Tag Archives: Animation

Dog Man – Movie Review

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TL;DR – This is a profoundly silly premise. However, they commit to it with such gusto that you can’t help but be brought along with it.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was given a free ticket to see this film.

Dog Man jumping in the air.

Dog Man Review –

There are animation studios out there that are defined by the visual style that they use in their films. You can look at a Studio Ghibli or Pixar film and know it comes from one of those studios. This was once the case for DreamWorks Animation. However, in recent years, I have been fascinated by the different experiments that they are taking with their animation styles. Puss in Boots: The Last Wish, The Wild Robot, and The Bad Guys have all shown this in action. Today, we get to see the next entry in this experiment with Dog Man.   

So, to set the scene, Ohkay City is under threat from Petey (Pete Davidson), the world’s most evil cat. Chief (Lil Rel Howery) sends out the only team that can take Petey down, Officer Knight (Peter Hastings) and his Golden Retriever Greg (Peter Hastings). They may be a menace, but they are the only hope the city has, that is, until tragedy strikes. A bomb set by Petey explodes badly, injuring Knight and Greg. There is no hope until a nurse has a bright idea: why don’t we attach the good dog head and the good human body, and Dog Man (Peter Hastings) was born?     

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The Day the Earth Blew Up: A Looney Tunes Movie – Movie Review

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TL;DR – A fun pomp back to that past nostalgia, which, while not quite having the strength to get all the way to the end, was still a blast when it leaned into the looney side of the toons.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I paid to watch this film.

Daffy Duck and Porky Pig

The Day the Earth Blew Up: A Looney Tunes Movie Review –

Unfortunately, if there has been an entity that has been the most affected by this current blight of shelving products for tax purposes, it has been the Looney Tunes. So, to see one of those fallen products escape containment and get a release was reason enough to make it down to the cinemas. My big question was: could it connect with a new audience? And I was fascinated to see the outcome.  

So, to set the scene, Daffy Duck (Eric Bauza) and Porky Pig (Eric Bauza) have grown up together under the guidance of Farmer Jim (Fred Tatasciore). But with him gone and suburbia encroaching on their former farm, they are stuck with a profound predicament: find $10,000 to fix a hole in their roof, or their house will be condemned. But what caused the hole? Why is that scientist (Fred Tatasciore) covered in goo? And does it have something to do with Petunia Pig (Candi Milo), who just walked into the coffee shop?

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The Works from 2024 That Showed Off the Wonderful Glory of Animation

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Animation is a form of filmmaking that is often related to second-tier status, something just for kids. This is done by both the organisations giving out awards and the guilds promoting their members’ work. However, they are not second-tier films; in many ways, animated films push the frontiers of filmmaking and what is possible, and they should be championed for their work.     

Animated films can be hand-drawn, stop/clay motion, or computer-generated; it does not matter, but all of them show the unique techniques of hundreds of artists that bring the work to life.

Our Highly Commended Films in 2024 are The Lord of the Rings: The War of the Rohirrim & Moana 2

Our Highly Commended TV in 2024 are: Jurassic World: Chaos Theory, Knuckles & Star Trek: Lower Decks

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Robot Dreams – Movie Review

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TL;DR – A warm winter hug while the winds blast all around you.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Robot Dreams Review –

One of the many strengths of animation is how easier it is to translate across cultures and languages. There are a lot of examples, maybe most notably, that show that with sound localization, the skies are the limit. But what if not even the language was a barrier?

So, to set the scene, it is 1984 in New York, and Dog sits alone at night eating his microwaved meal. In his loneliness, he sees an ad for a companion robot, and phone orders it right away. One building montage that would put Ikea to shame later, and while pigeons watch, Robot is created. So, Dog takes Robot on a tour of the city, but things go wrong on a trip to the beach when Robot breaks down, and Dog can’t get to him.

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Wallace & Gromit: Vengeance Most Fowl – Movie Review

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TL;DR – A fun blast of nostalgia and charm, but not much more than that.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

A crimes lead back to Wallace.

Wallace & Gromit: Vengeance Most Fowl Review –

One of the great joys, when I was a kid, was being stuck in my mother’s university library, bored out of my brain, but then discovering they had this VHS collection of wired animated stop-motion films. It was my first jump into the world of Aardman, and I have always looked forward to a new entry whenever they come out. Indeed, Chicken Run is still in my Top 10 Animated Films of All Time. Well, today, we get to dive into the latest entry and back into the world of Wallace & Gromit.

So, to set the scene, it has been years since the dastardly Feathers McGraw was apprehended by the eccentric inventor Wallace (Ben Whitehead) and his loyal beagle Gromit. Now, the two live together in a house full of inventions, but inventions don’t tend to pay the bills. That is when Wallace comes up with Norbot (Reece Shearsmith), a smart gnome that can clean and tidy gardens. But when Feathers McGraw spots this from their zoo jail cell, soon a plan of vengeance most foul is afoot.

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Mufasa: The Lion King – Movie Review

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TL;DR – This movie feels like a little cub trying to put its footprint inside one of their parents. It’s cute, but it does not compare.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A pride of Lions.

Mufasa: The Lion King Review –

I’m going to be honest; I came into his film feeling a bit apprehensive. On the one hand, The Lion King is one of my favourite animated films of all time and was the first film I ever watched in a cinema. However, the 2019 version fell flat in so many ways. Would the second time be the charm or be more of the same?

So, to set the scene, Kiara (Blue Ivy Carter) is concerned because a storm is coming, and her parents, Simba (Donald Glover) and Nala (Beyoncé Knowles-Carter), have gone to give birth to a second child. But she was not left alone because Timon (Billy Eichner) and Pumbaa (Seth Rogen) were there for security. But what is the best way to pass the time? Well, it is to have a story, and the best storyteller around is Rafiki (John Kani). Who tells the time when her Grandfather Mufasa (Braelyn Rankins/Aaron Pierre) first stepped into the world alone?

