The Ministry of Ungentlemanly Warfare – Movie Review

TL;DR – Big personalities and a lot of action, but not a lot more than that.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

Anders Lassen looks through a porthole covered in blood.

The Ministry of Ungentlemanly Warfare Review

If there is one film that people have asked me for, it is what happened to The Ministry of Ungentlemanly Warfare? It looked like it was everywhere, and then it disappeared, but that cast and director should have cut through. Well, today, we have a chance to answer that question and give it a look as it finally got a release here in Australia.   

So, to set the scene, it is the height of WW2, and things are not going well for the Allies. In the middle of the Atlantic, patrolled by German U-Boats, a sailboat is being inspected by Nazis. The Nazi Commander does not like the laughing Swedes, even less when those Swedes mow down all his men. It is here that we discover just what is going on. The UK is the last significant power in Europe, not occupied by Axis Powers, and they are being cut off from the air and sea. Hitler is not playing by the rules, storing the rearming operations for the U-Boats in neutral territory. Well, then, it is time for the UK to retaliate with a group of soldiers who do not play by the rules. Led by Gus March-Phillipps (Henry Cavill), Operation Postmaster, all they have to do is sink an Italian Ship in neutral territory before the Nazis move it. To do this, they need a team: Henry Hayes (Hero Fiennes Tiffin), the navigator; Freddy Alvarez (Henry Golding), the explosives expert; Anders Lassen (Alan Ritchson), who is good with wet work, and Geoffrey Appleyard (Alex Pettyfer) intelligence. With Heron (Babs Olusanmokun) and Marjorie Stewart (Eiza González) embedded on the island of Fernando Po, it should all go fine … right …?   

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Deadpool & Wolverine – Movie Review

TL;DR – While it languishes in parts, the camaraderie and love for what they are doing is off the charts, and you feel that love in every part of the film.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

Lady Deadpool.

Deadpool & Wolverine Review

Well, here we are, with a movie that is either the MCU’s latest desperate attempt to try and get either the multiverse or the mutants to work. Or a fun fourth-wall-breaking meta romp bro road trip through the Fox X-Men years via someone who liked that one bit in Loki season 1. Yet, somehow it is both of these things, and in the process, might be better than the sum of its parts.

So, to set the scene, after we deal with the ethical quandaries laid bare by the existence of Logan, we find that things have not gone well for Wade Wilson/Deadpool (Ryan Reynolds) since we last saw him in Deadpool 2. While his friends always surround him, and he has made it along the way, no one in power trusts him, and rejection after rejection leads to him shutting himself off from people, especially on this birthday. But when henchmen from the TVA arrive to take Deadpool to see Mr Paradox (Matthew Macfadyen), he finds out that this timeline is dying, and the only way to save it might be to find himself a new Wolverine (Hugh Jackman).

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The Delicate Cycle – Movie Review

TL;DR – It makes the most of its one location to explore the emotions of significant life changes.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A washing machine about to start.

The Delicate Cycle Review

While a short film can be constraining, those limitations can be turned into strengths. You can concentrate things down into their core forms. For example, that transient information that gets passed down from generation to generation. Today, we are looking at a film that is working in that space.  

So, to set the scene, it is just a typical day for Lance (Fred Mancuso) as he gets into the laundromat as early as possible to get his clothes done. Usually, there is no one there, bar maybe Anita (Yassmin Flores), but today there was someone new, a young kid called Adam (Dean Norris Jr.) who is in the process of trying to win at Ms Pacman but also struggling with his emotions.

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Arena Wars – Movie Review

TL;DR – This is an ambitious film, and while I don’t think it ever reached that ambition, it was fascinating to watch.

Rating: 3 out of 5.

Post-Credit Scene – There is a scene throughout the credits.

Disclosure – I was sent a screener of this film.

The Big F##king City

Arena Wars Review –

Today, we are looking at a difficult film to review because you get pulled in two different directions. On the one hand, as a critic, I need to review what is on the screen, but as a human being, you can also see the potential that could have been.

So, to set the film, it is 2045, and in The Big F##king City, there is only one way that convicted felons can get out: by appearing on Arena Wars, a TV show that everyone watches, well everyone used to watch. The convicts have to fight through seven different rooms with seven violent killers in them to be able to go free. The brand is on life support, and they need to win back the audience that is becoming bored of death. In the Rodimus Federal Prison in the Washington DC City State, Luke Bender (John Wells) is sitting with a 200-year sentence, covering for their superiors who stuffed up. But they need a hero for the arena, and Luke is in the wrong place at the wrong time.     

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Breakwater – Movie Review

TL;DR – There are a lot of elements here that work; the cast is fantastic, and the setting lands. It is just the narrative glue that is meant to hold all that together starts peeling off far too early in the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A boat slinks through the sound.

Breakwater Review

Today, we are looking at a film with two halves, a strong cast and setting, but then a narrative that misses the mark. Quite often, you will hear people say that a film really needs only one of the two. Well, today, we will see that feeling put to the test, and I am not sure it will hold up.  

So, to set the scene, it is Dovey’s (Darren Mann) last day at the St. Brides Correctional Facility and his mentor Ray Childress (Dermot Mulroney) gives him a mission. A storm washed an old ship mast up on the beach, and in the photo, Ray spotted his estranged daughter. As Dovey tries to reacclimatise to the world outside, he is haunted by what he had to do to survive. But Ray can’t wait for the year of parole to be up, so Dovey has to choose: not keep a promise or potentially go back to jail because he broke his parole conditions.

