Category Archives: Movie Reviews

Moonage Daydream – Movie Review

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TL;DR – This documentary is a psychedelic kaleidoscope, but you should come into it preparing for a marathon rather than a sprint    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Warning – This film contains strobing lights in places.

Glitter falls from the celling into Bowie.

Moonage Daydream Review –

While I have been enjoying this current resurgence of musical biopics, I have connected the most instead when films have dived into the more traditional documentary form to explore someone’s life, like Gurrumul. Today we look at a documentary that might also be an experimental artwork in its own right.  

So to set the scene, well, actually, I am not sure that works in this particular situation because this is a film that does not follow a traditional or even non-traditional form of narrative structure. What we get here is a snapshot of different parts of David Bowie’s life, works, and art, as well as what inspired him and how he inspired so many.

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The Invitation – Movie Review

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TL;DR – A completely generic story slightly elevated by a cast understanding what type of film it is and playing to it.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A DNA Test.

The Invitation Review –

There is a whole world of mythology waiting to be mined for ideas, yet we always seem to come back to one or two touchstones, one of which is vampires. The question then becomes, can you do something new in a space that has been mined for hundreds of years? Probably not, but can you still make it entertaining? Well, that is the question we get to explore in today’s film, The Invitation.

So to set the scene, we open in a dark mansion on a stormy night. A woman in a white dress breaks out of her locked room and runs through the building but not seeing an escape, she decides to kill herself than stay where she is. Moving to New York City, we meet Evelyn “Evie” Jackson (Nathalie Emmanuel), a struggling ceramics artist who takes up catering jobs to make a living. After one of those jobs, she gets one of the leftover goodie bags with a DNA kit. Lo and behold, she discovered that she had a relative, a cousin called Oliver (Hugh Skinner), who happened to be coming to New York from England on business. When they meet up, Oliver invites her to the social wedding of the century at the estate of Walter De Ville (Thomas Doherty). There be red flags a plenty, but without any family of her own left, Evie takes the trip, unsure of what she will find on the other side of the pond.  

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Three Thousand Years of Longing (3000 Years of Longing) – Movie Review

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TL;DR – While it might meander to the end, it shines when it delves into stories and vignettes of the past.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

Three Thousand Years of Longing the book.

Three Thousand Years of Longing Review –

Few films have ever captured my soul quite like Mad Max Fury Road, a movie that changed and shaped my engagement with cinema. It made such an impact that when I heard that the team behind the film, including director George Miller, were back for another ride. Well, I had to check that out on the opening day.

So to set the scene, once upon a time when humans flew through the skies on metal wings while pulling stories out of the air on their glass pads. A Narratologist called Alithea Binnie (Tilda Swinton) is making her annual trip from her gloomy home in England to a more exotic land in Istanbul to attend a conference of peers. But when she arrives, she starts to see things that are not quite right. Ignoring them as artifacts of her over-active imagination, she spends some time in Istanbul’s Grand Bazar, and she picks the one junk pile, in one of the rooms, in one of the thousands of shops and finds a glass jar whose life told a story. But she got more than what she wished for when in her hotel room, she decided to clean the jar up and inside was a powerful Djinn (Idris Elba) who gave her three wishes.   

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6 Festivals – Movie Review

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TL;DR – A transcendent exploration of music, youth, and the times in our lives where the two powerfully intersect.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Paramount+ service that viewed this film.

Warning – contains scenes that may cause distress.

Utopia Valley, Central Coast, NSW, New Year's Eve.

6 Festivals Review –

When people write stories about young people, they often look back to their own lives as inspiration. But there becomes a disconnect between setting something in the now based on a feeling from the past. This issue can lead to outdated films before they even make it to the screen. Well, today, we look at a movie that avoids those pitfalls by focusing on the very real and now.

So to set the scene, we open on a small rowboat in the middle of the river as three friends, James (Rory Potter), Maxie (Rasmus King), and Summer (Yasmin Honeychurch), drink wine out of a box and sing Powderfinger’s My Happiness. They are using the boat to sneak into the Utopia Valley music festival on the central coast of Australia’s New South Wales. But they are soon rumbled by the cops and have to do a quick fence jump to get in. The festival is a riot, right up until the cops catch up with them, and James is forced to reveal that he has cancer. Knowing that he can use his cancer as a good excuse, the three convince James’s mum Sue (Briony Williams), to take them to the Big Pineapple festival and more, as they try to hit six festivals in a row.     

