Movie Review – Guns Akimbo

TL;DR – There is a kernel of a good idea here, and there are parts of it where you can see how it could have made a really good film, just maybe not the one we got    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Guns Akimbo. Image Credit: Madman

Review

When you here that the premise of a film is that someone has bolted guns to Daniel Radcliffe’s hands and let him loose in the world. Well, that congers up a lot of images and expectations, indeed Daniel has been bouncing from one delightfully odd film to the next since his time in/as Harry Potter. At the very least, it is the kind of set up when you know before walking in that it is either going to be amazing or a dumpster fire but not in-between. Well trust me, I am just as surprised as you that I got it very wrong.   

So to set the scene, Miles (Daniel Radcliffe) is your usual loner who lives a less than great life as a code monkey for a soul-sucking corporation. But at night, he finally comes alive as he trolls, well other trolls. One night, however, things take a turn as he discovers ‘Skizm’, which is kind of like Twitch but with murder, indeed we are introduced to the program with Nix (Samara Weaving) annihilating another contestant because two people start and only one comes out alive. Well, Miles starts trolling the chat and eventually gets noticed by the admin Riktor (Ned Dennehy) who smashes down his door, knocks him out, and performs a little surgery. Miles wakes up with a splitting headache … oh and two guns bolted to his hands.

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Movie Review – Mandy

TL;DR – This is a film that is all about the style, and if you dig it you find it to be one of the best movies ever, or like me you if you don’t, well then it turns out to be a dull frustrating mess

Score – 2.5 out of 5 stars

Post-Credit Scene – There is a post-credit thing, but you don’t need to stay for it

Warning – There are several scenes that have extensive strobe effects

Mandy. Image Credit: RLJE Films

Review

Style is something that can make or break a film for people, it is one of the reasons that you tend to see a lot of dull monotonous films pumped out, desperately trying to be something for everyone. So in this regards, I deeply respect Mandy, for in no way playing it safe, and committing to its style like there is no tomorrow with a full line-up of sex, violence, and nudity. Unfortunately, the style did not gel with me at all, so while I appreciate what the film was trying to do, I cannot say I found it to be a particularly good film at all.

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