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Beverly Hills Cop: Axel F – Movie Review

TL;DR – This is a film that entirely knows what it wants to be and completely nails that delivery. How much you will like that will depend on how you gel with the premise.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Detroit Jacket.

Beverly Hills Cop: Axel F Review

Well, here is a blast of the past, and even in our reboot-obsessed culture, this feels like a deep cut. Well, that is, until you hear the music, and then you 100% understand why. However, it had been 30 years since the last entry, and that is a lot of ground to make up for. There is only so much that synth can do, but let us see if there is a story that can work, given the shifts in the police force since the last outing.

So, to set the scene, Axel Foley (Eddie Murphy) is still a cop who is completely fine with causing mass destruction to capture his crooks in Detroit. However, times have changed; a snowplough is indiscriminate in its chaos, and this is the last time Jeffrey Friedman (Paul Reiser) can cover for him. But when an old friend (Judge Reinhold) lets him know that his estranged daughter Jane’s (Taylour Paige) life has been threatened in Beverly Hills. Axel takes the first flight back to his old stomping grounds, and they discover that they might be more alike than they want. They both know Detective Sam Abbott (Joseph Gordon-Levitt), but Billy is missing, and it might be time to cause some mayhem in Beverly Hills.      

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A Quiet Place: Day One – Movie Review

TL;DR – A gripping work that holds onto you from those first minutes and never lets up as the world collapses around it.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this movie.

The Aliens arrive in the sky.

A Quiet Place: Day One Review

It is time to step back into this universe that oscillates between complete quiet and a riot of explosions. I fundamentally enjoyed both A Quiet Place and its follow-up, A Quiet Place Part II. However, both of those films looked at how this apocalypse would affect a small town. It is now time to take this roadshow to a large city, which is, in fact, one of the largest cities in the world, and see just what would happen.

Sam (Lupita Nyong’o) lives in a hospice counting down her days on earth through the prism of forced poetry when one of the nurses, Reuben (Alex Wolff), convinces her and her support cat Frodo (Schnitzel & Nico) to come into New York City to see a play. While there, the puppet show had to be finished early because something was going down in New York, and the Hospice wanted them all home, which was when the first explosion hit.

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The Bikeriders – Movie Review

TL;DR – While this film is a beautiful character feature, however, its pacing and subject matter make it difficult to connect and care.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Tom Hardy rides into town.

The Bikeriders Review

Today, we are looking at an interesting film because it has been a weird rollercoaster for me. When I first heard of the premise and cast, I was so giddy. It was a combination that had to be seen to be believed. But then that first trailer dropped … and it was not great. I came into this screening with more than a bit of apprehension that ended up being a little justified.

So, to set the scene, it is 1965 and fresh new journalist and photographer Danny Lyon (Mike Faist) is interviewing people from the Vandals motorcycle club. Of particular interest was Kathy Cross (Jodie Comer), who entered this world as an outsider before falling in love with the dangerous but charming Benny (Austin Butler). Everything is going well under the watchful eyes of leader Johnny Davis (Tom Hardy). But the question is: is that security earned, or is everything on the cusp of falling apart?

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Hundreds of Beavers – Movie Review

TL;DR – It was a completely wild ride from start to finish. I am not sure I have ever seen a film like this before, and I doubt I will ever again.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Jean Kayak pops out of a hole.

Hundreds of Beavers Review

For the last year, I kept hearing rumblings of this weird Beavers film that everyone needed to see. It is super low budget, weird in every way, yet utterly engaging. It is the sort of film that never gets a theatrical realise in Australia; well, that is, it does not usually get one. I was fundamentally surprised to see this was not the case here, but more than that, I was excited to see just how a film like this could come together, and I am not sure if anything prepared me for this.  

So, to set the scene, deep in the 19th century, Jean Kayak (Ryland Brickson Cole Tews) is an applejack producer, a very alcoholic liquor that everyone near and wide travels to, given how good it is. However, a stray beaver damages the giant kegs storing the Applejack, destroying the store and orchard in the process. Jean has only one option: get even with the beavers. The only problem is that he will have to survive first, which might be easier said than done. It is not like it is a brutally cold winter, and he has nothing to his name but the clothes on his back and the ability to carve interactive sculptures out of wood with his teeth.  

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Trigger Warning – Movie Review

TL;DR – When things click into place, this can be quite an entertaining film. Unfortunately, a lot of the connective tissue is full of awkwardness that holds it back.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Parker mourns her father.

Trigger Warning Review

Okay, so I am going to be upfront with you right from the start. The reason I sat down to watch this film is because it has been an age since I have seen Jessica Alba in anything. She was one of those tent pole stars when I was growing up, and I am always here for a new renaissance.   

So to set the scene, we open in the Bādiyat al-Shām Desert, Syria, as two pickup trucks with machine guns chase down an aid vehicle that clearly is not delivering aid. Instead, it is driven by spec-ops operative Parker (Jessica Alba), who is very handy with a knife. But when an apparent cave-in kills her father at the mine he works in, Parker travels all the way home to deep rural America to find out what really happened. However, one look shows that the cave-in might be a very convenient conclusion.   

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