Tag Archives: Canadian Cinema

Vampire Zombies…from Space! – Movie Review

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TL;DR – A delightful parody of 1950s pulp fiction that is unfortunately a bit too long in the tooth.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Vampire Zombies…from Space!

Vampire Zombies From Space Review Introduction –

There are many ways a film can entice you to watch it. In the past, it was through who they cast as their leads, but that seems to be decreasingly crucial as the 21st century progresses. It could be the genre or the premise, or a multitude of things. Or maybe, the title of the film is so absolutely bonkers that you feel almost required to see just what they will do. Today, we are looking at Vampire Zombies From Space, and I think you know what category I would put that under.

So, to set the scene, one night a long time ago in the time of black and white, a dog ran into a tobacco field, and the family followed only to be confirmed by the impossible: a vampire and their flying saucer. While the mother was murdered in a wave of blood, a crucifix saved the rest of the family from certain doom. Ten years later, in a slightly more up-to-date-yet-still-black-and-white time, the family is a pariah in town. Little did they know that they would be the ground zero for something even more terrifying … zombies, sent by Dracula (Craig Gloster) to take over the world.

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Daniel’s Gotta Die – Movie Review

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TL;DR – It is an amusing and chaotic film that does hold back a bit when it should embrace its premise.

Rating: 3 out of 5.

Post-Credit Scene – There is a post-credit scene.

Disclosure – I was sent a screener of this film.

The family at a funeral.

Daniel’s Gotta Die Review –

Today, we are looking at a fundamentally odd film out of Canada. One that leans into chaos at almost every turn but never truly embraces it. Full of character actors playing right into their caricatures but finding them quite two-dimensional. It’s quite engaging, but it always holds you at arm’s length.   

So, to set the scene, one evening, Daniel Powell (Joel David Moore) woke up feeling something was off like someone was in his room. He wonders who is out there, but just when he resigns himself to it being nothing, he is attacked from behind. The Powell family is incredibly dysfunctional, more dysfunctional than anyone should be. Not that Daniel really knows his siblings because they were gone to boarding school most of the time. But they were all untied after the patriarch Edward Powell (Iggy Pop) died suddenly. All the kids need to get along for a weekend to get their inheritance, but we know that does not go well.  

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Locked – Movie Review

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TL;DR – It was a good scenario, but it never felt like they had a good handle on what they wanted to talk about.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

A phone call appears on a car tablet.

Locked Review –

Most films need a hook to get you into the cinemas and part with your hard-earned cash. For me, sometimes that hook is a premise so interesting that you must see how they play it out. Well, Anthony Hopkins traumatising a Skarsgård locked in his car is absolutely one I had to see.  

So, to set the scene, Eddie (Bill Skarsgård) is a crook who is trying to turn his life around for his daughter Sarah (Ashley Cartwright). But the universe is not making it easy for him, and as a deadline looms, he looks to more nefarious ways to make a quick buck. Well, if someone leaves their car unlocked, well they are asking someone to come in and rummage around, and so Eddie does. The only problem is that when he tries to get out, he finds that the car is locked, his mobile can’t get a signal, and suddenly the in-car phone is ringing.

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Rumours Review: A Surreal but Flawed Experience

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TL;DR – A film that had a premise for half an hour that is stretched out to a feature and even a cast list like this can’t fix that central issue. Surrealism for just the sake of being surreal.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Warning – Contains scenes that may cause distress.

The G7 leaders standing for a photo op.

Rumours Review –

Before we start, a little history about me. My professional qualifications are in International Relations and the exploration of politics on a global level. So, when I got invited to a horror/mystery/comedy/weird film set during a meeting of the G7. You can imagine I was excited because this was right up my alley. Well, that was until I actually got to watch the film.

So, to set the scene, several calamities are happening in the world, so the G7 leaders Hilda Ortmann (Cate Blanchett), the Chancellor of Germany; Edison Wolcott (Charles Dance), the President of the United States; Maxime Laplace (Roy Dupuis), the Prime Minister of Canada; Sylvain Broulez (Denis Ménochet), the President of France; Cardosa Dewindt (Nikki Amuka-Bird), the Prime Minister of the United Kingdom; Antonio Lamorte (Rolando Ravello), the Prime Minister of Italy & Tatsuro Iwasaki (Takehiro Hira), the Prime Minister of Japan. As the leaders walk to a private dinner to discuss the proposal from the meeting, they discover a bog body has been found on the property. But as they sit for dinner, suddenly, they can’t contact any of their staff and soon realise that they are all alone.  

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My Old Ass – Movie Review

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TL;DR – This is a film that swims through the nostalgia of youth when significant changes are about to come, and you don’t know what the future might hold

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Elliott (39) talks to Elliott (18)

My Old Ass Review –

Today, we look at a slightly sweet film that tries to ride the line between a bombastic juvenile comedy and a quieter coming-of-age work. It is a very fine line to walk because there is not a lot of safe ground between those two points. Indeed, I know people who have entirely disagreed on where this film landed. I think I am more in that first category, but that might be just because this film is laser-targeted on who I am.