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The Lord of the Rings: The War of the Rohirrim – Movie Review

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TL;DR – It is not a perfect film, but goodness, it was a joy to jump back into this world with all its horns blaring.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Héra befriends an eagle.

The Lord of the Rings: The War of the Rohirrim Review –

Few things get me excited as hearing the words ‘there is a new Lord of the Rings film about to be realised’. It is a world that brings me back to my childhood, back to reading The Hobbit and seeing those Lord of the Rings films for the first time. Well, today, I get to capture that joy because while I might not hold space for Defying Gravity, I do keep a place in my heart for The Ride of the Rohirrim.

So, to set the scene, there are many stories in Middle Earth about wizards and dragons or great wars and clashes of good and evil. But as Éowyn (Miranda Otto) explains, many stories are just as important and don’t get told made into songs but get talked about around the campfire. Almost 200 years before the War of the Ring, on the plans of Rohan lived Héra (Gaia Wise), the only daughter of Helm Hammerhand (Brian Cox), ruler of all the Rohirrim. She rode a horse like it was an extension of her wild fury, charming the people and frustrating her father in equal measure, those secretly he delighted in her wildness. But when of the Lords, Freca (Shaun Dooley) demands a meeting of the Lords of Rohan and tries to position his son Wulf (Luke Pasqualino) as the rightful husband for Héra. Helm would hear nothing of it and strikes Freca down with a single blow and chases Wulf away. He did not mean to kill Freca, but sometimes unexpected actions create unexpected outcomes.

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Moana 2 Review: A Visual Spectacle with Emotional Depth

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TL;DR – While the plot might be a bit convoluted in places, and the music does not hit quite as hard. When the story, emotion, and characters collide, you can’t help but feel that joy wash over you.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Moana blows a shell horn.

Moana 2 Review –

This is a good day for me because I honestly believe that Moana is the best-animated film that Disney has made in their current era. I loved the world that they built, the narrative they created, and the music they crafted. Coming back into this world was always going to be a joy for me, but given how much I liked the first film, can it ever live up to what has come before?

So, to set the scene, it has been a number of years since the events of Moana, and Moana (Auliʻi Cravalho) has spent that time exploring out from Motunui to find new foods, new resources, but also to reconnect with the people that Te Fiti had cut off. However, no matter how many islands she discovers, she can’t find any people. But when Heihei (Alan Tudyk) stumbles across some pottery that shows that there are people out there, Moana puts together a team of Loto (Rose Matafeo), Kele (David Fane), and Moni (Hualālai Chung) to explore. However, there may be a god out there who does not want them to succeed, hoping she will end up like her ancestor Tautai Vasa (Gerald Ramsey), the last Wayfinder who failed to find the fabled island.

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Transformers One – Movie Review

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TL;DR – By taking the series back to the basics, they found the core of what makes Transformers so compelling.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

The surface of Cybertron.

Transformers One Review –

If there has been one modern series that I have had such a mixed experience with, it is Transformers. For every Bumblebee, we get a Dark of the Moon and more. But thanks to those cartoons of my youth, including Beast Wars, I still have a deep fondness for the series and always turn up to see if this is the film where they nail it. Today, we are shifting things up with a new animated film that goes all the way back to the start, to a time when there were no Autobots and Decepticons.  

So, to set the scene, a long time ago, on a planet far, far, away, we are introduced to two miners deep in the depths of Cybertron. For millenniums, Energon ran freely on the planet. Still, after a disastrous battle with the killed all the Primes bar Sentinel Prime (Jon Hamm), and the Matrix of Leadership was lost, the wells dried up, and now nearly everyone has to delve into the dangerous mines to keep the city of Iocon running. While Orion Pax (Chris Hemsworth) is just a miner who does not even have a cog to let them transform, he dreams of finding the Matrix of Leadership and saving the city. This gets him in trouble quite a bit, and he often needs to get bailed out by his best friend, D-16 (Brian Tyree Henry). But when the pair get banished to the basement depths of the city, they stumble across an old beacon being unknowingly kept by B-127 (Keegan-Michael Key). They have a choice: do nothing or risk going onto the dangerous surface and changing their lives forever.     

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The Wild Robot – Movie Review

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TL;DR – This is a stunningly beautiful film that hit me with a wave of emotions as if I were standing by the seaside watching them roll in.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit stinger.

Disclosure – I was invited to a press screening of this film.

Roz surrounded by butterflies.

The Wild Robot Review –

It is school holiday time here in Australia, and that usually means a web of family films gets unleashed into the cinemas. Many are quite average fare, just looking to entertain the little ones for an hour or two in air conditioning. However, every now and again, you find something exceptional, and this is what we will be looking at today.

So, to set the scene, in the potentially distant future, a bunch of otters find a very peculiar item washed up on shore. It is a box with some contraptions. After some exploration, they accidentally set it off to discover it was a ROZZUM unit 7134 (Lupita Nyong’o) personal assistance robot. She is now activated and is not looking for a task. The only problem is that she does not speak wild critter, and they are all afraid of her. But when a bear attacks, she accidentally crashes into a goose nest, leaving only a single egg behind. Roz has to look past her programming with the help of Fink (Pedro Pascal), a local fox who would be happy to eat the issue away and Pinktail (Catherine O’Hara), an opossum who knows about motherhood. Because the little Brightbill (Kit Connor/Boone Storm) needs to eat, swim, and fly, all before winter sets in. Because if he doesn’t leave on migration, he will die.

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