Category Archives: Movie Reviews

She Said – Movie Review

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TL;DR – Even with all the frustrating production decisions, there were still moments when it landed when it needed to.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Warning – Some scenes may cause distress

The New York Times

She Said Review –

One of the most important social movements of the early 2000s has to be the ‘Me Too’ movement. This has been a moment in time exploring and exposing the silence around sexual harassment and misconduct in the workplace. Every industry has had its own reckoning, including Hollywood, which is the base for the film we are looking at today.

So to set the scene, we open with a film set on the coast of Ireland as a young woman starts a job on a film set. Hard cut to London, where the same lady is running down a London street alone with tears rolling down her face. In 2016, after an expose about misconduct failed to dent President Trump’s election Rebecca Corbett (Patricia Clarkson) of The New York Times asked her journalists to integrate all the systems that project perpetrators. Two journalists, Megan Twohey (Carey Mulligan) and Jodi Kantor (Zoe Kazan) start on the trail of a whole system supporting the abuse of a high-profile producer in Hollywood because something is rotten in the state of Miramax and Harvey Weinstein.

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Sweet As – Movie Review

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TL;DR – A film that will make you laugh and cry in equal measure, that brings a profoundly Australian feel to a coming-of-age story set in the simple stunning Pilbara.

Rating: 4 out of 5.

Post-Credit Scene – There are photos during the start of the credits

Disclosure – I paid to see this film

The bus on the highway.

Sweet As Review –

One of the best things about film festivals is finding gems you have not heard about. Today we see just such a film that I caught at the closing gala of The Brisbane International Film Festival. A film about finding yourself along the coast of Western Australia.

So to set the scene, Murra (Shantae Barnes-Cowan) lives with her mother, Grace (Ngaire Pigram), in a mining town on the Western Australian coastline. Murra has to mainly look after herself as her mum struggles with addiction relapses, which comes to a head when someone from one of Grace’s parties tries to break into Murra’s room one night. Calling in on her uncle Ian (Mark Coles Smith), he realises that there are very few options for her left. Using his connections as a cop, Ian gets Murra into a photography program for at-risk kids run by Mitch (Tasma Walton) and Fernando (Carlos Sanson Jr.). The program was designed as a way to help, maybe even a last chance, for Murra and the three other campers, Elvis (Pedrea Jackson), Kylie (Mikayla Levy), and Sean (Andrew Wallace) it could well be.

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Enola Holmes 2 – Movie Review

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TL;DR – While it is not much more than a fun romp through this universe, sometimes that is all you need.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film

Enola looks at a map.

Enola Holmes 2 Review –

When the first Enola Holmes rolled around, I wounded if they could bring something new to the Sherlock Holmes world, given its many adaptations recently. The answer was a resounding sort of. Some moments landed, even if it was a relatively straightforward story. However, the characters shone through, and it was clear that Millie Bobby Brown was giving it their all, making the thought of a sequel a good idea. Now we are here, well it was a fun time.    

So to set the scene, since Enola Holmes 1, Enola (Millie Bobby Brown) has started up her own detective agency. The only problem is that no one believes she can be helpful, and they just want to see her brother Sherlock (Henry Cavill). However, when she is about to throw in the towel, a young Bessie (Serranna Su-Ling Bliss) comes with a month-old newspaper clipping. Because her sister Sarah (Hannah Dodd) is missing, and no one cares because they work in a match factory. She is poor and not worth the time for many, but not Enola because a case is afoot.    

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Werewolf by Night – Movie Review

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TL;DR – A delightful romp through times past, made with the techniques of today.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

Marvel Studios logo in black-and-white.

Werewolf by Night Review –

Given that today is the culmination of the spoopy season, I wanted to delve into something a little horror or horror-adjacent. But I didn’t have much time between everything I had to do and what I wanted to see. Good thing something I needed to catch up on was only one hour long. Also, after loving his musical composition and watching his take on Short Treks, I wanted to see what Michael Giacchino could do with a longer runtime.  

