The Expanse: A Telltale Series – ARCHANGEL – Video Game Review

TL;DR – We take a look at the bonus episode from The Expanse: A Telltale Series featuring Chrisjen Avasarala  

Rating: 4 out of 5.

Disclosure – I paid for this game.

New York skyline.

The Expanse Review –

Earlier this year, we looked at a new Telltale-style game from Deck Nine that brought us back into the world of The Expanse. The Expanse: A Telltale Series explored the world of Camina Drummer (Cara Gee) before she joined the story that we know. It was a fun blast, bar that time, I accidentally got a crew member killed. You can read our full review of the game HERE. I knew there would be a bonus episode dropping at some point, but I didn’t know who it was going to focus on, and now it is here. I could not wait to give it a whirl.

So to set the scene, Undersecretary of Peace Operations Chrisjen Avasarala (Shohreh Aghdashloo) has been sequestered away from the United Nations to the Secretary General’s bunker. The rest of the politicians are up on Luna, and this is a sort of safety net, or prison, depending on who you ask. But if you are alive, you can work to find a way forward, even if there are phone calls from Calisto to distract you. Because Mendez (Rogelio Ramos) is out there trying to take your job, and you will not let that snivelling excuse of pustule get his way.

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Killers of the Flower Moon – Movie Review

TL;DR – A stunning work of art that captivated me for its entire runtime.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to see this film.

The sisters take a photo.

Killers of the Flower Moon Review –

There are some films where you know where you will land when the credits roll, but others still sit with you and reverberate through your brain over the coming days. Today, we look at just such a film that powered through my soul, with performances that were almost once in a generation.

So to set the scene, The Osage Nation had been forced from their homelands by the United States, but as luck or fate would have it, they found oil and became wealthy in this new land. Like any mineral found in human history, there was a rush to the county for those looking for work and making it rich. One such person was Ernest Burkhart (Leonardo DiCaprio), who moved to the area to work with his uncle, William King Hale (Robert De Niro). Here, his uncle subtlety suggests that he marries a local Osage lady because there is a chance that oil headrights could end up with them, which he does with Mollie Kyle (Lily Gladstone). But what if you could help those progressions of headrights towards you with some targeted deaths?

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The Rooster – Movie Review

TL;DR – A powerful meditation on the intersection of masculinity and loneliness.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Warning – This film contains scenes that may cause distress.

Gum trees creak overhead.

The Rooster Review

Loneliness and masculinity are two intersecting topics that are important to explore, but I rarely see it done well. I think it is challenging to have honest conversations about this topic when we still live in a world where mental health is seen as a taboo topic. Whatever the case, I am glad that the film we are exploring today is taking the time to jump into this topic.

So to set the scene, we open with Dan (Phoenix Raei), who is tormented by the same dream every night. He lives alone in a forested rural region of Victoria and is one of the town’s only police officers. His is a quiet life, only punctuated by the struggle to feed the rooster each morning who only wants to attack Dan. However, this peaceful life is ripped asunder when his friend Steve’s (Rhys Mitchell) body is found. This is a fulcrum moment, leaving Dan unable to cope with the world. But as he tries to drink his sorrows away, he discovers a Hermit (Hugo Weaving) living alone in the forest who might be a kindred spirit with a ping-pong table.  

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Bring Him to Me – Movie Review

TL;DR – An oddly tense film about bringing a man to his coming fate.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A masked man with a gun.

Bring Him to Me Review

One of the perks of being a film reviewer in Australia is watching Aussie films make it to the big screen. Even more so when they have filmed the movie around where you live, and you get to play the game ‘Wait, I know that bridge’. Well, today we get to review that hits both these marks as it galivants pair towards danger.

So to set the scene, we open in on a robbery in progress, where a money cleaner (Sam Neill) is very put out by having his night ruined. Even more so when they threaten his son (Zac Garred). The next day, the Driver (Barry Pepper) is called by his Boss (Rachel Griffiths) because everything went wrong the night before. Something has to have caused it, so the Driver needs to pick up one of the other members of the robbery, The Kid (Jamie Costa), who stuffed it up and, as the title implies, bring him to her.  

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Uproar – Movie Review

TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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The Wonderful Story of Henry Sugar – Movie Review

TL;DR – A fascinating literary turducken that captivates you.  

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A writers writing room.

