TL;DR – Today, we map the two different trips on top of a magic carpet as Aladdin tried to woo Princess Jasmine.
Over the weekend, I realised it had been a while since I’d made a Map‑It entry. And because old Disney films happened to come up in conversation, I started wondering whether the magic‑carpet route differs between the 1992 animated film and the 2019 live‑action remake. So, I booted it up to see.
Continue readingTL;DR – Today, we get to one of the most iconic moments in the book while also dramatically shifting the narrative of one of the characters.
Disclosure – I paid for the Disney+ service that viewed this series.
Post-Credit Scene – There is a mid-credit scene.
When you knew that there was a second season to Percy Jackson and the Olympians, there was a certain glee because you knew that one of the milestones they had to hit was going to happen, and in this episode, we get it in all its glory. But even if you like something from a book, it does not always translate to the screen, and we will see how they do that today.
So, to set the scene, after the ironclad was exploded due to an interaction with an iron boiler and a bottle of wind, our heroes were left for dead. But thankfully, Percy (Walker Scobell) and Annabeth (Leah Sava Jeffries) wash up on an island, surviving but finding they might be in more danger than in the ocean. For they are in Circe’s (Rosemarie DeWitt) spa, a place of safety, but to continue their quest, they have to get past one thing … the sirens who lead everyone who ventures near to an untimely death. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Our first episode is very much a ‘get all our ducks in a row’ kind of narrative, but I didn’t mind because the cast take it in their stride.
Disclosure – I paid for the Disney+ service that viewed this series.
Post-Credit Scene – There is a mid-credit scene.
Well, it is good to say that it is time for some more Percy Jackson and the Olympians. I was honestly delighted with everything that Season 1 had to offer, as it showed just how important casting is for a show. Well, now we are back for round two, and I, for one, can’t wait to see what the Sea of Monsters has going on. I mean, I know because I have read the books, but the sentiment still stands.
So, to set the scene, it has been a year since Percy Jackson (Walker Scobell) and his friends Annabeth Chase (Leah Sava Jeffries) & Grover Underwood (Aryan Simhadri) stopped a brewing war between the Gods by discovering that one of their fellow campers, Luke Castellan (Charlie Bushnell), was a thief and was manipulating Olympus into open warfare. While Percy has been away from camp, he has tried to keep up with his friends, but when he dreams that something has gone terribly wrong on Grover’s hunt for the lost god Pan, he must get back to camp right away. Only, is he able to take Tyson (Daniel Diemer), the cyclops his mother, Sally (Virginia Kull), befriended through the barrier that stops monsters? Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – A bittersweet symphony of hope and coming sadness.
Disclosure – I paid for the Disney+ service that viewed this series.
Warning – Contains scenes that may cause distress.
Well, we are here, it is the end of it all, yet we find ourselves in an interesting place. Unlike most series finales, Andor doesn’t need to stick the landing because the third act of Rogue One has already done that for them. This puts it in an interesting space where you can ask: how do you definitely end something that already has another ending? Well, that is what we will look at today.
So, to set the scene, much like last week, we start our episode moments after Who Else Knows? ends. Cassian (Diego Luna) and Melshi (Duncan Pow) have made it to where Kleya (Elizabeth Dulau) is hiding out. Unfortunately for them, the Empire is also tracking them, and Supervisor Heert (Jacob James Beswick) is but one floor away and closing in fast. Comms are down, so K-2SO (Alan Tudyk) can’t send a warning of the coming doom, as Stormtroopers start making their way down the hallway to the room where they are hiding. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Tension starts to ratchet up now that the Empire knows what sort of information might just have leaked
Disclosure – I paid for the Disney+ service that viewed this series.
So far, each of the mini-arcs has been almost a mini-season in its own right. This week is the first time this season that it felt like I was watching a Part 2 of 3, which leans terribly on that feeling of growing dread that you sense in the back of your mind. When you feel a large wave or a fully stocked Stormtrooper platoon coming,
So, to set the scene, we start in the moments after Make It Stop, as the Empire tries to work out how one of their highest value prisoners was murdered out from underneath them. Recriminations are coming, and indeed, the people on the ground might be taking more time shielding themselves from that than actually finding out who did it. Knowing time is not on her side, Kleya (Elizabeth Dulau) makes a desperate last stab at getting the information out there, because it is do or die, and few people know this more than Cassian Andor (Diego Luna). Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – We see the beginning of the end through a beginning and an end.
Disclosure – I paid for the Disney+ service that viewed this series.
Warning – Contains scenes that may cause distress.
