Tag Archives: Drama

The Eight Mountains (Le Otto Montagne) – Movie Review

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TL;DR – A profound exploration of a deep plutonic friendship that lasts through the ages.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Sun rising over a mountain top.

The Eight Mountains Review –

Cinema has a long history of being able to chart romantic or sexual relationships. Indeed, we have entire genres dedicated to their exploration. But what we don’t see engaged with as often is close platonic relationships. Which is odd because everyone has them, but rarely do they become the focus of a film. Well, today, we explore a film that cuts to the heart of just such a relationship as two wayward souls crash into each other and spin apart.

So to set the scene, Pietro’s (Lupo Barbiero) family decided to get out of the clawing bustle of Turin in the summer and escape into the mountains. They picked a town almost abandoned by people leaving to find work to rent a house, which is where he meets Bruno (Cristiano Sassella). It would have been hard for them to miss each other as Bruno was the last child left in the village, but they soon became inseparable. But Pietro is just there for the summer, and Bruno is there for life, which sets them on two very different paths.

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Poison – Movie Review

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TL;DR – Tense, engaging, and captivating.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

the bungalow.

Poison Review –

After watching The Rat Catcher last night, I discovered it was not just a one-off, with Wes Anderson producing several of Roald Dahl’s short stories. With that in mind, I needed to see if they were all as absurdly compelling as the first, and I jumped into Poison.  
                          
It was midnight when Timber Woods (Dev Patel) drove home, trying not to wake his roommate. He should not have bothered because Harry (Benedict Cumberbatch) was still awake. Perplexed, Woods stuck his head in to see how he was when a barely audible whisper sang out ‘Help!‘.  

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The Rat Catcher – Movie Review

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TL;DR – An uncomfortable tale that draws you in, holds you captive, and then leaves you thinking.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Richard Ayoade

The Rat Catcher Review –

As I sat down to wonder what I would watch as the weather wandered by and the well-lit day wound to a weary – what the word for end is that starts with a w would be that I can’t think of at the moment even though I scoured my mind looking for one. I looked at Netflix to discover that there is a Wes Anderson production of a Roald Dahl short story, and that is a combination you don’t say no to.

So to set the scene, one morning, an editor (Richard Ayoade) tells us of the life of a Rat Man (Ralph Fiennes) who has come on behalf of the town to a local garage run by Claud (Rupert Friend). He is a peculiar man who looks much like the prey he hunts. But then you see, rats are clever prey, as they are watching you as you pursue them.    

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Jay Ho (जय हो) – Movie Review

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TL;DR – This is a frustrating film because you can feel there is a good narrative in there, but it is held back by a love triangle that doesn’t work and production issues that pull you out of the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film.

Photos in the mountains.

Jay Ho Review –

Today, I went to my local cinemas and decided to pick something I knew nothing about, and one of the films on offer came from Nepal. I have never reviewed a Nepalese film before, so this was my entry, which made it frustrating when the film was a bit of a mess at times.

So to set the scene, Sajina (Keki Adhikari) is struggling. Her now ex-boyfriend Ashok (Arpan Thapa) started showing off his new woman only two weeks after the breakup. Her parents are constantly fighting to the point when they don’t even realise that she has left the car they are in and some creepy guy was taking photos of her without her permission. This leads her to the bottom of several bottles, and Sajina tries to get a bus in the middle of the night. Taking pity on her, a couple on their way to Mustang for their wedding pick her up to make sure she is fine, where she discovers the other passenger is their photographer Jay (Salon Basnet), who was the dude with the camera and that getting away from the city might be the best thing for her.

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The Moon (더 문/Deo Mun) – Movie Review

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TL;DR – A film that is fundamentally frustrating, but even with all that, you can’t help but get caught up in the emotion.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Warning – contains scenes that may cause distress.

Disclosure – I paid to see this film.

Hwang Sun-woo on The Moon.

The Moon Review –

Today we have a fundamentally exciting film because it strikes two vast divides. On the one hand, it was a compelling work of fiction that captured my imagination and emotions. However, it was also an entirely frustrating endeavour at times. These two halves should not work in the same film, but today we see an example where it does.

So to set the scene, in 2029, five years after South Korea decided to strike out on their own in the space race that led to their first mission exploding and killing all three astronauts, they are back for a second attempt. Everything has gone well as the craft approaches the Moon until a large coronal explosion from the Sun fries everything onboard. Lee Sang-won (Kim Rae-won) and Cho Yoon-jong (Lee Yi-kyung) have exited to fix the ship when tragedy befalls them, and Hwang Sun-woo (Doh Kyung-soo) is left alone on a failing vessel where no one can help.   

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Jesus Revolution – Movie Review

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TL;DR – An interesting exploration of the founding of a movement, but for all its strengths, it did feel like a shallow experience.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I did not pay to see this film.

Chuck Smith gets surprise hugged by a hippie.

Jesus Revolution Review –

Those not living in America might not know that an entire independent-ish scene of Christian-themed films is being produced. While I often get requests for reviews, I tend not to go down that road because there is a whole cultural conflict component that you must wade through, and also, they just tend not to be any good. Much like animation for young children, quality is unnecessary when you can guarantee people will watch it through church networks. But today’s film caught my eye because it has some studio polish behind it, and it also was able to recruit Kelsey Grammer, which was enough to intrigue me.

