Tag Archives: Historical

The Bikeriders – Movie Review

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TL;DR – While this film is a beautiful character feature, however, its pacing and subject matter make it difficult to connect and care.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Tom Hardy rides into town.

The Bikeriders Review –

Today, we are looking at an interesting film because it has been a weird rollercoaster for me. When I first heard of the premise and cast, I was so giddy. It was a combination that had to be seen to be believed. But then that first trailer dropped … and it was not great. I came into this screening with more than a bit of apprehension that ended up being a little justified.

So, to set the scene, it is 1965 and fresh new journalist and photographer Danny Lyon (Mike Faist) is interviewing people from the Vandals motorcycle club. Of particular interest was Kathy Cross (Jodie Comer), who entered this world as an outsider before falling in love with the dangerous but charming Benny (Austin Butler). Everything is going well under the watchful eyes of leader Johnny Davis (Tom Hardy). But the question is: is that security earned, or is everything on the cusp of falling apart?

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Hundreds of Beavers – Movie Review

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TL;DR – It was a completely wild ride from start to finish. I am not sure I have ever seen a film like this before, and I doubt I will ever again.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Jean Kayak pops out of a hole.

Hundreds of Beavers Review –

For the last year, I kept hearing rumblings of this weird Beavers film that everyone needed to see. It is super low budget, weird in every way, yet utterly engaging. It is the sort of film that never gets a theatrical realise in Australia; well, that is, it does not usually get one. I was fundamentally surprised to see this was not the case here, but more than that, I was excited to see just how a film like this could come together, and I am not sure if anything prepared me for this.  

So, to set the scene, deep in the 19th century, Jean Kayak (Ryland Brickson Cole Tews) is an applejack producer, a very alcoholic liquor that everyone near and wide travels to, given how good it is. However, a stray beaver damages the giant kegs storing the Applejack, destroying the store and orchard in the process. Jean has only one option: get even with the beavers. The only problem is that he will have to survive first, which might be easier said than done. It is not like it is a brutally cold winter, and he has nothing to his name but the clothes on his back and the ability to carve interactive sculptures out of wood with his teeth.  

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The Convert – Movie Review

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TL;DR – A very compelling narrative of finding oneself far away from home.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

The New Zealand coastline.

The Convert Review –

There was a whole wave of unintended consequences when the British gallivanted around the world, sticking their flag on any spot of land that they could. You know, other than the conquest, murder, and resource exploitation, that is. In what is now New Zealand, one of these was the Musket Wars, where tribal structures across the islands were ripped apart. Today’s film jumps into the heart of this and the world it is creating.  

So, to set the scene, it is 1830, and Thomas Munro (Guy Pearce) is on a dangerous journey across the Tasman Sea to his new home on the Islands of New Zealand in the town of Epworth. He has been hired as the new lay preacher, but before he reaches there, he saves the life of Rangimai (Tioreore Ngatai-Melbourne) as the rest of her town is slaughtered by the warlord Akatarewa (Lawrence Makoare). Even when in Epworth, danger lurks, and not just from the “savages” in the bush.

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Doctor Who: Rogue – TV Review

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TL;DR – An entertainingly camp episode, playing into the current hotness.

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

The aftermath of a dual.

Doctor Who Review –

It does not matter if you are Doctor Who, James Bond going into space, or that one time Deep Space Nine was James Bond. When there is a current hotness in pop culture, you know people are going to ride that vibe. Well, it doesn’t take much to see that Bridgerton is the current hotness, so slap on some suits and frocks, amp up the drama, and let’s all go to a dance.  

So to set the scene, it is the year of our Lord 1813, and we are at a high society function, my dear, in the most exotic place we can find: Bath, England. We pan down to two gentlefolk who have a row over the honour of one of their sisters. The only problem is that when a dual is called, one of the men is packing electricity. But of course, it would not be a party without The Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) popping by, and well, who is that brooding man on the balcony (Jonathan Groff)? Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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The Holdovers – Movie Review

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TL;DR – It was a wonderful, moving, sad, delightful, and wild ride, unlike anything I have seen before, and it has been sitting in the back of my mind since I watched it. 

