Aftersun – Movie Review

TL;DR – An emotional whirlwind – Stunning, Beautiful, and Heartbreaking.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – This film contains a lot of flashing lights.

An image of Sophie pixelated by the old camera

Aftersun Review

If one film has been bubbling away in my subconscious since last October, it was Aftersun. Everyone who had seen it spoke of it almost like a transcendent experience, but it has taken a long time to make it down to my realm and longer for me to make it to the cinema. However, if the saying all good things come to those who wait had a physical manifestation, it would be Aftersun.

So to set the scene, it is sometime in the past [I think the late 1990s before everyone had mobile phones], and Calum (Paul Mescal) goes on a family trip to Turkey with his daughter Sophie (Frankie Corio). Sophie lives with her mother, which is a chance for them to bond, but there is some apparent awkwardness for all. Calum is trying to build a relationship, while Sophie is at the age where she is finding her independence. Is this trip the start of something better or the beginning of the end?

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Tár – Movie Review

TL;DR – A phenomenal performance in a severely dull film   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Records on the floor.

Tár Review

This will be a difficult film to review because it is a movie of two very distinct parts, performance and narrative. Thus it becomes a work of incredible highs and deep lows, and trying to pass that feels like climbing a mountain. But climb we will as we dive into this fascinatingly frustrating film.

So to set the scene, Lydia Tár (Cate Blanchett) is at the height of her career. She is the first female chief conductor of the Berlin Philharmonic, being asked to do masterclasses at the Juilliard School, she has a book coming out Tár on Tár, and she has a beautiful homelife with her wife Sharon Goodnow (Nina Hoss) and daughter Petra (Mila Bogojevic). But there is a growing sense that Tár is walking on shifting sands as actions of the past start bubbling to the surface.     

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The Mandalorian: Chapter 17 (The Apostate) – TV Review

TL;DR – A bit of a disjointed episode, but still with the flashes of joy that this series has nailed.  

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this show.

Grogu.

The Mandalorian Review

Well, when we last left you in Chapter 16 (The Rescue), we were at a high point for the series, where they made a significant creative decision that would have ramifications throughout any future show. Or at least, that is what we thought at the time, and then The Book of Boba Fett sort of became The Mandalorian season 2.5 and then backslid on all that growth. For the first time I can remember, I started this week with more than a bit of trepidation, which was not completely gone when the end credits rolled.

So to set the scene, after The Mandalorian (Pedro Pascal) found the Jedi and completed his quest of returning Grogu to his people, he found himself at a loss as to what to do. But in The Book of Boba Fett: Chapter 5 (Return of The Mandalorian), he found The Armourer (Emily Swallow) and discovered a new calling, one of redemption. Because he once removed his helmet, he is now an exile from his people. The fact that it was for a noble reason was not good enough to break his sacred oath. Now he needs to bathe in the waters under the mines of Mandalore. The only problem is that The Empire glassed the planet altogether, leaving it poisoned … or maybe not. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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Creed III – Movie Review

TL;DR Creed III is electric, every punch matters, every emotion hits, and I was captivated from start to finish.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Creed III Review

If there was ever a film to remind you not to judge a book by its cover, it is the first Creed film. Creed I was a film that, on the surface, felt like it would not amount to much. A spin-off of a film series that itself had already gone well past its prime. But boy, was I wrong. That first Creed was an emotional punch to the stomach while also being a technical masterclass in how to film boxing for cinema. Then they followed it up with Creed II, which came out swinging just as much as the first. Now, Creed III is one of my most anticipated films this year as we see if they can pull off a hat trick.    

So to set the scene, since winning his rematch with Viktor Drago (Florian Munteanu), Adonis “Donnie” Creed (Michael B. Jordan) has been going from strength to strength on and off the ring, especially in his family life with Bianca Taylor (Tessa Thompson) and their daughter Amara (Mila Davis-Kent). But when he finally retires, his past comes back to haunt him. When Donnie (Thaddeus James Mixson Jr) was young, he had a friend Dame (Spence Moore II). But, unlike Donnie, Dame never got a lifeline and has spent a long time in jail. Now he is out, Dame (Jonathan Majors) is looking to show the world that he deserves to be in the ring, that it was not handed to him, and now former friends find each other on opposite sides.

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The Last of Us: Left Behind – TV Review

TL;DR – This episode shows that The Last of Us knows how to go small just as well as it can go big.

Rating: 4.5 out of 5.

Disclosure – I paid for the Binge service that viewed this show.

The

The Last of Us Review

We are at an interesting point in the season. You can see that we are on the cusp of the end game, having tramped almost across the continental USA during the season. However, we might be entering the darkest times, or at least the darkest times so far. But for me personally, this show has already emotionally wrecked me in episodes like Long Long Time, and I am not sure I am ready for it to twist the knife it has already stabbed in me.   

So to set the scene, in Kin, Ellie (Bella Ramsey) and Joel (Pedro Pascal) finally made it to Wyoming after walking for months after escaping Kansas City in Endure and Survive. It was a moment of celebration and also deep self-reflection for Joel. But more than that, they finally got a solid lead on the Fireflies, The University of Eastern Colorado. They had already left, but breadcrumbs on a map showed a new destination in Salt Lake City. Finally, an endpoint to their travels, well it would be, but then someone had to go stab Joel, and Ellie has to keep him alive. Or should she do what Joel says, leave him to die, and return to safety? Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.

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Star Trek: Picard: Disengage – TV Review

TL;DR – This episode was full of electric moments that I could not look away from.

