Tag Archives: COVID

Eddington – Movie Review

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TL;DR – While the cast is giving their all, the production quality is there. Unfortunately,  what we get is a film that is weird but not interesting, a satire that does not have the strength to interrogate the themes it is working in, and a third act that dulled me to the point I desperately wanted it to be over and done with.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes that may cause distress.

Joaquin Phoenix and Pedro Pascal stand off against each other.

Eddington Introduction –

Today, we are looking at a film that could be best described as controversial. It is a black comedy, satirising the current political situation in the United States, which in itself would be a fascinating exploration. But add in the guiding hand of vanguard Indy director/writer Ari Aster, and you should have something intriguing. Unfortunately, for me, the word ‘should’ is the operative word in the last sentence.   
 
So, to set the scene, in the Colorado town of Eddington, people are struggling with the new lockdown laws as COVID-19 runs through the country. It is only May 2020, so we are fumbling around trying to see what would work. In this space, we have Joe Cross (Joaquin Phoenix), Eddington’s sheriff, who may have only got the job because he married Louise (Emma Stone), the daughter of the last sheriff. He struggles with many ailments and is struggling with the COVID-19 restrictions put in place by local mayor Ted Garcia (Pedro Pascal). After several confrontations, Cross decides to contest the current mayoral elections, which is where everything descends into chaos.

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Touch (Snerting) – Movie Review

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TL;DR – This is a stunningly beautiful portrait of a man’s life that feels both deeply personal and universal in what drives him. It is profoundly moving and full of narrative grace that could have been all melancholy but is instead full of heart and joy.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Kristófer looks out over a city scape.

Touch Review –

I know this is only August, and there are many films I will see this month, let alone by the end of the year, but today, can I say that we are looking at one of my films of the year. If not, the film of the year. This is such a stunning work that it has sat with me the whole time since I first watched it. I mean, Touch is such a beautiful film that I am getting emotional from writing about it now.

So, to set the scene, Kristófer (Egill Ólafsson) is going through the motions of his life in Iceland at the start of the COVID pandemic. He is a famous restaurateur on the island, but he has now closed his restaurant and is spending time at a local choir and trying to invoke his past diaries. But as the world starts to close up, Kristófer sets on a mission to answer one of the great questions of his past when he (Palmi Kormakur) was a young student in London and one day, he walked into a Japanese restaurant and met Miko (Kōki).

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The Bubble – Movie Review

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TL;DR –  While the central conceit  is good, and the cast is there for it, unfortunately, the concept runs out of steam about halfway through

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The Bubble. Image Credit: Netflix.

The Bubble Review –

I don’t think it is a surprise that the pandemic has sucked, impacting every industry, including motion pictures. We have seen films like Spider-Man, where it is clearly filmed in social distancing but were still written beforehand. However, now we are starting to see films that were both written and produced during COVID, and it is going to be interesting to see how it all pans out.

 So to set the scene, in the era of big-budget franchises, one of the somewhat more successful runs was that of Cliff Beasts staring Sean Knox (Keegan-Michael Key), Carol Cobb (Karen Gillan), Lauren Van Chance (Leslie Mann), Dustin Mulray (David Duchovny), and Howie Frangopolous (Guz Khan). Having several successful sequels like Cliff Beasts Re-Extinction, Cliff Beasts Oceana, Cliff Beasts Beijing Beast, and Cliff Beasts Space Fury, the team have come back together to film Cliff Beasts 6. Unfortunately, this occurred during the COVID pandemic, which this documentary explores. How does a film get made in the age of a bubble?       

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Death to 2020 – Movie Review

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TL;DR – A mockumentary that tries to walk the line between entertaining and informative and often fails even before it stops its narrative to do an ad for Netflix halfway through.    

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Death to 2020. Image Credit: Netflix.

Death to 2020 Review –

I don’t think it is a controversial statement to say that 2020 has been a crap year on many fronts. It was so bad that I forgot some of the bad things that happened only to be reminded of them tonight. When a documentary film titled Death to 2020 comes along … well you have my attention, even when you find out it is a mockumentary that could still be good if executed well. However, I am not sure this one stuck the landing.

Death to 2020 starts in an interesting place because it is a documentary presented by actors playing roles. Right from the start, there is an interesting juxtaposition between reality and fiction as Laurence Fishburne’s calm tones narrate the coming calamity. This kind of set up gives you a lot of potential because it removes you slightly from the material, giving you avenues for comedy and introspection. However, that is a tricky line to walk, and frankly, this film slipped off that edge on multiple occasions.

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Article – Seatbelts, Bringing a Little Bit of That Cowboy Bebop Joy Back into the World

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TL;DR – The Seatbelts are doing live versions of classic Cowboy bebop songs and they slap

Cowboy Bebop (カウボーイビバップ/Kaubōi Bibappu). Image Credit: Madman.

I don’t think it will be a surprise to anyone to say that I have been finding the last few months to be quite difficult. Indeed, I think it has been hard for most people and it is only increasing as the days, weeks, and months go on. I have been trying to find something to spark my joy, and while binge-watching old shows like The Nanny and Scrubs has helped, and having a watch list that might be 90% Bon Appétit videos is just the nature of the times. Nothing has really brought that smile to my world, well nothing until now.  

At the end of last year, I talked a lot about how much I loved Cowboy Bebop, an anime out of Japan that might be many of my generation’s first introduction into that art style but it is still something resonates in my heart today. One of the core components of that series that may even outlast the show is its music. It was a show that deeply wove its music into the tapestry of the show, nothing was just dumped in as filler. At the core of this musical work was composer and instrumentalist Yoko Kanno and her band the Seatbelts which has gone by シートベルツ, Shītoberutsu, Seat Belts or SEATBELTS depending on which version of the soundtrack you got. It was the smashing together of so many genres of music from jazz to pop to rock to even country and all in-between that stuck in my mind for decades.  

Well in the age of COVID and Zoom meetings, shudders Zoom meetings, there has been one ray of joy, as the SEATBELTS came back together perform songs from the soundtrack and it is just a sheer delight and everyone can listen to it here.

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