimai (Tioreore Ngatai-Melbourne) as the rest of her town is slaughtered by the warlord Akatarewa (Lawrence Makoare). Even when in Epworth, danger lurks, and not just from the “savages” in the bush.

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The Mountain – Movie Review

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TL;DR – An emotional roller coaster that can have you laughing, crying, and uplifting all in the space of 30 seconds.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Mount Taranaki in poster form.

The Mountain Review –

After a long and challenging week, I thought I would stop in at the movies on the way home from work on a Friday afternoon. I had a number of options, but then I noticed what looked like a fun kids flick out of New Zealand and thought that would be the perfect way to round out the week. I mean, it was, but it was also emotionally devastating on multiple occasions. While also being a delight at every turn. Well, let’s dive in and unpack Rachael House’s directing debut.

So, to set the scene, we open in a hospital as Sam (Elizabeth Atkinson) prepares a sneaky escape with the help of her friend Peachy (Sukena Shah). There is one thing that she wants to do in her life, and that is climb Mount Taranaki. On her way, she runs into Mallory Potts (Reuben Francis), a boy who has just moved to the area with their father Hugh (Bryan Coll), and Bronco (Terence Daniel), who is struggling with relating with his father Tux (Troy Kingi). Together, they decide to climb the mountain, no matter the obstacles in their way.

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Next Goal Wins – Movie Review

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TL;DR – A fun time that gets held back by some wooden acting and forced storytelling.

Rating: 3 out of 5.

Disclosure – I paid to watch this film.

Warning – Contains scenes that may cause distress.

The Team v the Coach.

Next Goal Wins Review –

I have been enjoying my time at the Brisbane International Film Festival, but as always, things must come to an end. But if you are going to pick a film to end it on, Taika Waititi’s romp about the American Samoa Football Team is an excellent place to do it. This is a sports story that is so infamous that even I have heard about it. With that in mind, let’s play some soccer and see how a team can come back from abject embarrassment.

So to set the scene, American Samoa has been at the bottom of FIFA’s rankings for an age and reached an even lower level in 2001 World Cup qualifiers when, during a game with Australia, they lost 31-0. Tavita (Oscar Kightley) tries to manage the club, but he has become a laughingstock in the soccer community. After some pushing from his wife, Ruth (Rachel House), he applies to the American Soccer Federation for a new coach. Well, this might be a Hail Mary, but at that moment, they have a coach who is about to get fired, and Thomas Rongen (Michael Fassbender) has only one option: take a plane into the middle of the Pacific Ocean.

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Uproar – Movie Review

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TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review –

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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Red, White & Brass – Movie Review

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TL;DR – A film that brings you joy from the moment they start in a house covered in Tongan flags till those final credits roll.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The band performs.

Red, White & Brass Review –

There are many emotions that cinema can bring forth, and if I am honest, my favourite is joy. You are just sitting there beaming with a smile stretching from one side of your face to the other. It is so easy for films to come off as disingenuous that it is hard to nail joy in its purest form. However, today, we look at a movie that not only nails it, it revels in it.

So to set the scene, it is Wellington, and the 2011 Rugby World Cup is descending on New Zealand. Flags are popping up all across the city as everyone gets into the celebratory mode. But Veni (Dimitrius Schuster-Koloamatangi) was not quite prepared to find his house covered, and I mean covered, in the red/white cross of Tonga’s flag. His best friend Maka (John-Paul Foliaki) has been trying to get enough money so all of his church can see the Tonga v France match live. However, when several of his schemes fall through, he discovers a way forward, but it just means getting everyone to become a proficient brass band, oh and only in a couple of weeks.

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Movie Review – The Legend of Baron To’a

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TL;DR – A bonkers fun film from first till last    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated – Explosive Action

The Legend of Baron To'a. Image Credit: Madman.

Review –

Do you know what I needed this week? I needed a bit of fun, you know what I think a lot of people need this week, a little fun, well, have I got news for you. It has been great over the last couple of years to see Pasifika Cinema go from strength to strength and today we get to look at another entry into the great canon.

So to set the scene, we open in on the great Baron To’a (John Tui) himself as he does a tour of his home and local cul–de–sac Kinlock Ave. He is the heart of the local community and he is most proud of his son Fritz (Lotima Pome’e). However, it cannot last and twenty years later when Fritz (Uli Latukefu) returns to help sell his house after his uncle Otto (Nathaniel Lees) stops returning his calls he finds that the sac is a very different place than what he remembered.   

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Movie Review – Take Home Pay

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TL;DR – A look at what happens when the competing interests of money and family collide

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Take Home Pay. Image Credit: M2S1 Films.

Review –

Today we get to dive back into the world of Pasifika Cinema as we explore a film that takes on themes like tradition v modernity, brother v brother, money v family, and honour v fun. However, all of this is tempered by a comedic style that is unique to this part of the world and a heart that just shines.

So to set the scene, Popo (Ronnie Taulafo) and Alama (Vito Vito) are brothers living in rural Samoa working for their father planting, harvesting, and selling taro. Alama dreams of ways to make things easier for his family, even if it does not always go right, and Popo just dreams of getting out of the country. Well that opportunity arrives when they need labourers in New Zealand and both Alama and Popo get the chance to earn some more money for home. They spend their days picking kiwifruit and all is going well until the day they have to leave and Popo runs off, with both his and all of Alama’s money.

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Movie Review – The Breaker Upperers

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TL;DR – At times hilarious, at times incredible farcical, and at times a deeply moving look at the trials of friendship.

Score – 4 out of 5 stars

Post-Credit Scene – There is a post-credit scene

The Breaker Upperers. Image Credit: Piki Films/Madman.

Review –

For a long time, there has been this growing bubble of particular dry absurdist comedy coming out of New Zealand. You see it in the work of Taika Waititi, Jemaine Clement, Bret McKenzie, Rhys Darby, Rachel House, and also some of Peter Jackson’s early films. These are films that mix comedy and emotional understanding in equal measures. Whenever one of these movies like Hunt for the Wilderpeople (see review) or Hibiscus & Ruthless (see review) make it across the ditch I always really look forward to seeing it. Well, today we get the chance to look at a new entry into this wonderful genre The Breaker Upperers, from the comedic team of Madeleine Sami and Jackie van Beek.

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Movie Review – Hibiscus and Ruthless

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TL;DR – A beautiful, funny film of charting family expectations

Score – 4 out of 5 stars

Post-Credit Scene – There is a mid-credit sequence as the credits roll

Hibiscus & Ruthless. Image Credit: M2S1 Films.

Review –

‘Families are complicated’, I think that is a phrase that just about anyone in the world can relate to. There is pressure to conform to your parents wants, and there is pressure to try and help the next generation succeed more than you did, and sometimes those two drives crash into each other in explosive fashion. Today we will be looking at a film that deals with just this very issue, as we explore this fascinating film from New Zealand from the same creative team behind Three Wise Cousins. There will be laughter, there will be tears, and there will be bread rolls on people’s heads for some reason.

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