Rating: 5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

The Shrike comes out from the nebular.

Star Trek: Picard Review

There are many things I look for in an episode of Science Fiction. Sometimes I am in the mood for an action scene, sometimes, it is a character marching into an entire soliloquy captivating the screen, and sometimes I just want to be shocked by what just happened. Well, today, we get an episode of Star Trek that does all this and more.   

So to set the scene, in The Next Generation, Picard (Patrick Stewart) is almost on his way off-world to spend some time with his love when he gets a message from Beverly Crusher (Gates McFadden) and old friend, an old flame, and someone who he has not talked to in 20 years. But she was in trouble, and with the help of Riker (Jonathan Frakes) and Seven (Jeri Ryan) [and no thanks to Captain Shaw (Todd Stashwick)], they went past the edges of Federation space to mount a rescue. But when they got there, they found a couple of surprises, including Beverly’s son Jack (Ed Speleers), but also that they might have led the person hunting Beverly right to her. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.    

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We Have a Ghost – Movie Review

TL;DR – A frustrating film sometimes, but when it finds its feet, you feel its strength and spooks.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The house at night before all hell breaks loose.

We Have a Ghost Review

I always like to see when a filmmaker takes a spin on what they are known for. Christopher Landon has a long career in horror space with Paranormal Activity and Happy Death Day, but could he make a more family-orientated supernatural film land as well? Well, this is the question we ask as we dive into a world of ghosts, or well at least a world of a ghost.  

 So to set the scene, one night, while the Moon was full, all was quiet until screams erupted from a house bathed in eerily green light. All at once a family rushes to their car and drives away, and the house closes itself up. Kevin (Jahi Di’Allo Winston) and his family move into the rundown house one year later. There is a lot of tension between Kevin and his father, Frank (Anthony Mackie), over the move, as it is one of many the family has gone through. But as Kevin walks through the house at night, it suddenly gets cold, a chair starts moving by itself, and then a spectral presence explodes out of the walls. But instead of being scared, Kevin laughs, beginning a very different relationship with the ghost Ernest (David Harbour) as they team up to help each other.     

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Cocaine Bear – Movie Review

TL;DR – It is a film about a bear high on cocaine running amok. I am not sure I need to say much more than that.     

Rating: 3.5 out of 5.

Post-Credit Scene – There are two mid-credit scenes

Disclosure – I was invited to a press screening of this film.

A Bloody phone hangs.

Cocaine Bear Review

There are many reasons why a film can capture your attention. Maybe it is the cast, a name that immediately makes you intrigued? Could it be the genre, another period romance, or a sci-fi epic? They are the only two genres, apparently. But in rare moments, a film’s title can immediately hook you. This week we have just a movie because, if nothing else, the name Cocaine Bear is instantly provocative and makes you want to work out what the heck is going on.

So to set the scene, it is 1984, and the small town of Knoxville, Tennessee, wakes up to bundles of cocaine that started falling from the sky after a drug drop went very wrong. While some landed in suburbia, most of the stash lands in the state forest near Chattahoochee, Georgia. When the drug runners catch up to the cocaine, they find a surprise waiting for them, a 500 lb (230 kg) American black bear currently consuming their property. But this is a public park, and there is more than just the drug runners walking around. I mean, what’s the worst that half a ton of muscle and claw do when high as a kite? Cue the fatalities.

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The Last of Us: Kin – TV Review

TL;DR – This week, we wallow in the murky grey of a fallen world.  

Rating: 5 out of 5.

Disclosure – I paid for the Binge service that viewed this show.

Warning – Contains scenes that may cause distress.

Sunset in the grass.

The Last of Us Review

One of the best tests of a show is how it can capture your attention in both the loud and quiet moments. Yes, you can do a good action scene, but do I believe two characters are family with troubled pasts? Can you pull off tenderness as well as bombast? Well, this week, we get an episode of television that can nail both extremes.

So to set the scene, it has been three months since Joel (Pedro Pascal) and Ellie (Bella Ramsey) left Kansas City in Endure and Survive, but the legacy of what happened there still weighs heavily on Joel. They are making their way to Wyoming but being on foot and in a post-apocalyptic world means you can get lost quite easily. This is when they run into the cabin of Marlon (Graham Greene), and Florence (Elaine Miles), who tell them where they are going is past the River of Death, where no one comes back from. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead for the show.

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A Girl and an Astronaut (Dziewczyna i Kosmonauta): Season 1 – TV Review

TL;DR – This is a fascinating romantic science fiction romp. I wish had spent a little less time on the love triangle and a bit more on worldbuilding.

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this film.

A fighter jet releases flares.

A Girl and an Astronaut Review

One thing about the Science Fiction genre that I love is just how flexible it can be. It has the facility for anyone to tell a story, which is why I love seeing how different countries and film traditions tackle sci-fi concepts. It can also be a gateway for me to cinematic worlds I have never visited before. With that in mind, today we take our first look into Polish television and a story about a long-lost love.

So to set the scene, in 2052, a space capsule appears in Earth orbit, with the astronaut Captain Nikodem Borowski (Jędrzej Hycnar) waking up from hibernation. What is odd is that the space orbiter Niko-One vanished mysteriously 30 years ago, and the company running it SkyCom, said it was lost. The whole world is waiting to see what comes of the orbiter, now it is reentering the Earth’s atmosphere, but for Marta (Magdalena Cielecka), it is more than that. It is the return of a love lost to time and space. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.

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