Tag Archives: Wes Anderson

The Phoenician Scheme – Movie Review

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TL;DR – Weird and wonderful in equal measure.

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Zsa-zsa looks up at you from a bath.

The Phoenician Scheme Review –

Today, we are going to experience a touch of tonal whiplash when it comes to our film reviews. Because we are going from Fountain of Youth, where I could not tell was directed by Guy Ritchie as all his signature stull was sandblasted out of the film, and in the days since I am still wondering if he actually directed that film. But now we are hard cutting to the opposite side of that spectrum with the most stylistic director working in the field today. A man with a stylistic pallet that is oft copied but never replicated. I was first introduced to Wes Anderson’s work through Isle of Dogs and Asteroid City and was delighted by his reinterpretations of Roald Dahl’s short stories like Poison a couple of years ago. This means I came into this with somewhat high expectations, and I think they met them and more.  

So, to set the scene, in 1950, Zsa-zsa Korda (Benicio del Toro) is flying above the Balkin mountains when an explosion rips apart his plane, yet miraculously, he survives, for this is not the first assassination attempt on his life. He feels like his life work might get cut off by influential players seeking to ruin him and realises that his legacy is not going to be passed down to his ten other sons. Zsa-zsa calls upon his one and only daughter, Sister Liesl (Mia Threapleton), who is about to take her nun oaths. However, he offers her a deal, well, a trial run, at being his sole heir to his fortune, as long as he can fill in the gap in this funding that the shadowy powers just forced upon him. Oh, and stop all the many, many, many people trying to kill him.

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The Wonderful Story of Henry Sugar – Movie Review

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TL;DR – A fascinating literary turducken that captivates you.  

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A writers writing room.

The Wonderful Story of Henry Sugar Review –

In the last week, we have looked at first The Rat Catcherand thenPoison, two fascinating adaptations of Roald Dahl’s short stories by Wes Anderson. It was at this point that I discovered that they were from a group of four that were released, and I had missed the first two. Well, that can not do, so we got back to the start with The Wonderful Story of Henry Sugar, which may have given some critical context for the ones that followed.

So to set the scene, we open with ‘a writer’ (Ralph Fiennes) explaining their process of getting ready to write when he introduces us to Henry Sugar (Benedict Cumberbatch). Henry is a rich man and one of the many useless rich people floating around like seaweed in the world. But Henry liked to bet. So, on one wet and dreary day, he drifted through a grand house till he came across a peculiar book in the library, A Report on Imdad Khan: The Man Who Sees Without His Eyes by Dr. Z.Z. Chatterjee, dated December 1935, Calcutta. Henry was immediately engrossed with the tale.  

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Poison – Movie Review

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TL;DR – Tense, engaging, and captivating.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

the bungalow.

Poison Review –

After watching The Rat Catcher last night, I discovered it was not just a one-off, with Wes Anderson producing several of Roald Dahl’s short stories. With that in mind, I needed to see if they were all as absurdly compelling as the first, and I jumped into Poison.  
                          
It was midnight when Timber Woods (Dev Patel) drove home, trying not to wake his roommate. He should not have bothered because Harry (Benedict Cumberbatch) was still awake. Perplexed, Woods stuck his head in to see how he was when a barely audible whisper sang out ‘Help!‘.  

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The Rat Catcher – Movie Review

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TL;DR – An uncomfortable tale that draws you in, holds you captive, and then leaves you thinking.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Richard Ayoade

The Rat Catcher Review –

As I sat down to wonder what I would watch as the weather wandered by and the well-lit day wound to a weary – what the word for end is that starts with a w would be that I can’t think of at the moment even though I scoured my mind looking for one. I looked at Netflix to discover that there is a Wes Anderson production of a Roald Dahl short story, and that is a combination you don’t say no to.

So to set the scene, one morning, an editor (Richard Ayoade) tells us of the life of a Rat Man (Ralph Fiennes) who has come on behalf of the town to a local garage run by Claud (Rupert Friend). He is a peculiar man who looks much like the prey he hunts. But then you see, rats are clever prey, as they are watching you as you pursue them.    

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Asteroid City – Movie Review

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TL;DR – The framing device does not work, but that is not a significant issue, as it is still an entertaining romp even without it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Mechanics.

Asteroid City Review –

Wes Anderson is one of those filmmakers with entirely his own style and can delight or confuse. Before I see one of his films, I am always wondering which way the pendulum will swing for me, and I think this is one of his works that will hit people differently. As I have heard people gushing over it and others bringing a more meh response. But it is finally time for the film in Australia, and it is time for us to check it out.

So to set the scene, we are introduced to a Host (Bryan Cranston) that introduces us to an anthology TV series that is showing the story behind the stage play Asteroid City by noted playwright Conrad Earp (Edward Norton), which is then presented to us as the movie proper. In a small out of the way town of Asteroid City in the middle of the American desert, there is a crater, an inn, a research centre, and an unfinished overpass. Augie Steenbeck (Jason Schwartzman), a noted war photojournalist, has arrived officially because his son Woodrow (Jake Ryan)  is a Junior Stargazer. Still, unofficially because their mother is dead, and he is about to dump his kids on their grandfather Stanley (Tom Hanks). But things change when he meets Midge Campbell (Scarlett Johansson), and oh, the world changes.  

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Awards – The Films from 2018 That Showed Off the Wonderful Glory of Animation

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The Films from 2018 That Showed Off the Wonderful Glory of Animation

Animation is a form of filmmaking that is often related to second-tier status, something just for kids. This is by both the organisations giving out the awards and also by the very guilds that are meant to be promoting their member’s work. However, they are not second-tier films, and in many ways, it is the animated films that are pushing the frontiers of filmmaking and what is possible, and they should be championed for the work that they do.     

Animated films can be hand drawn, stop/clay motion, computer generated, it does not matter, but all of them show amazing techniques of hundreds of artists that bring the work to life.

So without further ado, these are the animated films that showed us the glory of animation in 2018. Be warned that there may be some slight spoilers ahead for the films in question. 

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Movie Review – Isle of Dogs

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TL;DR – There are some aspects, like the animation which are superb, but also some things like some of the story aspects that leave you wondering why did they make that choice.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Isle of Dogs

Review –

Hmmm, this is a difficult film to review because as much as it is unique work of art celebrating a form of animation that you don’t see much these days. It is also a deeply problematic story with regards to some aspects of its narrative and characterisation, and as such, it is hard to rectify these two halves. Well, it might be difficult, but then that is what we are here to do today so it is time to rise to the occasion and dive into the world of dogs.

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