Movie Review – The Happytime Murders

TL;DR – Take everything wrong with Bright, smash it into Who Framed Roger Rabbit with all the charm removed, and sprinkle in some jokes about puppet sex and you pretty much have this film.

Score – 1.5 out of 5 stars

Post-Credit Scene – There is some behind the scenes footage during the credits

The Happytime Murders: Image Credit: STK Films/Roadshow Films

Review

Well … that was an experience, I’ll tell you that much. I mean it has a lot of bits that usually I really like, like the noir setting, a ‘who done it’ mystery, and a story that is wanting to subvert a genre. I also really like Melissa McCarthy as an actor, and well they also upset Sesame Street and well that’s interesting all in itself. However, none of this matters because at no point does the film come together and at best it hits moments of being mediocre.

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Movie Review – Sweet Country

TL;DR – Sweet Country is a film I think more people need to see because it confronts our nation’s past and helps contextualise the grief of a people.

Score – 4.5 out of 5 stars

Post-Credit Scene – No

Sweet Country

Review
There are some films that are so perfectly timed with their release that they capture a moment in time. We saw that last year with Wonder Woman (see review) and we are likely to see it in a months’ time with Black Panther, and if there was ever a film that Australians needed to watch at the moment it is Sweet Country. It is a film that is both bleak and beautiful, fascinating and demoralising, a difficult film to watch, but also one that everyone needs to see.

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Awards – Key Moments in Cinema in 2017 Part 2

 

TL;DR – This is the end of the year, so let’s take a look back at the year that was by examining twenty categories across cinema, ranging from exquisite to the obscured and all between

Awards Banner

Awards

 

It is the end of the year (well a bit later than that but life happened) and while I will have the traditional Best of 2017 and Worst of 2017 lists, I have found that both of those lists miss some of the important facets that make films work, or not work. To eligible for these awards, they simply had to be a film I reviewed in 2017, and there may be some notable absences simply because we have not got those films here yet. So in Part 2 of 4, we look at five different categories that deal with the cinema of 2017.

  • The films that just didn’t quite work
  • The best line of dialogue in cinema
  • Movie trends that I am really sick of
  • The grossest moments I had to sit through
  • The films I will go to bat for

So let’s dive into TL;DR Movie Review’s Awards of 2017 Part 2

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Movie Review – Bright

TL;DR – It is only the power of Will Smith and Joel Edgerton’s acting, plus some great makeup and prosthetic work, that drags this film out of being a complete write off.

Score – 2.5 out of 5 stars

Bright

Review

Ok, I want to start this by saying smashing genres and worlds together is kind of my jam, I love the worldbuilding, and taking something familiar and twisting it into something new. So when I heard the setting for Bright I was really excited. Taking those familiar fantasy setting, themes and races and transporting them into the modern world, it’s like Max Landis wrote a film just for me. But, and oh it is a big but, for the most part, it just does not work, and at best we get a mediocre C-List film with a B-List budget and A-List leading stars.

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