Well, after many years of production, through many highs and lows, today we start our final look at Andor. When I sat down to watch Kassa back in 2022, I didn’t think much of what felt like a useless prequel series for a prequel movie. Little did I know that I was sitting down to watch the start of some of, if not the best, work Star Wars had ever produced. Today, we begin our look through the final episodes of what has been a remarkable series up to this point.
So, to set the scene, it has been a year since The Empire eviscerated Ghorman, and things are still tense across the galaxy, especially on the capital planet Coruscant. They look for rebels near and far, but little do they know there might be some right under their noses. But when a beeping emergency transmission wakes up Kleya (Elizabeth Dulau), soon everything changes. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – A profoundly upsetting episode of harsh juxtapositions, but war is not meant to be rosy or simple.
Disclosure – I paid for the Disney+ service that viewed this series.
Well, I had held off watching this episode for a couple of days because I knew that it was going to have an impact. It was clear that both One Year Later & Sagrona Teema were building to something, and the three-episode release strategy helped secure that view. But sometimes, you have to take a deep breath and dive in, so let’s do that today.
So, to set the scene, Cassian Andor (Diego Luna) managed to escape his capture by the skin of his teeth, and now it is time to connect with his resistance team before The Empire works out where the stolen tie fighter is. But time might not be on his side as things are coming to a head across the galaxy. On Mina-Rau, the Empire’s inspections have started to get close, and there is a good chance everyone will be rumbled. On Chandrilla, Mon Mothma (Genevieve O’Reilly) finally realises just what a sacrifice her daughter is undertaking. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This episode is all about the foreboding feeling that ebbs into every pore of your being.
Disclosure – I paid for the Disney+ service that viewed this series.
In the modern era, there are many different distribution models. While Netflix was famous for its binge dumping of a whole season at once, it still mostly follows that arrangement. It has become clearer that the binge model does not build engagement for shows, bar the odd exception. Andor has chosen a slightly hybrid model, in that they are releasing three episodes at a time, which I think will work because this very much feels like a part two of three episodes.
So, to set the scene, Cassian Andor (Diego Luna) is trapped on a jungle planet with a big problem. The pilot he was meant to be handing off this new tie fighter to has been killed by rebels that were dumped and left. Now, those rebels have started fighting amongst themselves. The only thing keeping Andor alive is the fact that he is the only pilot, but with tempers flared and rational thoughts cast aside, is that enough to keep him alive when even the planet could be the greater threat? Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – A reintroduction to our world and characters and the layers of issues they face.
Disclosure – I paid for the Disney+ service that viewed this series.
Things were not looking good for Star Wars on TV back in 2022, as the Mandalorian experiment seemed to be running out of steam, and a lot of their experiments were falling flat. So, I didn’t hold a lot of hope when it came time to watch a prequel to the very messy Rogue One. But goodness, if there was ever a time to be wrong, I am glad it was then. Andor was subversive, fascinating, and profoundly compelling, not something you expect to come out of the House of Mickey. Well, it is back for a second and final season, and I can’t wait to see what they cook up.
So, to set the scene, it has been a year since the riots on Ferrix, and it is four years before the Battle of Yavin. Cassian Andor (Diego Luna) has joined the Rebellion and is in the process of infiltrating Test Facility 73 on the planet of Sienar. All across The Empire, the Rebellion is slowly growing, one act of disobedience at a time. The Empire is trying to find ways of crushing any chance of this coalescing into a significant power, but freedom will always be the better choice. Now, from here
TL;DR – While it is not the disaster that everyone fears, you can still see the narrative decisions that held it back from being quite remarkable.
Post-Credit Scene – There is no post-credit scene.
Disclosure – I paid to watch this film
Now, I have not been the biggest fan of the current batch of Disney films that turn their classic animated works into live-action works, or if you are The Lion King ‘live-action’. They tend to struggle because they have a hard time finding a new voice when they are anchored to the past. Well, today, we go all the way back to the first-ever animated feature to see if it follows a similar fate.
So, to set the scene, in a kingdom of complete happiness, singing, and lots of apple pie, one snowy day, a princess was born. She was a delight for the whole kingdom and the King’s (Hadley Fraser) and Queen’s (Lorena Andrea) pride and joy. But when the queen unfortunately dies, and the king remarries a sorcerous, the Evil Queen (Gal Gadot), things start to change. Even more so when the King is sent away to the southern kingdom and never returns. Now Snow White (Rachel Zegler) is a servant, and the kingdom has fallen into darkness. Until one day the Evil Queen visits her Magic Mirror (Patrick Page) and discovers that she might not be the fairest one of all.
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freelance film critic with an interest in multilingualism, feminist perspectives in cinema and crime dramas.
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