TL;DR – A sequel that improves on the first in every way, full of action, and a ride from the start till finish
Rating: 4 out of 5.
Post-Credit Scene – There is no post-credit scene
Occupation: Rainfall Review –
A couple of years ago, I got to see this little Australian Science Fiction which was punching far above its weight. It was a movie filmed on a minuscule budget that did more with that budget than those with a much larger purse. It was a good representation of an alien invasion film, and full of some great action set pieces. So it was great to see that it was getting a sequel, and I am glad to say it improves on the first film in every way.
In the years since the first film Occupation, the resistance movement has fought from the hillside towns and villages down to Sydney’s heart. It is a war of attrition and small hit-and-run operations, trying to take the city back one small section at a time. For Matt Simmons (Dan Ewing), this is a battle of zero compromises because it is a fight for their lives. But for Amelia Chambers (Jet Tranter), she is trying to find a diplomatic answer or try to find a cooperative way to work with the other subjugated aliens. However, when Wing Commander Hayes (Daniel Gillies) calls a retreat, and all hope seems lost, a rumour about a new weapon called Rainfall starts to spread. Rainfall could be their one hope, or humanities final downfall.
TL;DR – A surreal experience that plays on the power structures of the time, an important retelling of an Australian classic that everyone should watch.
Score – 5 out of 5 stars
“What happened to the girls at the Hanging Rock?” It is one of the most famous questions in Australian mythology. Was there foul play, did they run away, was it something out of this world? The book by Joan Lindsay and the fictional yet presented as the real account is one of the most important works of literature to out of this fair country, and it was turned into a very successful film in 1975. Well, that was over forty years ago and today we have a new take at adapting the classic book into a mini-series format. Today we take a look at the world at the turn of the twentieth century, a world of pomp and ceremony, and a world of oppression and conformity.