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Beast – Movie Review

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TL;DR – It starts strong and has genuinely terrifying moments, but it does not have the legs to make it to the end.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

A truck drives through the South African bush.

Beast Review –

A long tradition of films can be summed up as ‘an unknowable antagonist hunts down our plucky protagonists’. If we slip into horror, this can be a slasher hunted down kids at a summer camp, dinosaurs running amok in Jurassic Park, or you could flip it, and the unstoppable force is the protagonist as in John Wick. However, one of the more popular scenarios in this realm is animals, and while sharks may have been king for a while, today’s film looks to unseat them with the big cats that roam the savannah.

So to set the scene, it is late a night as a group of poachers stalk through the bush to a trap they have set up. Letting loose a barrage of gunfire, they kill all the lions there, bar one that gets away. The next day, Nate Samuels (Idris Elba) and his daughters Meredith (Iyana Halley) and Norah (Leah Sava Jeffries) arrive at Mopani Game Reserve in South Africa to spend time with Martin Battles (Sharlto Copley), an old friend of Nate and his late wife. Nate is a ranger at Mopani, and in the morning, he gives the group a tour around the preserve, even in the areas the public doesn’t usually see. But when they see a man running out onto the road covered in blood and go to help, they soon realise that there is something out there in the grass coming for them.

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Bosch & Rockit (Ocean Boy) – Movie Review

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TL;DR – A delightful meditative film that explores two damaged lives trying to find their way, and it shines when the film focuses on that.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

Walking into the surf with the sun setting in the background.

Bosch & Rockit Review –

I am not sure why Coming-of-Age films capture you as well as they do. Every part of a person’s life should be as interesting as any other, yet there is something about these stories that always captures your attention. This is probably why we see many of these films throughout the year, but some connect better than others, and today we get to look at just such a film.

So to set the scene, we open in on the New South Wales coastline as a young boy Rockit (Rasmus King), is surfing barrels in the waves. While he is struggling with school and wanting to spend time surfing, his father Bosch (Luke Hemsworth) makes money selling weed farmed from his property in the hills. Things are going well until Bosch’s partner and local copper, Keith (Michael Sheasby), brings in a new boss Derek (Martin Sacks), who wants them to sell coke as well. This is bad, but before Bosch can work a way out of this mess, a bush fire crashes down the hill and leads the cops right to Bosch’s farm. Knowing he is rumbled by the police, both legitimate and dirty, Bosch grabs Rocket and goes on the run, or as he calls it, ‘a holiday’.

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Secret Headquarters – Movie Review

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TL;DR – It surpasses its generic premise with some absolute joy until it hits a point where it can’t decide on the tone it wants to go for.    

Rating: 3 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid for the Paramount+ service that viewed this film

Owen Wilson looks into a glowing orb.

Secret Headquarters Review –

If there is one genre that is king at the time of writing, it is the superhero movie. But in a world dominated by one genre, you rarely see films that are not coming from the big two titans of Marvel and DC. Today, we look at a movie that breaks that duopoly, as long as you don’t look too closely at the Iron Man-ish details.   

So to set the scene, one night in the backwoods of America, Jack (Owen Wilson) and his wife Lilly (Jesse Williams) were enjoying a fire by their campsite when there was an explosion in the sky. Soon a jet fighter and something else fall out of the sky. Given how remote they are, Jack races to help when he finds a stranded Captain Irons (Jesse Williams) and a crashed UFO. An orb comes out of the ship, scans the two, and picks only Jack to be its guardian before self-destructing. 10-years-later Jack and Lilly are divorced because Jack spends too much time “at work,” almost always ignoring his son Charlie (Walker Scobell). On Charlie’s birthday, Jack flakes out again but unknowingly leaves Charlie alone in his house. When Charlie invites his friends Berger (Keith L. Williams), Maya (Momona Tamada), and Lizzie (Abby James Witherspoon) over, they accidentally stumble on his secret lair because Jack is not just a delinquent father working at an IT company but The Guard, a superhero saving the world from calamities.   