So, to set the scene, Elliott Labrant (Maisy Stella) has just turned 18, and in just 22 days, she is going to leave the life she has lived on a lake in Canada harvesting cranberries on her family’s farm to move to the big city. But before she leaves, she wants to have one more trip with her friends Ro (Kerrice Brooks) and Ruthie (Maddie Ziegler) out to an island on the lake to camp, chat, and, oh, maybe dabble in some hallucinogenic mushroom. While her friends see many interesting things like rabbit orchestra, nothing quite prepares Elliott to look over and see her 39-year-old self (Aubrey Plaza) looking back at her. They talked about life and love, and her older self warned her not to fall in love with Chad. “Well, that was an odd trip”, thought Elliott, until she found Chad (Percy Hynes White) working on her dad’s farm as a summer farmhand. Oh, and someone put a new contact ‘My Old Ass’ in her phone.

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The G – Movie Review

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TL;DR – This is a wonderful character piece that maybe promises a touch more on what it can deliver.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Two men burring a person.

The G Review –

In the current cinema landscape, it can be easy to go for style over substance. We can do the flash and bang and also the alakazam, but we linger on the surface. Things only become interesting once you dig a little deeper. Today, we look at a film that completely understands that even if it does not quite stick that landing.  

So, to set the scene, we open with two men digging in the snow, only to find them burying a body. These are people who know how to get their way. Their next victim is Ann Hunter (Dale Dickey), an elderly retiree who cares for nothing but her granddaughter Emma (Romane Denis). She is struggling to cope with the pressures of looking after her ill husband Chip (Greg Ellwand), but her life is upturned when Rivera (Bruce Ramsay) pushes them into a home with a trumped-up court order so they can steal her house. But there is no way she is going to let them do that to her.    

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Turning Red – Movie Review

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TL;DR – A true delight of a film on an animation and narrative level.    

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit scene

Disclosure – I paid for the Disney+ subscription that viewed this movie.

Turning Red. Image Credit: Disney+.

Turning Red Review –

When it comes to depicting stories outside of its cultural expertise, the Disney Corporation has had a mixed track record. Even when trying to do something in good faith, they stumble. But they took their time making sure Moana worked, and then Bao showed they could nail a complicated narrative if they supported creatives with their vision. When I heard the writer/director of Bao is making a feature film, well, I had to check that out.

So to set the scene, Meilin “Mei” Lee (Rosalie Chiang) is a 13-year-old girl living in 2002 Toronto, Canada. She has become an adult, at least that is what she thinks, and has started making her mark in the world. Mei has three friends Miriam (Ava Morse), Abby (Hyein Park), and Priya (Maitreyi Ramakrishnan), and together they make a core group trying to survive high school and live with joy with their mutual love of 4*Town. Mei works with her mother Ming (Sandra Oh) at their family’s temple that venerates their ancestors, including Sun Yee, who was famously friends with animals, including red pandas, which is quite a coincidence when Mei wakes up one morning to find herself turned into a giant red panda.   

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Movie Review – The Magic School Bus Rides Again Kids In Space

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TL;DR – A fun trip down memory lane, while learning a thing or two about the International Space Station.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

he Magic School Bus Rides Again Kids In Space. Image Credit: Netflix.

Review –


 The Magic School Bus was one of those shows that I can’t help but think back fondly on. Like I can still remember an episode where they went inside a decaying log for some reason. So when a new episode of the show popped up in my feed, and one set in space no less, I had to check it out, and I got sent back in time and into the future all at once.

So to set the scene, we skip all the standard preamble and start with the Bus as a rocket blasting off into space. Ms Frizzle (Kate McKinnon) is taking the whole group up to the International Space Station. The astronauts are heading back to Earth, so the team is watching over the station until the next crew arrives the following day.

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Movie Review – Quantification Trilogy

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TL;DR – A fascinating experimental film that I think would work much better as three short films that one complete future    

Score – 3 out of 5 stars

Warning – There is extensive use of Strobe Lighting in the second part of the trilogy.

Post-Credit Scene – There is no post-credit scene

Quantification Trilogy. Image Credit: Jeremy Shaw.

Review –


Today we look at a film that is truly experimental in scope and form. It is a film that has taken footage from the past (I believe) and then repurposed it into something new. This transformation in tone and purpose through editing is not something I have seen before.

So to set the scene, in the distant future the human race has become extinct, replaced instead by quantum humans and their universal connection to the hive. However, there are some quantum humans that due to a genetic quirk have reverted a little back to their long-dead human ancestors. These Quickeners have gathered together in Area 23 in the long-abandoned American continent to practice old rituals and to find some meaning away from the hive.

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Movie Review – In the Tall Grass

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TL;DR – An interesting idea, and full-on creepy, but it did leave me feeling a bit hollow at the end.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

In the Tall Grass. Image Credit: Netflix.

Review –

Well it is October and that means it is Halloween month, so it is time for the many, many new horror films to make their way into the world. It is the perfect time for horror and what goes bump in the night but it can be hard to get your head above the crowd. However, if there is any way to do that basing your work on something written by Stephen King is sure one way to do it.

So to set the scene, we open in on a brother Cal (Avery Whitted) and sister Becky (Laysla De Oliveira) as they make their way across the country to San Diego. They are moving to a new life, getting ready because Becky is quite pregnant. They stop on the side of the road because Becky gets morning sickness and needs to let heave. As they wait they hear a voice call out from the long grass on the side of the road. A young boy called Tobin (Will Buie Jr.). They run into grass to try and help the boy but get separated, but that’s okay because they are really close. But soon voices get warped, people get moved around, and there is more than whispers out there in the long grass.

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