The Wonderful Story of Henry Sugar Review

In the last week, we have looked at first The Rat Catcherand thenPoison, two fascinating adaptations of Roald Dahl’s short stories by Wes Anderson. It was at this point that I discovered that they were from a group of four that were released, and I had missed the first two. Well, that can not do, so we got back to the start with The Wonderful Story of Henry Sugar, which may have given some critical context for the ones that followed.

So to set the scene, we open with ‘a writer’ (Ralph Fiennes) explaining their process of getting ready to write when he introduces us to Henry Sugar (Benedict Cumberbatch). Henry is a rich man and one of the many useless rich people floating around like seaweed in the world. But Henry liked to bet. So, on one wet and dreary day, he drifted through a grand house till he came across a peculiar book in the library, A Report on Imdad Khan: The Man Who Sees Without His Eyes by Dr. Z.Z. Chatterjee, dated December 1935, Calcutta. Henry was immediately engrossed with the tale.  

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The Eight Mountains (Le Otto Montagne) – Movie Review

TL;DR – A profound exploration of a deep plutonic friendship that lasts through the ages.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Sun rising over a mountain top.

The Eight Mountains Review

Cinema has a long history of being able to chart romantic or sexual relationships. Indeed, we have entire genres dedicated to their exploration. But what we don’t see engaged with as often is close platonic relationships. Which is odd because everyone has them, but rarely do they become the focus of a film. Well, today, we explore a film that cuts to the heart of just such a relationship as two wayward souls crash into each other and spin apart.

So to set the scene, Pietro’s (Lupo Barbiero) family decided to get out of the clawing bustle of Turin in the summer and escape into the mountains. They picked a town almost abandoned by people leaving to find work to rent a house, which is where he meets Bruno (Cristiano Sassella). It would have been hard for them to miss each other as Bruno was the last child left in the village, but they soon became inseparable. But Pietro is just there for the summer, and Bruno is there for life, which sets them on two very different paths.

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Poison – Movie Review

TL;DR – Tense, engaging, and captivating.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

the bungalow.

Poison Review

After watching The Rat Catcher last night, I discovered it was not just a one-off, with Wes Anderson producing several of Roald Dahl’s short stories. With that in mind, I needed to see if they were all as absurdly compelling as the first, and I jumped into Poison.  
                          
It was midnight when Timber Woods (Dev Patel) drove home, trying not to wake his roommate. He should not have bothered because Harry (Benedict Cumberbatch) was still awake. Perplexed, Woods stuck his head in to see how he was when a barely audible whisper sang out ‘Help!‘.  

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The Rat Catcher – Movie Review

TL;DR – An uncomfortable tale that draws you in, holds you captive, and then leaves you thinking.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Richard Ayoade

The Rat Catcher Review

As I sat down to wonder what I would watch as the weather wandered by and the well-lit day wound to a weary – what the word for end is that starts with a w would be that I can’t think of at the moment even though I scoured my mind looking for one. I looked at Netflix to discover that there is a Wes Anderson production of a Roald Dahl short story, and that is a combination you don’t say no to.

So to set the scene, one morning, an editor (Richard Ayoade) tells us of the life of a Rat Man (Ralph Fiennes) who has come on behalf of the town to a local garage run by Claud (Rupert Friend). He is a peculiar man who looks much like the prey he hunts. But then you see, rats are clever prey, as they are watching you as you pursue them.    

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Jay Ho (जय हो) – Movie Review

TL;DR – This is a frustrating film because you can feel there is a good narrative in there, but it is held back by a love triangle that doesn’t work and production issues that pull you out of the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film.

Photos in the mountains.

Jay Ho Review

Today, I went to my local cinemas and decided to pick something I knew nothing about, and one of the films on offer came from Nepal. I have never reviewed a Nepalese film before, so this was my entry, which made it frustrating when the film was a bit of a mess at times.

So to set the scene, Sajina (Keki Adhikari) is struggling. Her now ex-boyfriend Ashok (Arpan Thapa) started showing off his new woman only two weeks after the breakup. Her parents are constantly fighting to the point when they don’t even realise that she has left the car they are in and some creepy guy was taking photos of her without her permission. This leads her to the bottom of several bottles, and Sajina tries to get a bus in the middle of the night. Taking pity on her, a couple on their way to Mustang for their wedding pick her up to make sure she is fine, where she discovers the other passenger is their photographer Jay (Salon Basnet), who was the dude with the camera and that getting away from the city might be the best thing for her.

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