Tag Archives: British Cinema

Wonka – Movie Review

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TL;DR – A delightful romp through Wonka’s past, full of musical energy and more than a few full-belly laughs.

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

An overhead shot of dancers making a W out of umbrellas.

Wonka Review –

I am going to be perfectly honest with you from the start, when I heard that there was going to be a prequel based on the back story of Willy Wonka, I could not help but roll my eyes. The constant francisation of the cinema landscape has led to many of these projects that just feel like they are going through the motions rather than having anything interesting to say. However, now that I have seen it, I am glad to say that I was wrong.

So to set the scene, we open as Willy Wonka (Timothée Chalamet) arrives in a mysteriously unnamed European City. He has spent the past few years sailing around the globe, finding the best combinations for chocolates, and he is now ready to share them with the work at the famous Galleries Gourmet. But Wonka has a kind view of the world and is not prepared to be crushed by the Chocolate Cartel run by Slugworth (Paterson Joseph), Prodnose (Matt Lucas), and Fickelgruber (Mathew Baynton). Nor does he read the small print before taking a room in Scrubbit’s (Olivia Colman) Laundry as recommended by Bleacher (Tom Davis), a less-than-savoury individual. However, just when things are at their lowest is when you can really shine, and his new friend Noodle (Calah Lane) helps him find that.

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Polite Society – Movie Review

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TL;DR – A blast of fun from start to finish, even before the wirework starts flipping people through the air.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The sisters.

Polite Society Review –

During the year, there were those films that I meant to see, but circumstances always got in the way of screening or sessions. For me this year, one of the ones that slipped away was the fascinating Polite Society. Well, it has now dropped on streaming, so I can see if it holds up as well as I hope.

So to set the scene, Ria (Priya Kansara) has had one dream all her life: to become a stuntwoman. She films herself on YouTube, trying to break into her future, and she usually drags her sister, Lena Khan (Ritu Arya), to film. But she can’t master the flying reverse spin kick no matter how much she practices. However, Ria has a crisis of faith when her sister decides to get married to Salim Shah (Akshay Khanna) rather than go back to art school. He is a smarmy wanker, or so Ria feels, but as her life starts to unravel, her future starts looking equally fraught.  

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Saltburn – Movie Review

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TL;DR – A torrid and often shocking affair, but one you have trouble looking away from.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes with prolonged flashing lights.

Disclosure – I was invited to a press screening of this film

Oliver reflected in the table.

Saltburn Review –

There can be a multitude of emotions that can wash over you when the end credits roll. Disbelief, boredom, shock, sadness, horror, resignation, frustration, and even anger. However, never in my time reviewing films have I ever had this particular set of emotions permeating through my mind. A combination of revelation, horror, shock, and sheer amazement. It is this film that we explore today.

So to set the scene, it is 2006, and Oliver Quick (Barry Keoghan) has made it into Oxford, but he didn’t have wealthy parents. He got in on a scholarship, which immediately set him apart from everyone else there. He longs to be part of the group, and being friends with local heartthrob Felix Catton (Jacob Elordi) is the best way to do it. It is a tumultuous relationship, but when Oliver’s dad dies and he has nowhere to go over the summer, Felix invites him back to his family’s estate, Saltburn. A place where wealth is in excess and lives can be changed.  

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The Wonderful Story of Henry Sugar – Movie Review

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TL;DR – A fascinating literary turducken that captivates you.  

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A writers writing room.

The Wonderful Story of Henry Sugar Review –

In the last week, we have looked at first The Rat Catcherand thenPoison, two fascinating adaptations of Roald Dahl’s short stories by Wes Anderson. It was at this point that I discovered that they were from a group of four that were released, and I had missed the first two. Well, that can not do, so we got back to the start with The Wonderful Story of Henry Sugar, which may have given some critical context for the ones that followed.

So to set the scene, we open with ‘a writer’ (Ralph Fiennes) explaining their process of getting ready to write when he introduces us to Henry Sugar (Benedict Cumberbatch). Henry is a rich man and one of the many useless rich people floating around like seaweed in the world. But Henry liked to bet. So, on one wet and dreary day, he drifted through a grand house till he came across a peculiar book in the library, A Report on Imdad Khan: The Man Who Sees Without His Eyes by Dr. Z.Z. Chatterjee, dated December 1935, Calcutta. Henry was immediately engrossed with the tale.  

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Poison – Movie Review

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TL;DR – Tense, engaging, and captivating.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

the bungalow.

Poison Review –

After watching The Rat Catcher last night, I discovered it was not just a one-off, with Wes Anderson producing several of Roald Dahl’s short stories. With that in mind, I needed to see if they were all as absurdly compelling as the first, and I jumped into Poison.  
                          
It was midnight when Timber Woods (Dev Patel) drove home, trying not to wake his roommate. He should not have bothered because Harry (Benedict Cumberbatch) was still awake. Perplexed, Woods stuck his head in to see how he was when a barely audible whisper sang out ‘Help!‘.  

