Tag Archives: Film

Movie Review – The Hunt

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TL;DR – A film that is brilliantly bookended but a bit of a slog to get from start to finish.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Hunt. Image Credit: Universal Pictures.

Review –

Many films have a rocky road from start to release, however, the problems usually lie either during or in the post-production process. Rarely do films have problems once they are ready to go, well sometimes it is threats from North Korea, and sometimes it is issues well outside anyone’s controls. Today we look at such a film that whose second attempt at a release got messy thanks to the world at the moment, but it is here now so let’s take a look.

So to set the scene, we open in on a forest as eleven strangers wake up, with no idea where they are or what happened to them, nor why they are wearing gags. One of the group, a young woman (Emma Roberts) notices one of the group run off into the woods, but everyone else is fixated on the box in the middle of the field. Inside is the keys to their escape, but also the start of the carnage as guns start going off everywhere. Now unlike a lot of films, it is a bit difficult to talk about this film without hitting [SPOILERS] real quick, so there will be some plot points that are spoilers that we will be discussing in the review.

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Movie Review – Tigertail (Hǔwěi, 虎尾)

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TL;DR – A methodical and sad film at times while still holding onto that one bit of hope    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Tigertail (Hǔwěi, 虎尾). Image Credit: Netflix.

Review –

Of the many types of films I watch, it has been quite a while since I sat down and watched a small contemplative film that slowly unfolds over its run time. Well, that changed today with our film Tigertail, a film that feels autobiographical even though I have no idea if it is or not because its focus of characters is that good.

So to set the scene, we open in on a young child running through the rice fields of central Taiwan, he mostly alone but he finds a moment of happiness when he runs into a local girl. However, as we jump to the present we discover that the years have not been entirely kind to Grover (Tzi Ma) as he is driving home from the airport by his daughter Angela (Christine Ko) after attending his mother’s funeral back in Taiwan. There is an instant distance between the two, with each side wanting to help but not knowing how to proceed.

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Movie Review – Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (Harley Quinn: Birds of Prey)

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TL;DR – A really solid follow up to a film that didn’t work, so that is a great change of pace

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a post-credit scene sort of

Awards –

Nominated: Explosive Action, Stunning Costumes & Exquisite Musical Score

Birds of Prey and the Fantabulous Emancipation of One Harley Quinn. Image Credit: Warner Brothers.

Review –

As things have been going, I think it has been safe to say that the DC expanded Universe has been made up of more misses than hits. However, in recent times that trend has started to change with Aquaman being a fun little film and Shazam! finding some real heart, showing that the studio can make it work on something other than Wonder Woman. However, coming into Birds of Prey, I was a little hesitant given what came before, but thankfully I had nothing to worry about.  

So to set the scene, in the time since Suicide Squad ended, Harley Quinn (Margot Robbie) broke up with The Joker and it was entirely amicable … okay maybe not. However, everyone thinks she’ll get back together with him, it’s only a matter of time. Well, that’s not what Harley thinks and to prove it to everyone she blows up the symbol of their love the chemical factory which does not quite go to plan. Meanwhile, Renee Montoya (Rosie Perez) is trying to find out who is going around crossbowing local goons and a young pickpocketer Cassandra Cain (Ella Jay Basco) is about to pick the wrong pocket potentially shifting the balance of all of Gotham City.  

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Movie Review – Coffee & Kareem

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TL;DR – When you can make a running tally of bad paedophile jokes and that is not the biggest problem with your film then you have some real problems.    

Score – 1.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Coffee & Kareem. Image Credit: Netflix.

Review –

Have you ever watched a film that is filled with talented people with an interesting concept, but it fails on almost every level. Well if you haven’t, I have the film for you, which shows you that you need to pick a tone when you start rather than trying to find one in production.  

So to set the scene, Officer James Coffee (Ed Helms) is going through life, and not succeeding bar the fact that he is dating Vanessa Manning (Taraji P. Henson). Well in one day Vanessa’s son Kareem (Terrence Little Gardenhigh) found out they were sleeping together and he became the laughing stock of the police force when Orlando Johnson (RonReaco Lee) escapes from the back of his police cruiser. To get back at Coffee, Kareem sets it up so Coffee would take him to a friend’s place but instead it was to a place so he could get a beat down. Well, it all fell apart and now Kareem and Coffee are on the run.

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Movie Review – Altered Carbon: Resleeved

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TL;DR – It’s fine, nothing amazing but not a complete mess.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Altered Carbon: Resleeved. Image Credit: Netflix.

Review –

I’ve been quite enjoying the jaunts into the world of Altered Carbon as of late. A world of switching bodies and switching cast members. A world of excesses and a world of death that is only real death half the time. I’ve watched both seasons, so when I heard there was an animated movie, well I had to give it a watch and well … it’s fine.

