TL;DR – A charmingly delightful film about murder filled with fantastic performances and a real heart.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
For reasons that are far above my pay grade, there are film genres that come in and out of fashion all the time. One of these is the murder-mystery. I honestly can’t remember how long it has since I have seen a good old-fashioned murder-mystery up on the big screen. A film where you don’t know who done it because everyone is lying about something and there are many motives to go around. Well fear no more because today I get to talk about a film that takes this genre and not only produces a great version of it, but it also elevates the genre in the process.
So to set the scene, one-night wealthy murder-novel writer Harlan Thrombey (Christopher Plummer) is celebrating his 85th birthday with every member of his extended family in attendance. There is his daughter Linda (Jamie Lee Curtis) the real estate mogul and her husband Richard (Don Johnson), his son Walt (Michael Shannon) who runs his publishing agency, Joni (Toni Collette) the wife of his now-deceased son and her daughter Meg (Katherine Langford), and of course the black sheep of the family Hugh ‘Ransom’ Drysdale (Chris Evans). It is a fun evening of catching up and putting plans into place but the next morning as Fran (Edi Patterson) the housekeeper brings up his morning meal she discovers that Harlan has killed himself in the night. A week later everything has settled but then Marta (Ana de Armas), Harlan’s nurse, is called back to the house with the family by Detective Lieutenant Elliot (Lakeith Stanfield) because famed private eye Benoit Blanc (Daniel Craig) has been hired to look into the matter. Why is he there? Well because someone does not think Harlon’s death was suicide… they think it was murder. Now because of the nature of the film, it is hard to discuss it without getting into spoilers, so keep that in mind if you have not seen the film.
TL;DR – Logan Lucky is equal measures fascinating and boring, with a heavy dose of Sothern Americana on top.
Score – 2.5 out of 5 stars
I love heist films, indeed there are so many facets of them that I find really fascinating. I love the setup, the betrayals, oh and you better believe a love a good double and triple crosses, I love the prep work, the crime, the hustle and the con, and that point where everything inevitably goes wrong. I think it is safe to say that everyone has seen a heist film at some point, from both Ocean’s, Die Hard, The Thomas Crown Affair, if you haven’t the good folks over at CineFix have you covered. So I was really intrigued going in to see Logan Lucky, especially with a name like Steven Soderbergh at the helm, who has a long history of fantastic films in this genre. However as I walked out of the cinema, I was left feeling perplexed, confused and honestly, more than a little underwhelmed.
TL;DR – Not as good as Skyfall in any real respect, but much better than Quantum of Solace
Score – 2.5 out of 5 stars
If I had been reviewing Spectre right after Quantum of Solace I think I would have been much more favourable to it, simply because any Bond film has to be better than that mess. However, between now and then we’ve had Skyfall, which ditched all the story baggage they had been building upon for a standalone Bond adventure and it was a much better film. Alas Spectre decides you know what’s good let’s go back to all that lore we were building up ‘cause you know what people loved that. Ok look it is not that bad, there are some really great moments, there is just a lot of faff you have to get through as well.