Movie Review – 1917

TL;DR – This is a film that captures you in the first frame and does not let you go until the ending credits start scrawling     

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards

Nominated: Explosive Action, Beautiful Cinematography, All The Tension & Exquisite Musical Score
Winner: Beautiful Cinematography & Exquisite Musical Score

1917. Image Credit: Universal.

Review

Sometimes you go into to see a film and you have no idea that what you are about to watch has been almost tailored just for you. In this case, we have a war film, about just two characters, presented as if it was all filmed in one take. If I was explaining to you what would be the perfect film for me this would not be far off. I bring this up to put some context down before we dive into the world of explosions, gun shots, and every trench under the sun.

So to set the scene, we are in the heights of World War One on the front lines in France, with Germany and their allies on one side and Brittan and their allies on the other. This is trench warfare and every centimetre of territory has been won through a considerable loss of life. It is here where one day Lance Corporal Blake (Dean-Charles Chapman) is roused from his sleep and asked to go on a mission with Lance Corporal Schofield (George MacKay) by General Erinmore (Colin Firth). For you see, overnight the German forces have retreated and many commanders believe that they have them on the run. However, it is actually a ruse, the Germans have just retreated to a more fortified line and they are leading those chasing them into a trap. The boy’s mission is to cross into no-man’s land, travel through enemy controlled territory so they can make it to Colonel Mackenzie (Benedict Cumberbatch) in time to call off the attack and save 1600 lives. Now due to the nature of the film and that it has a staggered release date across the world, I am going to be a bit more cautious with my examples so as to not spoil anything.

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TV Review – Star Trek Short Treks: Ask Not

TL;DR –  A look at a bad day that only gets worse once a mask is revealed  

Score – 4 out of 5 stars

Star Trek Short Treks: Ask Not. Image Credit: CBS Studios.

Review

We continue our look at the Short Treks with this interesting small almost bottle episode. However, like all good bottle episodes, while it does not venture out of one location for most of its run time, it takes that opportunity to pack an emotional punch.  

So to set the scene, Cadet Thira Sidhu (Amrit Kaur) is working in inventory at Starbase 28 when all hell breaks loose. Just as she is trying to work out what happened a security officer (Steve Boyle) arrives with a prisoner hidden behind a mask. The battle has led them cut off from the brig and she has to watch the prisoner until they can return. This is a difficult situation, made all the worse when the mask is taken off and it is revealed that prisoner charged with mutiny is Captain Pike (Anson Mount).

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Movie Review – 6 Underground

TL;DR – An incredibly stylish and well-produced film that just didn’t quite nail the substance portion.     

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

6 Underground. Image Credit: Netflix.

Review

Sometimes in life, you want to shut your brain off for a bit, sit down, and watch some explosions flare to life on your screen. The action flick is the king of this, especially if you pivot it in the direction of an action/comedy. However, today we are looking at a film that should be all this and more, but I walked away feeling that something was missing.   

So to set the scene, we open in on a special ops team, which is having a very bad day, because everything is going very wrong, very, very, wrong. This is not your usual black ops team because while black ops teams are sometimes called ghosts, this team is for all intents and purposes are actually ghosts because the world thinks they are all dead.  We have One (Ryan Reynolds) The Billionaire, Two (Mélanie Laurent) The CIA Spook, Three (Manuel Garcia-Rulfo) The Hit Man, Four (Ben Hardy) The Skywalker, Five (Adria Arjona) The Doctor, and Six (Dave Franco) The Driver. Their aim was to find information out about Rovach Alimov (Lior Raz) a dictator with the predilection for using chemical weapons against civilians.   

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Movie Review – Knives Out

TL;DR – A charmingly delightful film about murder filled with fantastic performances and a real heart.    

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Knives Out. Image Credit: StudioCanal.

Review

For reasons that are far above my pay grade, there are film genres that come in and out of fashion all the time. One of these is the murder-mystery. I honestly can’t remember how long it has since I have seen a good old-fashioned murder-mystery up on the big screen. A film where you don’t know who done it because everyone is lying about something and there are many motives to go around. Well fear no more because today I get to talk about a film that takes this genre and not only produces a great version of it, but it also elevates the genre in the process.

