Tag Archives: American Cinema

Wicked (Wicked: Part 1) – Movie Review

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TL;DR – One of the most faithful musical adaptations that I have ever seen, but that brings all the musical’s strengths and weaknesses.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Emerald City.

Wicked Review –

Today, we are looking at what might be the most convoluted production history in this site’s history. We are reviewing a Movie [Wicked] adaptation of a Musical [Wicked], which is an adaptation of a Novel [Wicked: The Life and Times of the Wicked Witch of the West], which is a reinterpretation of another Novel [The Wonderful Wizard of Oz], which in itself is most well known for its Movie Adaptation [The Wizard of Oz] whose design legacy can be seen our feature today. There have even been several more attempts to work in this space in recent years, with Oz the Great and Powerful and even Agatha All Along earlier this year. It could be a crowded or iconic market position, but does it make the most of its situation? That is what we will look at today.

So, to set the scene, Elphaba Thropp (Cynthia Erivo) has not had an easy life ever since she came into this world covered in a dark shade of green. She was thought of as some kind of curse by her own family and lived almost in isolation with Midwife (Sharon D. Clarke), her bear nurse. Growing up, she always had these moments where she acted out with magic, but she could never control the bursts. But her life is changed when one of those magical bursts happens as she is escorting her sister Nessarose (Marissa Bode) to Shiz University, and she is spotted by Madame Morrible (Michelle Yeoh) expert in all things magic. The only problem is that there are no rooms for her at the university unless Galinda Upland (Ariana Grande-Butera) shares her private suite.  

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The Boy & the Octopus – Movie Review

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TL;DR – For what is essentially one big ad, it is still charming to boot.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

The Octopus.

The Boy & the Octopus Review –

Can an advertisement have artistic merit? That is the question that we are asking today as we explore a short Christmas film from Disney that is crammed with product placement to the point of rupture. But does that make it not worth the watch?

So, to set the scene, one day, a small boy (Solomon Horta) went swimming in the reefs and found an octopus friend who refused to leave his head. Even when they fly home, it is still there. Now, it goes with him wherever he goes, including the Christmas markets.

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Piper (The Piper) – Movie Review

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TL;DR – While Piper has a solid premise, it does not have the narrative to hold you for the runtime.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

The Piper on a roof top.

Piper Review –

Today we are looking at an interesting film, in that I think we have something with an interesting premise, is conceptionally quite sound, yet ended up feeling more lacklustre than anything else. It is an odd disconnect that I hope to explore.

So, to set the scene, Liz (Elizabeth Hurley) and her daughter Amy (Mia Jenkins) have moved across the world to a small town in Germany. The town is so quiet and charming that they didn’t need their local prison so they turned it into a school where Liz will now work. Just don’t ask about the wi-fi. But beyond the charm, this is a city with a dark secret, but secrets are everywhere, and these secrets could kill.

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Gladiator II – Movie Review

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TL;DR – It has a strong cast, all the bombast you need, and a solid narrative. It is just frustrating that it has these creative choices throughout that just rip you out of the film.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film

The Battle of Numidia.

Gladiator II Review –

Well, 2024 has been the year of the legacy sequel, with Alien: Romulus, Beverly Hills Cop: Axel F,  Beetlejuice Beetlejuice, and Twisters all trying their hands on it to a mixed success. The next cab off the rank might have the most significant legacy of them all, or at least the most attempts in the past to make a sequel because there have been many. But it has been 24 years since our last outing of Gladiator, and we have to ask, was this the film we needed, or should it have stayed contained in the past?

So, to set the scene, it has been 20 years since the death of Marcus Aurelius, and Maximus Decimus Meridius’s slaying of Commodus did not bring about the grand return of the Republic. Instead, it drove it deeper into tyranny. Rome is now ruled by the Twin Emperors Geta (Joseph Quinn) and Caracalla (Fred Hechinger), who care more for blood and entertainment than the people’s health and happiness. Looking to secure their reign, they lashed out at any place defying the Empire using their dutiful general Marcus Acacius (Pedro Pascal). The last free city on the Mediterranean was in Numidia, where a young man (Paul Mescal) and his wife, Arishat (Yuval Gonen), live. It is a pitched battle, but the Romans win, and the young man who is versed in Roman poetry is carted off to die in the games after watching his wife fall to an arrow. But he stubbornly refuses to die in the arena, which brings the attention of Macrinus (Denzel Washington), who has the want to change his position, and now he has the means.

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Gladiator (2000) Review – Exploring the Past

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TL;DR –. When the bombast hits, you still feel what made it a special film all those years ago.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Paramount+ service that viewed this film.

A hand in the wheat fields.

Gladiator Review –

In this day and age, companies are trying to find a way to get people back into the cinemas, and the current plan has a lot to do with bringing back classic films with sequels decades later. That means this week we get a new Gladiator film, which I am honestly looking forward to. But as I was sitting there, I realised it had been a decade since I had watched the first film, and that is something that I had to fix, and there is no better time than the present.

So, to set the scene, it is at the height of the Roman Empire, and the Romans controlled everything from Britain to the Deserts of Africa and Arabia. In the north, Emperor Marcus Aurelius (Richard Harris) was fighting a campaign against the tribes of Germania, led by his one trusted general, Maximus Decimus Meridius (Russell Crowe). But when Commodus (Joaquin Phoenix), the son of the emperor, discovers that his father wants to restore the Republic, he kills him. He has Maximus arrested when he won’t declare loyalty to the new emperor. Maximus escapes, but before he can get home, his family is murdered, and slave traders capture him. Now, he has but one choice: die in the arena or win and get revenge for his fallen.