So after the events of the Second Season (I think, but I’m not entirely sure), we open on the planet Latimer. Here a young girl Holly (Brittany Cox/ Ayaka Asai) is running from her life through the upper streets as air cars and large holograms walk around her. She is being chased by two thugs, who are trying to catch her. Running into a club she is almost at a needle casting facility when a ninja slaughters the two thugs and turns on her. Things are bad but then Takeshi (Ray Chase/ Tatsuhisa Suzuki) arrives to save the day. Teaming up with local CTAC operator Gina (Elizabeth Maxwell/ Rina Satô) they get Holly to the safety of the Yakuza or as it turns out maybe into significantly more danger than she was before.

Now, this is an interesting film, in that we are usually a bit cagier about spoilers with films, but then it is also hard to talk about this film without getting into spoilers for both past seasons and a big reveal in this film. So with that in mind, there will be some big [SPOILERS] around character points going forward but not for the ending.

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Movie Review – Sol Levante

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TL;DR – An interesting vignette, but more focusing on the style than the substance   
   
Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards –

Nominated: Creative Animation

Sol Levante. Image Credit: Netflix.

Review –

I mentioned earlier this week with Familiar Strangers, that it was the shortest film that I had ever reviewed for the sight, well not three days later we are going to beat that record with Sol Levante. An animated short made in 4K HD that I don’t think anyone in the world is going to see at 4K at least not for the foreseeable future.

This is an interesting film to review because there is not a whole lot to it, but then it also feels like there is a bit more to it than first appears. There is not a story, bar a young woman fighting I want to say demons across a shifting landscape. There are quite a few of these set-piece moments that the fit into the three minutes run time that hint at things. It is a film that fits into the sort of nexus of fantasy, science fiction, and spiritual genres and is steeped in symbolism if nothing else.  

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Movie Review – Alive

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TL;DR – A short film that explores the important bond between people    

Score – 4 out of 5 stars

Alive. Image Credit: Distribution with Glasses.

Review –

When it comes to films, if it can get to that core emotional note and thus resonate on that deep level, well that will always hit that much harder for me as a viewer. This is because if the emotions work, then so much more of the film will flow from there. Today we explore a short film that knows this and focuses in on it as the core of the film.  

So to set the scene, Viktoria (Eva Johansson) lives her life in a wheelchair and needs around the clock support to live her life. During the day, her assistant Ida (Madeleine Martin) was walking through the park when they run into Ida’s boyfriend Björn (Joel Ödmann). Later that day, Viktoria admits that she feels alone. So Ida sets her up with a Tinder profile to find someone.

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Movie Review – Familiar Strangers

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TL;DR – An interesting experimental film that hits that overlap between film and a technology demonstration    

Familiar Strangers. Image Credit: Murat Sayginer.

Review –

I have seen quite a few films that you could call experimental in my time but today might take the cake as one of the more weird concepts that I have ever seen. Something that at first sight is deceptively simple but then it is clear a lot of work has gone into making it come together.

Familiar Strangers might be also one of the shortest films I have reviewed, clocking into only four minutes. However, that is just the right amount of time for you to process what you are seeing on the screen. Which is row upon row of actors faces apparently rendered using deepfake technology while Air on the G String by Johann Sebastian Bach plays in the background.

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Movie Review – Maska

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TL;DR – A nice story that does tread some well-worn ground    

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Maska. Image Credit: Netflix.

Review –

So to set the scene, we open in on Rumi Irani (Prit Kamani) who is living in his late father’s shadow. Like all things, he is fated to take over the family business which in this case is the Café Rustom an Irani café in Mumbai. His mother Diana (Manisha Koirala) cannot wait till he can take over the café and breathe new life into it. However, one night Rumi won the Mr Firozsha Baag and in it, he discovered his dream, he wants to become an actor. Of course, it does not hurt when he discovers that at his acting lessons not only is this his passion but one of his classmates Mallika Chopra (Nikita Dutta) might be his soul mate.

One of the things I like about Maska is how is it is about breaking out of the bubbles of our life. I once heard that tradition is just peer pressure from dead people and in this film that is both a metaphorical point and also a literal one as he sees an apparition of his father Rustom (Javed Jaffrey). It is about balancing the expectations of your past with the realities of the future.

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Movie Review – Ultras

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TL;DR – An interesting film, exploring interesting issues, but does not quite come together   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Warning – There is a lot of strobe lighting used in a sequence towards the end.

Ultras. Image Credit: Netflix.

Review –

For me, sports, particularly football is something that I have only really gotten into recently. So it is something that I have tried to explore more, with what makes it tick, what drives it, and what drives people to love it. Well, today we have a film from Italy that explores all of this, but from a different perspective, that of the hardened supporters of the Italian football league.

To set the scene, we open in as a man walk through a crowd where everyone knows his name, as we wander through the town we arrive at a wedding, where flares are lit and everyone is having a good time. Which is of course when we cut to a montage of the more colourful moments in Italian football history, full of riots, flares, and a long rivalry between teams from Naples and Rome, or Napoli and Roma. It here where we see that behind the bravado is a sadness, a sadness of time gone by.  

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