So to set the scene, we open on a dark night in a mansion deep in the woods where Ulysses Bloodstone’s (Richard Dixon) funeral is about to take place. All across the globe, the hunters gathered because this was both a funeral and a hunt. Whoever of the death dealers wins the ceremonial hunt gets the coveted Bloodstone, a relic of immeasurable power. But one of the hunters may actually be the hunted?  

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Armageddon Time – Movie Review

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TL;DR – A deeply personal and emotional film that gets messy in all the best and worst ways.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Warning – Contains scenes of abuse.

Disclosure – I was invited to a screening of this film at the Brisbane International Film Festival.

Ronald Regan.

Armageddon Time Review –

I have long said that I am perfectly fine with crying in the cinema during a film. If the movie’s emotions move me, then fantastic. Indeed I even have a list of them. But there is a bit of a difference between a single stoic tear making its way down the side of your face and ugly crying for so bard you need to freshen up in the bathroom afterwards. Today, we are looking at a film that, even with all its flaws, falls in the latter category.

So to set the scene, it is 1980 in Queens, New York City, on the first day of school. Paul Graff (Banks Repeta) is starting in a new school, and just minutes into the day, he is already getting in trouble with the teacher Mr Turkeltaub (Andrew Polk). Not a great start, but he does get to meet his new friend Johnny (Jaylin Webb), who also ires Turkeltaub. Paul is trying to find his place in a world that feels like it is about to get snuffed out at any moment, with only his grandfather Aaron Rabinowitz (Anthony Hopkins) being able to reach him. Much to his parents, Esther’s (Anne Hathaway) and Irving’s (Jaylin Webb) frustration.

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Robbing Mussolini (Rapiniamo il Duce) – Movie Review

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TL;DR – It might not stick the landing, but it was an interesting romp through Italy at the end of WW2.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film

The crew in cartoon form.

Robbing Mussolini Review –

If there is one genre I adore when it is done well, it is a Heist film. The setup, the betrayals, the secret moments that impact all, and then the suspense. Add to that a true story, well as the film admits a true-ish story, a location that is impossible to enter, and a looming end to the war with a seven-day countdown. Well, you have a good foundation for a Heist.

So to set the scene, we are in Milano (Milan) in 1945 at the tail end of WW2. Chaos abounds at fascist checkpoints in the city, as the Allies have already taken the south, and the march north has begun. It is a difficult time, with the Italian Fascists and Nazis on edge. In a movie theatre as Mussolini’s propaganda blares Isola (Pietro Castellitto), one of the last black marketers and Yvonne (Matilda de Angelis), a noted singer plot. For you see, there are riches in Milan that are about to be looted from the city, well, not if they have anything to say about it. I mean, it was not for entirely altruistic reasons, but altruistic adjacent.

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Bros – Movie Review

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TL;DR – While incredibly funny at times, it loses its momentum under the weight of the narrative.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Bobby Lieber records the podcast.

Bros Review –

If there is one genre that has almost standardised its narrative, it is the Romantic Comedy. For better or worse, when you go into one of these films, especially the plethora of made-for-tv films that come out during the holidays, you can probably chart the course of the movie in the first five minutes. The business lady will discover she wants a family too. The widower will find love in the most unlikely [i.e. very likely] place. Old lovers, now foes, will become lovers again. This is not necessarily bad. You can still do great things with a tried-and-true formula, but I am always looking for a film that could break through those models, and we might have just such a film today.    

So to set the scene, Bobby Lieber (Billy Eichner) is a podcast host of The Eleventh Brick at Stonewall and has been chosen to be the curator of a new National LGBTQ+ History Museum in Manhattan. It is his dream job, and his complete focus, which, given he is incredibly single, works well for him. He prides himself on his independence, even if that means some awkward hook-ups along the way. However, one night at a nightclub, he connects with Aaron (Luke Macfarlane), who ghosts him, un-ghosts him, and then ghosts him again. It is perplexing, but for some reason, it makes Bobby more interested in discovering just what his deal is.

