TL;DR – The framing device does not work, but that is not a significant issue, as it is still an entertaining romp even without it.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Asteroid City Review –

Wes Anderson is one of those filmmakers with entirely his own style and can delight or confuse. Before I see one of his films, I am always wondering which way the pendulum will swing for me, and I think this is one of his works that will hit people differently. As I have heard people gushing over it and others bringing a more meh response. But it is finally time for the film in Australia, and it is time for us to check it out.

So to set the scene, we are introduced to a Host (Bryan Cranston) that introduces us to an anthology TV series that is showing the story behind the stage play Asteroid City by noted playwright Conrad Earp (Edward Norton), which is then presented to us as the movie proper. In a small out of the way town of Asteroid City in the middle of the American desert, there is a crater, an inn, a research centre, and an unfinished overpass. Augie Steenbeck (Jason Schwartzman), a noted war photojournalist, has arrived officially because his son Woodrow (Jake Ryan)  is a Junior Stargazer. Still, unofficially because their mother is dead, and he is about to dump his kids on their grandfather Stanley (Tom Hanks). But things change when he meets Midge Campbell (Scarlett Johansson), and oh, the world changes.