Category Archives: Movie Reviews

Trigger Warning – Movie Review

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TL;DR – When things click into place, this can be quite an entertaining film. Unfortunately, a lot of the connective tissue is full of awkwardness that holds it back.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Parker mourns her father.

Trigger Warning Review –

Okay, so I am going to be upfront with you right from the start. The reason I sat down to watch this film is because it has been an age since I have seen Jessica Alba in anything. She was one of those tent pole stars when I was growing up, and I am always here for a new renaissance.   

So to set the scene, we open in the Bādiyat al-Shām Desert, Syria, as two pickup trucks with machine guns chase down an aid vehicle that clearly is not delivering aid. Instead, it is driven by spec-ops operative Parker (Jessica Alba), who is very handy with a knife. But when an apparent cave-in kills her father at the mine he works in, Parker travels all the way home to deep rural America to find out what really happened. However, one look shows that the cave-in might be a very convenient conclusion.   

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Deadland – Movie Review

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TL;DR –  It is a film with a lot of intrigue, but I wish it had a bit more going on under the hood.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A man standing on the river's shore.

Deadland Review –

I do love when films get weird, when they play with your perceptions of what is real or not, though I should maybe stop playing them before bed. Today, we are looking at a film that does just that with the people in the movie, but does it have the same effect on the audience?

So, to set the scene, we find ourselves on the USA/Mexico border with US Customs and Border Patrol, where they find a suspicious van trying to cross. Agents Angel Waters (Roberto Urbina) and Ray Hitchcock (McCaul Lombardi) find just a kid behind the wheel and a whole lot of drugs in the back. It was just a routine day for The Patrol, but when Angel is alone and finds the body of The Stranger (Luis Chávez) floating dead in the river, he is the most surprised when the man wakes up out of his body bag on the drive home. But when Angel’s father, Ignacio Coronado (Manuel Uriza), returns and the dead man, now alive, turns up dead again, things start falling apart, and this is when Internal Affairs starts to sniff around.  

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Despicable Me 4 – Movie Review

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TL;DR – Look, the kids started laughing with the title card and stopped with the end credits, and I am not sure that anything more than that truly matters in the grand scheme of things.

Rating: 3 out of 5.

Post-Credit Scene – There are mid credit sequences but you don’t need to stay for them.

Disclosure – I was invited to a press screening of this film.

Minions in a pool.

Despicable Me 4 Review –

Well, it is time to get the banana papayas out because it is Minions time. Look, I have generally liked these films because there is an almost charm to the slapstick comedy that permeates every frame. Also, while my mother is not a fan of this, I don’t have any kids, so I only have to watch this film once—my deepest sympathies to those well into the double-digit viewings. But now we are six films deep into this world, can there be any more fun to be found? Well, that is what we will find out today.   

So to set the scene, Gru (Steve Carell) is still working for the Anti-Villain League, and this time, his mark is Maxime Le Mal (Will Ferrell), a heavily ‘French’ accented villain and former classmate of Gru. Indeed, Gru takes him down in the middle of their class reunion. Things are also looking up at home, where he and Lucy (Kristen Wiig) have welcomed a new child into the family, Gru Jr. But when Maxime escapes and threatens to ‘cockroach-ize’ the baby, well, the whole family has to go undercover to keep safe. You better hope your new neighbours are not secret supervillain fans.

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Inside Out 2 – Movie Review

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TL;DR – It is an oddly fascinating film that might be more important for parents to watch than the kids it is targeted at.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes of intensity.

Joy at the consul.

Inside Out 2 Review –

Back when we first started TL: DR Movie Reviews, one of the first films we looked at was a seemingly benign kid’s film that emotionally broke me and left me openly weeping in the cinemas. Inside Out was Peak-Pixar and part of that wave of cinematic greatness that included greats like Coco, Bao, and even the more recent Luca. It had a wonderfully original story with a genuine heart behind it. Well, it has been an age, but a sequel is now here, and it is time to see if it hits as hard as the first outing.

So to set the scene, since we last met Riley (Kensington Tallman), she has grown up, met new friends (Sumayyah Nuriddin-Green & Grace Lu), and started forming core beliefs to help guide her life, all while her emotions Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale), and Disgust (Liza Lapira) all help her through the day. Well, when Coach Roberts (Yvette Nicole Brown) asks Riley and her friends to come to the high school summer hockey camp, it is everything Riley has ever dreamed about. The only problem is the night before they leave, that big red puberty alarm goes off, her mind is in chaos, and oh, who is that new emotion?

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Delia’s Gone – Movie Review

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TL;DR – It just felt like there was a big struggle to take this short story and adapt it to the big screen. The cast and location help, but they can only go so far.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Rural setting.

Delia’s Gone Review –

Today, we are looking at a film that is full of potential, but it doesn’t quite come together. Which I do feel bad about saying this because you can feel everyone trying to grab onto something here, but it just doesn’t quite work.

So to set the scene, Louis (Stephan James) lives with a brain trauma that presents as someone living on the autistic spectrum. He lives with his sister Delia (Genelle Williams) and has a set routine in his life, including going to bed at 9:30. One day, after getting black-out drunk after some bad news, he wakes to find the room trashed, Delia dead in his house, and blood on his hands. He had hurt Delia the day before and assumed that the drink had made him violent and pled guilty to manslaughter at trial. Seven years later, while living in a home, Louis gets a visit from his hometown, a man named Stacker Cole (Travis Fimmel), who might have been the last one to see Delia at The Roadhouse and lets him know what happened to Delia might not have been his fault.  