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The School for Good and Evil – Movie Review

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TL;DR – There were hints of something fabulous here, but it just felt like it was always held back from reaching its true potential.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film

The School for Good and Evil

The School for Good and Evil Review –

Many genres land for me on a personal level; one of them is taking traditional narratives and bringing a new twist to them. You can see it clearly when someone takes a swing at an old fairy tale and brings new life into it. Today we are looking at just such a film in a land far from our own, full of good and evil.

So to set the scene, in the long past of the fairy tale world, two brothers, Rhian (Kit Young) and Rafal (Kit Young) created a school to bring balance between good and evil, a balance that is now broken between them and the world after the use of forbidden blood magic. A long time later, in the small town of Gavaldon, two outcast girls, Sophie (Sophia Anne Caruso) and Agatha (Sofia Wylie), are complete opposites but also best friends. One day while in town, they stop into Deauville’s Storybook Shop, they learn about the legend of The School of Good of Evil, and Sophie puts all her hope into the wishing tree that it is real. Well, one night, under a red sky, they find out the answer the hard way. Even worse, they might have made a mix-up as they stare down Lady Leonora Lesso, the Dean of the School for Evil (Charlize Theron) and Prof. Clarissa Dovey, the Dean of the School for Good (Kerry Washington).  

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The Peripheral: Pilot – TV Review

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TL;DR – It does what you need to in a show like this and builds the world and the mystery from the start.  

Rating: 4 out of 5.

Disclosure – I paid for the Prime Video service that viewed this show.

Warning – Some scenes may cause distress.

A mod

The Peripheral Review –

It has been a while since I have sat down to a good sci-fi mystery. One that makes you scratch your head and wonder how all the different parts connect. I think the last one that truly captured me like this was Westworld. Which is good timing because you can see those influences in the show we are looking at today.

So to set the scene, we open in London in 2099 as Wolf (Gary Carr) sits on a park bench as holographic galleons recreate a battle on the pond in front of him. As he watches a young girl Aelita (Sophia Ally), approaches the bench without shoes. She wants to save a world, not the one they are in now, that is lost, but another world, one that can still be saved. In the Blue Ridge Mountains in 2032, Flynne Fisher (Chloë Grace Moretz) is helping her sick mother, Ella (Melinda Page Hamilton), when she notices that her medicine is being cut by her no-good brother Burton (Jack Reynor). Confronting him, she instead gets dragged into helping some guys beat a level in a WW2 VR Video Game, something she is very good at. At work, she is given a package for her brother, a new VR machine that she can beta test, and get money for her family. But the immersive VR set in a future London is more real than anyone expected. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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Black Adam – Movie Review

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TL;DR – This is a film where nearly anything of interest was sandblasted off to give us a bland expedition with some moments of interest.     

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film.

Black Adam floats in the ocean.

Black Adam Review –

I came into this film with a lot of trepidation. To say that Warner Bros has had a challenging year with its merger would be an understatement, losing nearly any goodwill they had with them. Add to this that the DCEU has struggled with very straightforward hero narratives. How would they go with an anti-hero? But if nothing else, the charisma of Dwayne Johnson is strong, and if anything can help a film, it is that.

So to set the scene, 5,000 years ago, in 2,600 BCW, in the land of Kahndaq, Black Adam (Dwayne Johnson) was chosen by the wizards to stand up to the local despot. SHAZAM, and the palace explodes. In the present, Kahndaq is still under the control of occupiers, and Adrianna Tomaz (Sarah Shahi) is trying to hide treasures from the Intergang mercenaries when she finds Black Adam’s tomb. He is finally let free, but all that time has not blunted his desire for revenge and rampage. Seeing a potential threat, Hawkman (Aldis Hodge) and the Justice Society Doctor Fate (Pierce Brosnan), Cyclone (Quintessa Swindell), and Atom Smasher (Noah Centineo) try to show him a different path or at least get him to surrender peacefully. But then, the Black Adam is not peaceful.   

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