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review –

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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The Boys in the Boat – Movie Review

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TL;DR – A perfectly okay film that refuses to integrate any of the themes it proports to be exploring.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The boys lined up with their oars.

The Boys in the Boat Review –

Today, we look at an interesting biographical film because, at its core, it is more interesting for what it does not do than what it is that we see in the final product. This creates a film that, by all metrics, is perfectly okay from a technical perspective, but the moment you integrate any of the narrative, you find it to have the solidity of balsa wood.  

So to set the scene, it is 1936 in Washington state, at the height of the Great Depression. Joe Rantz (Callum Turner) has spent most of his life sleeping rough but still managed to get into the University of Washington. But when financing becomes tight, he decides to take up an opportunity with the University rowing team because it comes with a room and a small financial compensation. The Washington University rowing team has not won a race in a long time, and coach Al Ulbrickson (Joel Edgerton) is starting to feel the pressure from above to place or get replaced. But could this new batch of rowers be the best crew he ever taught? And in an Olympic year, no less?

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Killers of the Flower Moon – Movie Review

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TL;DR – A stunning work of art that captivated me for its entire runtime.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no end-credit scene.

Disclosure – I paid to see this film.

The sisters take a photo.

Killers of the Flower Moon Review –

There are some films where you know where you will land when the credits roll, but others still sit with you and reverberate through your brain over the coming days. Today, we look at just such a film that powered through my soul, with performances that were almost once in a generation.

So to set the scene, The Osage Nation had been forced from their homelands by the United States, but as luck or fate would have it, they found oil and became wealthy in this new land. Like any mineral found in human history, there was a rush to the county for those looking for work and making it rich. One such person was Ernest Burkhart (Leonardo DiCaprio), who moved to the area to work with his uncle, William King Hale (Robert De Niro). Here, his uncle subtlety suggests that he marries a local Osage lady because there is a chance that oil headrights could end up with them, which he does with Mollie Kyle (Lily Gladstone). But what if you could help those progressions of headrights towards you with some targeted deaths?

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Uproar – Movie Review

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TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review –

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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Mapping Old World– Map-It

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TL;DR – We continue our project of mapping historical video games with a look at Mohawk Games’ Old World

Rome.

Mapping Old World –

One of the joys I have discovered working on this site has been our mission to map historical video games. We started with Civilization, followed up with Humankind, and our next mission is Old World. I had played a bunch of Old World when it was back in beta, and now that its next expansion, Pharaohs of the Nile, has arrived, I knew it was time to jump into this map.

Before we dive in, a couple of quick notes: while all attempts have been made to ensure that everything is accurately placed, putting this together meant working from multiple sources, map projections, and sometimes not firm locations. As such, no matter how much you try, there might be slight discrepancies. This is increased in places with many locations grouped into a small area [cough Greece cough]. So take this as indicative of the place, not a pinpoint location. Also, some entries could be one of several different locations; in that case, I had to make a call about which one it was.

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The Continental (The Continental: From the World of John Wick): Loyalty to the Master – TV Review

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TL;DR – Continued floundering makes those moments when it tries to do something feel lacklustre.

Rating: 2.5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this series.

Staring at a cremation urn.

The Continental Review –

Well, hmmm, I have enjoyed everything we have gotten from the John Wick universe so far. However, last week’s opening, Brothers in Arms, fell flat in many ways. Now, this is only a miniseries, and the first episode was primarily set-up, which means it may take off from this week.

So to set the scene, it was The Bronx in 1955, and two young boys throw a Molotov cocktail through a window under orders, only to find there were people in there. In the present, Winston (Colin Woodell) manages to get in to see his dead brother Frankie’s (Ben Robson) corpse to say goodbye and collect his personal items before it is cremated. It is a focusing moment for Winston, and a plan is formed: it is time to kill Cormac (Mel Gibson). Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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