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Hit Man – Movie Review

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TL;DR – A wild film with commitment in the subtext, the literal text, and also a promise to the audience.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Gary just got promoted.

Hit Man Review –

There has been a lot of talk about who is going to be the next leading man in Hollywood. Indeed, I think the last person to claim that honestly might have been Tom Cruise, maybe Robby Downer Jr., but then the question is always who is going to fill that role in the near future. When it came to raw power, we have seen that Glen Powell has that in spades, but does he have the range? Well, that is the question I think we will get an answer about today.   
So to set the scene, Gary Johnson (Glen Powell) is the epitome of a mild-mannered professor. Who spends the day teaching psychology and philosophy and nights feeding his cats. Oh, and he just shop happens to have a side hustle working undercover for the New Orleans Police Department. Traditionally, he stayed in the van working on all the tech stuff he installed. Still, one day, when the undercover officer Jasper (Austin Amelio) was not able to make it, his boss Claude (Retta) was out of options. In a moment, Gary was a hitman for hire. At least, that is what he pretends to be.  

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The Acolyte (Star Wars: The Acolyte) – Revenge/Justice – TV Review

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TL;DR – We move from intrigue to a very narrow path, but one that still has me interested.  

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

Warning – depicts scenes that may cause distress.

Mae squares off with Torbin.

The Acolyte Review –

If the last episode was an Amuse-bouche to get us ready for this world, then this week is, it is time to serve us up with an entrée, well, narratively speaking, at least. We are done speculating, and it is time to dive all into this world where the Jedi are hiding something.  

So to set the scene, Sol (Lee Jung-Jae), after securing Osha (Amandla Stenberg) and proving she was innocent because only Luke can be in two places at once. He takes his Padawan Jecki Lon (Dafne Keen) and new knight Yord (Charlie Barnett) to the planet Olega, where Mae (Amandla Stenberg) has attacked another Jedi Master Torbin (Dean-Charles Chapman). This time, she was unsuccessful in the kill, the first time, but where there is a will, there is a poison. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Atlas – Movie Review

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TL;DR – It has a rough start, but kind of finds its feet, but probably long after most of switched it off.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The Mech.

Atlas Review –

Well, if there has been one technology that can define the 2020s, it is AI. As much as that affects behind-the-scenes in exciting but also exploitive and dubious ways, we are also going to see that come to the forefront of narratives. Today’s film does just that as we dive into the world on the edge.

So to set the scene, everything was going fine on Earth until one day, every AI robotic component on Earth rebelled, killing millions. All the damage was seemingly set off by one Robot called Harlan (Simu Liu) who helped kill millions before what was left of the world combined under the ICN and fought back. Harlan escaped the planet, but twenty-eight years later, he legacy of destruction is felt by all. No more so than Atlas Shepherd (Jennifer Lopez) who grew up with Harlan as a child. When one of Harlan’s top lieutenants, Casca Vix (Abraham Popoola), was captured on Earth, everyone knew he was ready to return, the one thing Atlas was fighting to stop.

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Furiosa: A Mad Max Saga – Movie Review

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TL;DR – It is a film that roars to life and explodes on to the screen, captivating you with every turn.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit sequence.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Furiosa stands alone in the desert.

Furiosa: A Mad Max Saga Review –

Well, this was always going to be an interesting film for me. The last entry in the Mad Max Saga, as we are now calling it, Fury Road, blasted onto the world and had a profound effect on me. It is one of those rare films that I have watched over and over again, and each time, I found a new detail I had missed before. It is in my Top 10 Films of All Time list for a reason. This means that there was some trepidation when I walked into the theatre wondering how a prequel to that film could stand up, but the second my seat reverberated with a motorcycle roar, I knew that I was in for something exciting.

So, to set the scene, a young Furiosa (Alyla Browne) is living in the green land of many mothers when she comes across three bikers who have discovered their hidden sanctuary. Being captured, her mother (Charlee Fraser) chases Furiosa across the desert till they make it to the roving camp of Praetorian Jack (Chris Hemsworth). He sees her value as the one person who knows where the place of abundance is and brings her into his collection, which is where she first meets the leader of the Citadel, Immortan Joe (Lachy Hulme).

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Doctor Who: Boom – TV Review

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TL;DR – An episode that was both profound and frustrating in almost equal measures

Rating: 3 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

The face of an ambulance.

Doctor Who Review –

Oh, okay, I think today’s review is going to need a little bit of a preface going in. I honestly think the best work the renewed series of Doctor Who has ever done was when Steven Moffat was writing during the first Russell T Davies era. That is not to say I didn’t like Russell T Davies’ work. The recent Space Babies & The Devil’s Chord were a blast, and what Steven Moffat did when he was showrunner wasn’t terrible. Rory and Amy are my favourite companions that had ever been in the show. But the combination of the two was always fire, so I came into this episode with very high expectations and left it with some pause.

So to set the scene, we open on a battlefield as two soldiers are trying to get back to base, concerned about the landmines, understandably, and the ambulances, more concerningly. However, as John Francis Vater (Joe Anderson) is captured by the ambulance, we understand his fear. The Doctor (Ncuti Gatwa) arrives just in time to hear a scream and runs to the call, only to step down and see a landmine under his foot. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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