So to set the scene, one-night wealthy murder-novel writer Harlan Thrombey (Christopher Plummer) is celebrating his 85th birthday with every member of his extended family in attendance. There is his daughter Linda (Jamie Lee Curtis) the real estate mogul and her husband Richard (Don Johnson), his son Walt (Michael Shannon) who runs his publishing agency, Joni (Toni Collette) the wife of his now-deceased son and her daughter Meg (Katherine Langford), and of course the black sheep of the family Hugh ‘Ransom’ Drysdale (Chris Evans).  It is a fun evening of catching up and putting plans into place but the next morning as Fran (Edi Patterson) the housekeeper brings up his morning meal she discovers that Harlan has killed himself in the night. A week later everything has settled but then Marta (Ana de Armas), Harlan’s nurse, is called back to the house with the family by Detective Lieutenant Elliot (Lakeith Stanfield) because famed private eye Benoit Blanc (Daniel Craig) has been hired to look into the matter. Why is he there? Well because someone does not think Harlon’s death was suicide… they think it was murder. Now because of the nature of the film, it is hard to discuss it without getting into spoilers, so keep that in mind if you have not seen the film.

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Article – Why I Love Star Trek: First Contact

TL;DR – From the action to the story and the music. First Contact captures a real moment in Science Fiction history and is still probably my favourite Star Trek film.

Star Trek: First Contact. Image Credit: Paramount.

Article

As the march of time continues forth, I was reminded that it has been twenty-three years since Star Trek: First Contact came out in cinemas. Goodness, 1996, such a long time ago, a time when I was not even in high school. However, in all the time since and before I don’t think any Star Trek film has had the same impact on me (though Wrath of Khan and Beyond come pretty close). As the time is right, and we all know how important time is, let’s dive into the joy that is Star Trek: First Contact.

So to set the scene, in Generations the USS Enterprise-D was destroyed by assailants and so a new ship the Sovereign-class USS Enterprise-E was commissioned with all our familiar faces making the transition. However, just with the Enterprise is in the middle of its shakedown cruise the worst possible news happens. The Borg are back. A large cube ship is on a trajectory with Earth but the Enterprise cannot help as Jean-Luc Picard (Patrick Stewart) was once assimilated by the Borg and Starfleet wants it away from the battle. But to hell with orders, which is good because this time the Borg is messing with the timeline and only the Enterprise can fix the damage before it is too late.

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Exploring the Past – Alone in Space (Ensamma i Rymden)

TL;DR – A charming little Science Fiction film even though it does have a few rough edges   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Alone in Space (Ensamma i Rymden). Image Credit: Nice Drama.

Review

If you have read our site before, you’ll know that we are all about new Science Fiction films and ways they explore the genre. This year I have wanted to branch out and see how other countries are approaching Science Fiction to broaden my cinematic experience and today we get to do that with Alone in Space a film about being trapped alone in space from Sweden.

So to set the scene, we open in on the Svea XVI an escape ship form a dying Earth, but instead of being filled with colonists/refugees the only ones on board are Gladys (Ella Rae Rappaport) and her younger brother Keaton (Dante Fleischanderl). They try and get through the day, fixing what they can of the ship, scavenging food and stuff in their journeys and talking to the ship’s Japanese AI Otosan. Well one day there is a crash, sending everything on the ship flying. Thinking it was some debris they ignore it and go about fixing the ship only to discover they are no longer alone.  

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Movie Review – Drive (2019)

TL;DR – Today I have what might be the easiest pitch I have ever heard, its Fast and the Furious but Bollywood. Well, that is if you can get through the very uneven first hour that is and some super clunky CGI.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Drive (2019). Image Credit: Netflix.

Review

I like me a good heist film, where you have shifting loyalties, betrayals, convoluted plans, misdirection, and of course a quick exit. So when I heard that there was a Bollywood heist film with a dash of the Fast and Furious and a sprinkle of well-choreographed dance sequences, I knew I had to give it a watch. Well, let’s dive into a world where you need to screech those tyres and aggressively change gears every half a second.

