Category Archives: Movie Reviews

The Killer – Movie Review

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TL;DR – It is an odd but compelling film where we dive into the mind of a professional killer when everything falls apart.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The Killer sets up his shot.

The Killer Review –

A revenge film can be a challenging beast to pull off. Because if you don’t work on making the motivations land, then you just have a slasher flick. However, what if you had a cold, distant killer taking on interesting characters, and you can pull that off thematically? Well, that is the film that we are looking at today.

So to set the scene, it is a quiet morning in Paris as The Killer (Michael Fassbender) waits for The Target (Endre Hules) in a cold and gloomy room. He waxes philosophically as he sits there waiting. He has one job, to kill his target, and he does not care who it is as long as he is paid. But what happens when, at the last second, someone gets in the way of your target, and your whole reputation disappears instantly? How many redundancies did you really plan? Are they enough? And are you prepared for the coming storm?

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The Marvels – Movie Review

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TL;DR – This was just a fun delight from start to finish.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene and an audio tag at the end.

Disclosure – I paid to watch this film.

Sing and dance.

The Marvels Review –

We are in an interesting time for the MCU. The once dominant cultural force in the cinematic landscape is now starting to find itself on rocky footing. It has struggled to find its voice in the post-Endgame world, with only Guardians 3 shining in the mix. It is in this space we get a film that stars two characters that we only introduced in the Disney+ series, and that might be a tall order to pass.

So to set the scene, Kamala Khan (Iman Vellani) is enjoying spending time writing comics about her hero, Captain Marvel (Brie Larson), instead of doing her science homework, but little did she know that on a planet in space, Dar-Benn (Zawe Ashton) is digging up her other bangle. This fractures space-time, and as Captain Marvel and Captain Rambeau (Teyonah Parris) investigate just what happened, they all get zapped by the energy. This would be bad enough on any day, even less because now, whenever one uses their powers, they switch with each other.

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Killers of the Flower Moon – Movie Review

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TL;DR – A stunning work of art that captivated me for its entire runtime.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to see this film.

The sisters take a photo.

Killers of the Flower Moon Review –

There are some films where you know where you will land when the credits roll, but others still sit with you and reverberate through your brain over the coming days. Today, we look at just such a film that powered through my soul, with performances that were almost once in a generation.

So to set the scene, The Osage Nation had been forced from their homelands by the United States, but as luck or fate would have it, they found oil and became wealthy in this new land. Like any mineral found in human history, there was a rush to the county for those looking for work and making it rich. One such person was Ernest Burkhart (Leonardo DiCaprio), who moved to the area to work with his uncle, William King Hale (Robert De Niro). Here, his uncle subtlety suggests that he marries a local Osage lady because there is a chance that oil headrights could end up with them, which he does with Mollie Kyle (Lily Gladstone). But what if you could help those progressions of headrights towards you with some targeted deaths?

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Werewolf by Night in Color – Movie Review

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TL;DR – A delightful romp through times past, made with the techniques of today, Now in Color.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

Marvel Studios logo in color.

Werewolf by Night in Color Review –

Last year, we reviewed Werewolf by Night, an experiment and, honestly, one of the best things that the MCU put out on Disney+ … and much to my despair, no one watched it. Well, they are taking a second crack at the project by presenting it “In Color”, so on this final day of the spooky season, it feels like the perfect time to jump back in and see if the colour has changed anything. To save you searching, we will begin with the review we wrote for it the first time out and then look to see if the “In Color” changed anything.     

So to set the scene, we open on a dark night in a mansion deep in the woods where Ulysses Bloodstone’s (Richard Dixon) funeral is about to take place. All across the globe, the hunters gathered because this was both a funeral and a hunt. Whoever of the death dealers wins the ceremonial hunt gets the coveted Bloodstone, a relic of immeasurable power. But one of the hunters may actually be the hunted? 

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The Rooster – Movie Review

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TL;DR – A powerful meditation on the intersection of masculinity and loneliness.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Warning – This film contains scenes that may cause distress.

Gum trees creak overhead.

The Rooster Review –

Loneliness and masculinity are two intersecting topics that are important to explore, but I rarely see it done well. I think it is challenging to have honest conversations about this topic when we still live in a world where mental health is seen as a taboo topic. Whatever the case, I am glad that the film we are exploring today is taking the time to jump into this topic.

