In a world full of dower grittiness, it is nice sometimes to sit back, crack a cold one, and
just enjoy some fun, and God knows in 2018 we needed it. So today, I take a
moment to champion those films that brought the fun, whether through upbeat
action, one laugh after another, or that silliness that brings a smile to your
So without further ado, these are films that brought the fun in 2018. Be warned
that there may be some slight spoilers ahead for the films in question.
TL;DR – Takes everything that worked in the first film turns it up to 11 and then gives it real emotional stakes.
Score – 4.5 out of 5 stars
Post-Credit Scene – there are two mid-credit scenes
Back in 2016, there was this little film that could that exploded out into the zeitgeist of the film world. The first Deadpool (see review) was a passion project for all involved because it took years to get it greenlit, indeed, it took test footage being leaked to finally convince the studio to start it, and even then they cut the budget drastically before shooting because they had fears about what an American R-rated film would make at the box office. Well as we know it make bank at the box office and now we get to see the fruits of that decision with Deadpool 2, well also it probably helped convince 20th Century Fox to finally let them do Logan (see review) as they really wanted, so thanks for that too. So today we are going to look at the follow up to the merc with the mouth, can they capture that same feeling that exploded out on screen both literally and metaphorically, well let’s dive in and see.
TL;DR – John Wick is a masterpiece of balancing storytelling and worldbuilding without resorting to multiple exposition dumps or clunky dialogue exchanges.
When you are making or adapting some form of narrative medium, whether it is a book, video game, TV show, online video series, or a movie, two of the most important narrative facets are storytelling and worldbuilding, however, they can often find themselves in conflict with each other. I think we have all played that video game that is crammed full of lore, around every corner is another audio log sitting there for you to digest and thus the story gets lost in at that worldbuilding. Conversely, people fall in love with the worlds you can create, as much as people love Harry Potter, they are also enraptured with the whole Wizarding World, #HufflepuffForLife, so if you focus just on your story and don’t build the world around you, you’re going to have a shallow narrative and a missed opportunity. So how do you rectify this issue, well you could do what Snowpiercer and others have done in the past and gone with an opening newscast, or narration, or like the grandmaster of it all Star Wars, and have it all in your opening crawl. Or you could go with the Game of Thrones route and hide your exposition in sex scenes hoping that nudity will keep people engaged, and indeed you may even coin a phrase with ‘sexposition’ in the process. Or you could follow John Wick’s lead by crafting a strong narrative while also building a fascinating world. Now as we will be dissecting John Wick for this analysis, and since we will be focusing on the story, there is no way we could do that and not have any spoilers, so if you have not seen it yet, firstly go watch John Wick, but also you may not want to proceed any further, or do, I’m not your boss.
TL;DR – A really good action flick and an example of world building done right.
Score – 5 out of 5 stars
John Wick has been out on DVD/Digital Download for some time and with a sequel now on the cards, I thought I would have a look back at one of the better action films in recent times.
The basic plot of John Wick is that the titular character John Wick (Keanu Reeves) is a man who was once in deep in the Russian mob, and through an impossible act he freed himself and settled down with his new love, only for her to pass away. The last thing his wife did was buy John a puppy so he could move on from his grief. The son of the Russian Mob boss Iosef (Alfie Allen) mistakes him for an easy mark, this is an error, a grave error.