So to set the scene, the Director of Monetary Restrictions Authority Vibha Singh (Vibha Chibber) and her chief of staff Hamid (Pankaj Tripathi) are going about their days, using less than conventional technics to get businessmen to pay all their taxes when they get an urgent message from President’s office. As his aid Ifran (Boman Irani) explains there is a new thief on the scene called King because they leave a playing card with the location of their next heist at the place they have robed. Well the next place they are going to rob is right there at Rashtrapati Bhavan, India’s Presidential Palace. Their only lead is Tara (Jacqueline Fernandez) who runs an illicit courier business so they sent in a double agent Samar (Sushant Singh Rajput) to see what they can find out.

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Movie Review – The Man Without Gravity (L’uomo Senza Gravità)

TL;DR – A film that explores the joyous and sad moments if our lives through the prism of someone who falls out of societies prism of normality.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene but there is a kickass song about Batman so that’s something.

The Man Without Gravity (L'uomo Senza Gravità). Image Credit: Netflix.

Review

Having a baby is one of the most joyous moments in your life, however, it can also be full of dread. Will the baby be okay, will I, what will our future be, have we baby-proofed the house? However, I don’t think anyone has had to deal with “what are our strategies for getting the baby off the ceiling.”

So to set the scene, in a small town in Italy a car races the nearest medical centre as that time has come. Natalia (Michela Cescon) is rushed into that hospital with only her mother Alina (Elena Cotta) at her side. But this is not a normal pregnancy because as the baby comes out it begins to rise into the ceiling with only the umbilical cord keeping it attached. Natalia races out of the centre without leaving her name but when they get home they call the boy Oscar as he is like an American superhero. All it well for a moment until that is the local gossips come around to see the baby.

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Movie Review – Pain and Glory (Dolor y Gloria)

TL;DR – A beautiful look at how the pain of the past can define us even when we don’t know that it is happening.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Pain and Glory (Dolor y Gloria). Image Credit: Universal.

Review

Walking into this film I didn’t know what to expect, I knew it stared Antonio Banderas, but not a whole lot else. Indeed, I think that was the same for a lot of the people sitting around me, with one person mentioning that they “hoped it was more glory than pain.” However, as the film went on it became clear that this was a film about how pain and glory can find themselves intertwined.

So to set the scene, Salvador Mallo (Antonio Banderas) was once a famous film writer/director in Madrid, but these days he spends most of his time in his house alone with his painting and his thoughts. Over the years his body has slowly been causing him more and more pain culminating in major back surgery that he has never really gotten over. Being a filmmaker was everything to him and now when he can’t physically do it anymore he has lost his purpose for life. One day he is contacted by a local cinema who has remastered Sabor one of his earlier films and they have asked him and the lead actor Alberto Crespo (Asier Etxeandia) to come to host a Q&A. The only problem is that Salvador has not spoken to Alberto in 30 years. But more than that, this event starts dredging up the past in all its beauty and dysfunction.

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Movie Review – Official Secrets

TL;DR – A powerful exploration of what happens when all the institutions that are meant to protect us from abuse of power fail   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Official Secrets. Image Credit: Universal.

Review

There are films that are perfectly timed in their release, sometimes it is the world shifting around you, sometimes you get lucky and just so happen to be shining a light on something that is about to come to the foreground, and sometimes it is always good to be reminded of speaking truth to power. Well, today we get a film that does all three of those as it explores the absolute mess that was the justifications for the Iraq War. A mess that America, UK, Australia, and others found themselves in through no one’s fault but their own.

So to set the scene, in 2003 the world was on the cusp of war as America in the wake of September 11 has set its sights on a new foe Iraq. Not happy to just sit and wait for the weapon inspectors to do their jobs, they were placing enormous pressure on the United Nations Security Council to pass a resolution allowing the war. As this is happening, Katharine Gun (Keira Knightley) was working in the UK’s signal intelligence agency GCHQ as a translator, when she receives a memo from her superiors asking them to support NSA efforts to pressure UNSC diplomates to vote for the war. As this goes against her job and is quite possibly illegal, she takes a copy of the memo and gives it to a trusted friend to see if it is as bad as she thought it was, and well it was.

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