So to set the scene, we open with Dan (Phoenix Raei), who is tormented by the same dream every night. He lives alone in a forested rural region of Victoria and is one of the town’s only police officers. His is a quiet life, only punctuated by the struggle to feed the rooster each morning who only wants to attack Dan. However, this peaceful life is ripped asunder when his friend Steve’s (Rhys Mitchell) body is found. This is a fulcrum moment, leaving Dan unable to cope with the world. But as he tries to drink his sorrows away, he discovers a Hermit (Hugo Weaving) living alone in the forest who might be a kindred spirit with a ping-pong table.  

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Bring Him to Me – Movie Review

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TL;DR – An oddly tense film about bringing a man to his coming fate.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A masked man with a gun.

Bring Him to Me Review –

One of the perks of being a film reviewer in Australia is watching Aussie films make it to the big screen. Even more so when they have filmed the movie around where you live, and you get to play the game ‘Wait, I know that bridge’. Well, today we get to review that hits both these marks as it galivants pair towards danger.

So to set the scene, we open in on a robbery in progress, where a money cleaner (Sam Neill) is very put out by having his night ruined. Even more so when they threaten his son (Zac Garred). The next day, the Driver (Barry Pepper) is called by his Boss (Rachel Griffiths) because everything went wrong the night before. Something has to have caused it, so the Driver needs to pick up one of the other members of the robbery, The Kid (Jamie Costa), who stuffed it up and, as the title implies, bring him to her.  

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Uproar – Movie Review

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TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review –

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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Five Nights at Freddy’s – Movie Review

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TL;DR – It captures the feel of the video games, though the added narrative might not work for everyone.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Freddy Fazbear’s Pizza

Five Nights at Freddy’s Review –

In the not-so-distant past, if you heard the words ‘video game adaptation’, it would provoke a feeling of instant cringe. At best, they were okay, often terrible, and much of the time, they were embarrassed about the very material they were adapting. But 2023 has bucked that trend with The Last of Us and Gran Turismo, some of the many knocking it out of the park. Well, it is time to see if they can keep this run going and terrify me simultaneously.   

So to set the scene, we open in on a man (Ryan Reinike) in clear distress as he crawls through some vents, desperate to escape, but no exit can be found. Sometime later, Mike Schmidt (Josh Hutcherson) is desperately looking for a new job after mistaking a father grabbing his kid for a predator. If he can’t get a job, he will lose custody of his sister Abby (Piper Rubio) to their awful Aunt Jane (Mary Stuart Masterson). With very few options left, he takes a security gig at Freddy Fazbear’s Pizza. It was once all the rage but has sat chiefly abandoned since the 1980s. All Mike must do is sit in the security room and keep an eye on the place, but no one told him the place might be keeping an eye on him.

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The Retaliators – Movie Review

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TL;DR – It plays with some interesting concepts and an ocean of blood but does not quite stick the landing.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – This film depicts scenes of abuse.

A man at a graveyard.

The Retaliators Review –

I remember seeing a trailer for this film last year and being intrigued by the concept. Is there a pressure point so severe that it would turn a peaceful person to use violence? I wondered when we would get it here in Australia, so I was intrigued when the screener arrived to see how it would explore that central issue.

So to set the scene, after hearing some musing on evil, we found ourselves near Hillsdale, New Jersey. When a tire bursts, two women are trying to take a shortcut near a local slaughterhouse stop to change it, not knowing the horror they found themselves in. We then encounter John Bishop (Michael Lombardi) and his family. John is a local pastor who does not believe in using violence to solve his problems. However, this will be tested when his daughter Sarah (Katie Kelly) accidentally stumbles across a crime and is chased down by Ram Kady (Joseph Gatt), a father’s worst nightmare.

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Loki: Breaking Brad – TV Review

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TL;DR – A follow-up that plays with intensity and emotions.  

Rating: 4 out of 5.

Disclosure – I paid for the Disney+ subscription that viewed this show.

Post-Credit Scene – There is no End-Credit Scene.

The Temporal Loom.

Loki Review –

Last week, we dived into the first episode of Loki’s second season with Ouroboros, and to be clear, we came in with a bit of trepidation. But after a solid first episode, it made me a touch more assured, even more so as we end the follow-up today.  

So to set the scene, the TVA is barely holding on by the seams as timeline after timeline branches off. At the same time, OB (Ke Huy Quan) is trying to find a way to help the temporal loom handle all the new branching timelines. Loki (Tom Hiddleston) and Mobius (Owen Wilson) are desperately trying to find Sylvie (Sophia di Martino) before it all falls apart. They have one hint: a temp pad used by Hunter X-5 / Brad Wolfe (Rafael Casal). But when they return to 1977, London, they find that Hunter X-5 has become Brad Wolfe, actor extraordinaire. We will be looking at the episode as a whole from here, so there will be some [SPOILERS] ahead. 

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