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Nope – Movie Review

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TL;DR – This is a film that swings wildly, where you have moments of pure terror, but I am not sure it all comes together in the third act.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes that may cause distress.

a feild of waking inflatable men

Nope Review –

Today, I look at a film that is quite difficult to review. Challenging in that from a production perspective, I have rarely seen a movie that works as well as this. But from a narrative perspective, there were moments that negatively impacted me that I am still trying to process the day after. It is also a film that is hard to talk about without immediately heading into spoilers that might impact your time with the film. Well, it might be difficult, but I’m still going to take a solid crack at it. As such, it is time to dive into our review of Nope.

So to set the scene, we open on a TV set in the 1990s, a sitcom with rows for audience seating, but only there is no one there even though the applause signs still flash. But we see a chimpanzee sitting with blood on its hands while a lifeless body lies in the background. Flash forward to the current time, and we are introduced to Otis Jr. “OJ” Haywood (Daniel Kaluuya), who works with his father Otis Haywood Sr. (Keith David) at Haywood Hollywood Horses. A ranch that trains horses for TV and movie productions. While OJ is doing all the work and wondering where his sister Emerald “Em” Haywood (Keke Palmer) is, he hears something odd coming from the sky. Then what looks like hail starts hitting the ground on a clear day, but it is not hail but metal shrapnel like keys and coins, one of which strikes Otis Sr. in the head. While the siblings struggle to keep the ranch going in the wake of this tragedy, the story of the objects falling out of a plane just does not hold up, and they start to wonder what else might be out there in the sky.

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Austin Powers: International Man of Mystery (1997) – Exploring the Past

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TL;DR – While it works as a time capsule of the 90s, so much of this film was left back 30 years ago  

Rating: 2.5 out of 5.

Post-Credit Scene – There are mid-credit scenes

Disclosure – I paid for the Binge service that viewed this film

A henchmen and the Steam roller.

Austin Powers Review –

When you have had a bad week, one reflex you do is go back to old films from your youth. The only issue is that the movies of your youth might often not have the narrative legs you once thought they did, or you are just looking at them with new eyes. This week, the film in this situation is the James Bond spoofing Austin Powers.

So to set the scene, in 1967, somewhere outside of Las Vegas, Dr Evil (Mike Myers) is holding court with his minions, frustrated that none of them has been able to kill the famous British agent Austin Danger Powers (Mike Myers). Meanwhile, in London, after a significant musical number during the credits, Mrs Kensington (Mimi Rogers) lets Austin know that Dr Evil has set a trap for him at the Electric Psychedelic Pussycat Swingers Club. Not wanting to be left out, Austin goes to the club, but Dr Evil is about to escape and has himself cryogenically frozen. In 1997, NORAD is looking at their scopes, and suddenly an object appears, and they discover that Dr Evil has returned, and it is time for the world to need Austin Powers again.   

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Prey – Movie Review

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TL;DR – a perfect blend of action and tension that makes you sit on the edge of your seat and makes your skin crawl every time you hear the predator’s sound.     

Rating: 4.5 out of 5.

Post-Credit Scene – There is something at the end of the mid-credits.

Disclosure – I paid for the Disney+ service that viewed this film.

Naru looks into the sunset.

Prey Review –

There are some directors that when you watch their debut film, you know they will soar because this first film is already a master to watch. One of those directors was Dan Trachtenberg, who, with 10 Cloverfield Lane, terrified me when using one location and just three actors. But it has been a long transit between drinks, and I am happy to be able to watch his follow-up, which is a new take on the Predator franchise.  

So to set the scene, in 1719, on The Northern Great Plains in the land which is now called America, lived Naru (Amber Midthunder), a member of the Comanche Nation and a skilled axe thrower. One day when she was hunting a white-tailed deer, the animal became spooked by a loud noise from above. Seeing an alien spaceship in the clouds and interpreting it as a thunderbird, Naru knows it is time for her kühtaamia, where she hunts something hunting her. When a mountain lion takes one of the tribe, Naru, her brother Taabe (Dakota Beavers), and a group of young men search through the forest to find him, unaware that behind a cloaking shield, a Predator (Dane DiLiegro) lies in wait.   

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