TL;DR – This is one of those films that the more I have had time to think about it, the less I liked it. Compelling performances are not enough when you are swimming in the thematic shallow end of the pool but pretending you jump in the deep end.

Post-Credit Scene – There is no post-credit scene.

Warning – Contains scenes which may cause distress.

Disclosure – I was invited to a press screening of this film.

Joker: Folie à Deux Review –

Well, hmm, this was always going to be a complex review for me because I did not connect at all with the first Joker film. While many were rightly praising Joaquin Phoenix’s performance and Hildur Guðnadóttir’s musical score. I came away from that narrative feeling primarily hollow. It felt like this was a movie that wanted to say something about mental health, the role of the press, and the way that societies disenfranchise people and then get upset when they work outside societal norms. But the writing felt like someone wanted to talk about all these issues but didn’t have all that much to say other than ‘see … look … bad’ which, yes, okay, but we already knew this: what are you bringing to the table other than you watched Taxi Driver? But we are in sequel territory, and I am always happy when a sequel can improve on the original work. Well, let’s see if that is what we have today.

So, to set the scene, it has been two years since ‘The Joker’ as Arthur Fleck (Joaquin Phoenix) has been dubbed, causing a riot across Gotham City after killing a popular TV host live on air. Since then, he has been housed at Arkham State Hospital a place where nothing ever goes wrong at all. However, as his court case for his crimes draws close, Arthur meets a new inmate, Harleen “Lee” Quinzel (Lady Gaga), who might be just what he needs or a manipulation that could have drastic effects. Now, in our review today, we will spend the first half looking over some of the general themes. When we get into some of the minutiae of the narrative, we will warn you when we might touch on some spoilers.