So to set the scene, it is the 1970s in southern California, and the world is full of the generational divide, war, sex, drugs, and a touch of Rock and Roll. Greg Laurie (Joel Courtney) is in a Junior Reserve Officers’ Training Corps questioning the military mantra that is being fed to him when he sees a girl named Cathe (Anna Grace Barlow), who leads him into the world of counterculture through the medium of a Janis Joplin concert. Meanwhile, in Calvary Chapel, pastor Chuck Smith (Kelsey Grammer) looks out at his dwindling congregation and laments that he struggles to reach the youth who he no longer understands. Well, one day, his daughter Janette (Ally Ioannides) fixes that problem when she gives a lift to Lonnie Frisbee (Jonathan Roumie), a hippie and a gateway to a world Chuck is not ready for.   

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Asteroid City – Movie Review

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TL;DR – The framing device does not work, but that is not a significant issue, as it is still an entertaining romp even without it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Mechanics.

Asteroid City Review –

Wes Anderson is one of those filmmakers with entirely his own style and can delight or confuse. Before I see one of his films, I am always wondering which way the pendulum will swing for me, and I think this is one of his works that will hit people differently. As I have heard people gushing over it and others bringing a more meh response. But it is finally time for the film in Australia, and it is time for us to check it out.

So to set the scene, we are introduced to a Host (Bryan Cranston) that introduces us to an anthology TV series that is showing the story behind the stage play Asteroid City by noted playwright Conrad Earp (Edward Norton), which is then presented to us as the movie proper. In a small out of the way town of Asteroid City in the middle of the American desert, there is a crater, an inn, a research centre, and an unfinished overpass. Augie Steenbeck (Jason Schwartzman), a noted war photojournalist, has arrived officially because his son Woodrow (Jake Ryan)  is a Junior Stargazer. Still, unofficially because their mother is dead, and he is about to dump his kids on their grandfather Stanley (Tom Hanks). But things change when he meets Midge Campbell (Scarlett Johansson), and oh, the world changes.  

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Oppenheimer – Movie Review

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TL;DR – A visual spectacle and a masterclass in dissecting a complicated life.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains a scene that may cause distress.

Exploding Flames.

Oppenheimer Review –

Every now and again, my old life and new life collide in interesting ways. All those years of teaching and exploring Arms Control and Disarmament finally became relevant in my current career. The story of the Manhattan Project is fascinating, as was the life of J. Robert Oppenheimer, whose scope I doubt even three hours can completely cover. But given my general love of Christopher Nolan’s work [see Inception and Dunkirk], I knew I could not miss this one.

So to set the scene, the world is at war as Germany marches across Europe and Japan across the Pacific. This is already a dangerous predicament, but the world of theoretical physics has been running leaps and bounds forward, and everyone can see the endpoint, a bomb, a bomb of devastating potential. What happens if the Nazis get a bomb that can destroy cities? As the world scrambles, only one person in America can lead the Manhattan Project, J. Robert Oppenheimer (Cillian Murphy). However, his past might contain more problems than the government can handle.

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Silo: Machines – TV Review

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TL;DR – The tension ramps up as the power shuts down.  

Rating: 4.5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this series.

The Park level in the Silo.

Silo Review –

I think that as a society, we take the connection to water and electricity for granted and would have no concept of what to do if it went out for an hour, let alone more. But what happens when you live deep underground and that power generator is the only thing keeping you from living in the dark, allowing you to breathe … well suddenly, you need to care about it much more.  

So to set the scene, we discovered two very interesting things at the end of Holston’s Pick. First, Holston (David Oyelowo) picked Juliette Nichols (Rebecca Ferguson) to be his replacement as sheriff. Also that Juliette’s late partner found a hidden door in the deep caverns where they hid the machine that dug the Silo. As the mystery abounds, Mayor Ruth Jahns (Geraldine James) and Deputy Marnes (Will Patton) make the slow trip down 140 levels to the bowels of the Silo, where it is not just the generator that is shaking things apart.Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.   

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Poker Face: Season 1– TV Review

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TL;DR – This was a delightful romp across America where we solved a murder each week in almost the same way, and I was captivated for the whole run.

Rating: 4 out of 5.

Disclosure – I paid for the Stan service that viewed this series.

Charlie sees something off.

Poker Face Review –

At times, the modern TV landscape is perpetually stuck in a state of cognitive dissonance. People tend to use the word ‘old-fashioned’ in a pejorative sense as if it has nothing of value to give us. We do this while living in perpetual nostalgia cycles that are morphing into nostalgia spirals. But if there is ever an artist that lives in the overlap between those two extremes, it is Rian Johnson, and I was fascinated to see where this show would go every week.   

So to set the scene, we open in a casino as the maids try to get the rooms ready for the next occupants, or at least clean for the day, when a maid sees something horrifying on a laptop. Something that needs to be reported. So Natalie (Dascha Polanco) tells her boss (Benjamin Bratt), who tells the head of the casino, Frost (Adrien Brody). But instead of protecting her, they did the unthinkable. The only problem is that working in the Casino, Charlie Cale (Natasha Lyonne) has the impeccable talent of always knowing when someone is lying. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.

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