TL;DR – While some aspects don’t quite work, I would say this is a nice epilogue to the Indiana Jones franchise.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Indiana Jones and the Dial of Destiny Review –

We have seen many films try to recapture the past with a middling effect, hoping that nostalgia will lead to a quick buck. But rarely do you see them try to pivot that nostalgia to create a swansong for a character. Well, that is sort of what we get today, with a legacy film that is not looking to pass the torch but raise one last drink before the bar closes.

So to set the scene, it is the closing months of WW2 and Indy (Harrison Ford) is trying to infiltrate a castle in the French Alps that the Nazis are using as a staging post to ship back all their looted goods as France is reclaimed. He and Basil (Toby Jones) are after the Lance of Longinus [the spear that pierced Christ’s side], but it is whisked away on a train. While the Spear turns out to be a fake, on the train, Nazi physicist Jürgen Voller (Mads Mikkelsen) discovers something much more valuable. It is now 1969, and Indy is feeling bitter with the world after the death of his son and the failure of his marriage, but when Basil’s daughter and his god-daughter, Helena (Phoebe Waller-Bridge), arrives looking for the item they stole from that train, darker forces might be just on her heals.