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Red One – Movie Review

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TL;DR – If it was not for a strong start, you probably could have dumped this on Netflix, and no one would have noticed.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Santa Clause lifting weights.

Red One Review –

It is that time of year, and it is beginning to look a lot like Christmas. The shops are dressed up, there is the looming pressure to finish things up before the end of the year, and walking outside feels like taking a shower with this humidity. It is here that a new flood of Christmas Films will be launched, trying to make the most of the holidays, and that is what we are looking at today.

So, to set the scene, it is a cold Philly night just before Christmas, and at the mall sits Santa Claus (J. K. Simmons), listening to all the kid’s wishes for presents and being protected by Callum Drift (Dwayne Johnson). But this ain’t no average mall Santa because Santa Claus is real, and there is a global military/political/intelligence apparatus keeping him safe. Well, that is until Jack O’Malley (Chris Evans) is paid to hunt down a disturbance in the polar region, and some kidnaps Santa right under the head of North Pole security’s nose on Christmas Eve.

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Venom: The Last Dance – Movie Review

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TL;DR – The Venom films have always had a tension between wanting to be fun character works and needing to fit into this weird franchise they are building. This is the first time that I think the franchise won.

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I paid to watch this film

Venom.

Venom: The Last Dance Review –

I know when people think about film franchises, the ‘Sony Spider-Man Universe’ that can’t use Spider-Man is kind of a joke. They have not really helped themselves anyway with entries like Morbius and Madame Web. However, I have always had a bit of a soft spot for the Venom films Venom & Venom: Let There Be Carnage. If for no other reason than it was fun to watch Tom Hardy play off himself in the two roles. But I think we might be at the end of that road today.

So, to set the scene, Eddie Brock / Venom (Tom Hardy) is currently hiding out in Mexico after getting blamed for the deaths in the last film. They make a plan to sneak back into America and head to New York, where Eddie knows a judge that they can bribe to make this all go away. However, while they make their plans, little do they know that out in the universe, Knull (Andy Serkis) is posturing from his jail cell and may have found the way out of his eternal damnation. Oh, and the military wants them too.

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Saturday Night – Movie Review

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TL;DR – A movie that embraces the chaos of its subject matter with such reverence it ends up hurting the final product.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

30 Rock.

Saturday Night Review –

Today, we are looking at a bit of an odd duck of a film. One that swings wildly, stampeding through the chaos of its subject material with the gusto of a rhino in full tilt. However, that approach is going to be a boon or a detriment for you, depending on how you are approaching this film. For me, I am not someone who religiously tunes into Saturday Night Live. Sure, occasionally, a sketch from the show will bubble into the subconscious like Natalie Portman, Undercover Boss, or the recent Mother. Also, the most impacting sketch for me and my comedy journey came almost wholly disconnected from the show. So, you always know it is there, and its legacy in the movies that have and have not worked and the comics it has brought to the forefront. It is within that framework we look at the film today.

So, to set the scene, it is October 11, 1975, and Lorne Michaels (Gabriel LaBelle) is out in front of 30 Rockefeller Plaza trying to get an audience to see his show with an NBC Page (Finn Wolfhard). That is because it is 90 minutes before his first show goes to air, and nothing is going right. The studio is having less and less faith in his vision, the cast is in chaos, the crew is in a state of revolution, oh, is that a fire, and why is there a llama? There are only 90 minutes to pull this all together, but that is going to be hard when there is not even a runtime yet.

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Agatha All Along: Familiar by Thy Side – TV Review

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TL;DR – It is flashback time, which might have been the most expected position the show could take.  

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this film.

Willian finds Lilia Calderu

Agatha All Along Review –

If you are a Disney show and you just made a significant character reveal before you move into the closing episodes, you better believe that it is time for a flashback episode. I am not sure that this is a particular Disney choice, but it feels like one. But the question is: is this a good flashback episode? Well, that is what we will look at today.    

So, to set the scene, William Kaplan (Joe Locke) was just a normal kid in Eastview when his Bar Mitzvah was evacuated during the final battle in WandaVision. Chaos ensues everywhere as his parents, Rebecca (Maria Dizzia) and Jeff (Paul Adelstein), try to get the family home. But, little did they know that this day would forever change the family in ways no one could have predicted. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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Transformers One – Movie Review

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TL;DR – By taking the series back to the basics, they found the core of what makes Transformers so compelling.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

The surface of Cybertron.

Transformers One Review –

If there has been one modern series that I have had such a mixed experience with, it is Transformers. For every Bumblebee, we get a Dark of the Moon and more. But thanks to those cartoons of my youth, including Beast Wars, I still have a deep fondness for the series and always turn up to see if this is the film where they nail it. Today, we are shifting things up with a new animated film that goes all the way back to the start, to a time when there were no Autobots and Decepticons.  

So, to set the scene, a long time ago, on a planet far, far, away, we are introduced to two miners deep in the depths of Cybertron. For millenniums, Energon ran freely on the planet. Still, after a disastrous battle with the killed all the Primes bar Sentinel Prime (Jon Hamm), and the Matrix of Leadership was lost, the wells dried up, and now nearly everyone has to delve into the dangerous mines to keep the city of Iocon running. While Orion Pax (Chris Hemsworth) is just a miner who does not even have a cog to let them transform, he dreams of finding the Matrix of Leadership and saving the city. This gets him in trouble quite a bit, and he often needs to get bailed out by his best friend, D-16 (Brian Tyree Henry). But when the pair get banished to the basement depths of the city, they stumble across an old beacon being unknowingly kept by B-127 (Keegan-Michael Key). They have a choice: do nothing or risk going onto the dangerous surface and changing their lives forever.     

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