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The Rat Catcher – Movie Review

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TL;DR – An uncomfortable tale that draws you in, holds you captive, and then leaves you thinking.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Richard Ayoade

The Rat Catcher Review –

As I sat down to wonder what I would watch as the weather wandered by and the well-lit day wound to a weary – what the word for end is that starts with a w would be that I can’t think of at the moment even though I scoured my mind looking for one. I looked at Netflix to discover that there is a Wes Anderson production of a Roald Dahl short story, and that is a combination you don’t say no to.

So to set the scene, one morning, an editor (Richard Ayoade) tells us of the life of a Rat Man (Ralph Fiennes) who has come on behalf of the town to a local garage run by Claud (Rupert Friend). He is a peculiar man who looks much like the prey he hunts. But then you see, rats are clever prey, as they are watching you as you pursue them.    

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Operation Fortune: Ruse de guerre – Movie Review

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TL;DR – It never reaches the heights it is aiming for, but it is deeply entertaining in parts.

Rating: 3 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

A car chase.

Operation Fortune: Ruse de guerre Review –

I love spy films. I like it when they play them seriously and when they are more whimsical. When it comes to Guy Ritchie, you could get either or both. Add a cast you know can deliver and even a comeback or two, and you have a premise I want to see.

So to set the scene, it is a lovely Sunday morning when Nathan (Cary Elwes) is summoned to the intelligence headquarters in London by Knighton (Eddie Marsan). For you see, something just got robbed from a facility in Odessa. What no one knows, but the wrong people are interested in it, so that makes it a top target. Knowing traditional intelligence apparatuses would be too slow, they bring in the team that you need for cases like this, led by Orson Fortune (Jason Statham), who is now rudely having his Moroccan holiday interrupted, and worse, they will need the famous movie star Danny Francesco (Josh Hartnett) to pull it off.

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Aftersun – Movie Review

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TL;DR – An emotional whirlwind – Stunning, Beautiful, and Heartbreaking.     

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Warning – This film contains a lot of flashing lights.

An image of Sophie pixelated by the old camera

Aftersun Review –

If one film has been bubbling away in my subconscious since last October, it was Aftersun. Everyone who had seen it spoke of it almost like a transcendent experience, but it has taken a long time to make it down to my realm and longer for me to make it to the cinema. However, if the saying all good things come to those who wait had a physical manifestation, it would be Aftersun.

So to set the scene, it is sometime in the past [I think the late 1990s before everyone had mobile phones], and Calum (Paul Mescal) goes on a family trip to Turkey with his daughter Sophie (Frankie Corio). Sophie lives with her mother, which is a chance for them to bond, but there is some apparent awkwardness for all. Calum is trying to build a relationship, while Sophie is at the age where she is finding her independence. Is this trip the start of something better or the beginning of the end?

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Matilda the Musical (Roald Dahl’s Matilda the Musical) – Movie Review

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TL;DR – While I was mixed on the musical part, the rest of the film was a delight.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film

Revolting Children

Matilda the Musical Review –

Rarely have I seen a film with just such a windy road to completion. You have the original book, which then becomes a movie, influences a musical, and is turned back into a film. I have to say that I have a fondness for the original book and film adaption, and I had never seen the musical, though friends of mine had said it was a delight. This means that I come into this film with an odd perspective because my central question is ‘does the musical elements add anything to the story?’

 So to set the scene, no one was more surprised that they were about to imminently have a baby than Harry Wormwood (Stephen Graham) and Mrs Wormwood (Andrea Riseborough). How dare this thing, a girl no less, come and ruin their lives. As little Matilda (Alisha Weir) grows up, she lives in a world of books because there is no love from her parents. Well, one day, the school comes around and asks why she wasn’t enrolled. Well, one fine later, they reluctantly send her to Crunchem Hall, run by the evil Miss Agatha Trunchbull (Emma Thompson). But in this hellhole is one ray of light, the joy that is Miss Jennifer Honey (Lashana Lynch).

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See How They Run – Movie Review

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TL;DR – A delightful romp through post-WW2 London as a murder reaches into the heights of polite society.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed the film.

Mousetrap

See How They Run Review –

We are seeing a resurgence of the Murder Mystery on our screens, which I have generally found to be an absolute delight. We have witnessed straight adaptations like Murder on the Orient Express, musical romps like The Bob’s Burgers Movie, and genre deconstructions like Knives Out. Today we’ll look at a film that is a lover of the genre and dances with a light touch while delving into some delightful meta-commentary.    

 So to set the scene, we open on London’s West End in 1953, where Agatha Christie’s Mousetrap is playing its 100th performance. Hollywood has tasked Leo Köpernick (Adrien Brody) to create a film adaptation of this dull play. After flirting with the star of the show Richard Attenborough’s (Harris Dickinson) wife, Sheila Sim (Pearl Chanda), Leo ends up backstage, where he is brutally murdered by someone dressed in black. But as Leo states as the narrator, it is always the most unlikeable characters that get bumped off. Now Inspector Stoppard (Sam Rockwell) and Constable Stalker (Saoirse Ronan) are on the case, but as Leo laments, if you have seen one Whodunit, you have seen them all.

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