TL;DR – Just when I thought I had worked everything out, The Boys was like, you know nothing while pulling the rug out from under my feet and maintaining eye contact as I fell to the floor.
Rating: 4.5 out of 5.
What I Know Review –
After an exciting and long season, we have drawn to the final episode for their sophomore season. This is a season where back in episode three, we exploded through the guts of a whale in its entire gory spectacle, and even that was not the most bonkers moment. With that in mind, in today’s review, we are going to look first at how the final episode came together. Then we will explore an overview of the season as a whole.
So to set the scene, in last week’s episode Butcher, Baker, Candlestick Maker, we thought everything was coming to ahead … until the head’s started popping. Throughout this episode, there were several essential plotlines. The first was getting a good look at Butcher’s (Karl Urban) life and the world that formed him as to who he is today. Homelander (Antony Starr) and Stormfront (Aya Cash) manipulated Ryan (Cameron Crovetti) and turned him against his mother Becca (Shantel VanSanten). Meanwhile, after Vought captures starlight (Erin Moriarty), Hughie (Jack Quaid) goes on a rescue mission with Lamplighter (Shawn Ashmore) to save her, and it goes … mostly okay. Finally, after everything they have done up until this point, there is a congressional inquiry led by Victoria Neuman (Claudia Doumit) into Vought and what they did. Finally some progress, or not, as heads start exploding on live TV. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is the episode that any semblance of subtly gets thrown out the door.
Rating: 4 out of 5.
The Boys: Butcher, Baker, Candlestick Maker Review –
The Boys is a show that has never shied away from the gore, sex, violence, subtle this is not. However, when it comes to the story, it was always framed around a simple good v bad framework. Throughout this season we have seen that there is more to that narrative as we dive down the well that is Vought, and this week the story takes all of its gloves of to show you just what it wants to say.
So to set the scene, in last week’s episode we got to see inside Vought International’s final plan. They aim to stabilize Compound V so that it can be given to an adult and cause an instant and safe transformation to being a Supe. But that is how it is not the why. The why is that Vought is not just Nazi adjacent, it is straight-up completely Nazi. Stormfront (Aya Cash) who is leading this campaign was born in Nazi Germany, and the aim is to given powers to select people to ‘take the country back’. This week with the turning of we start with the turning of Lamplighter (Shawn Ashmore) and the best possible chance to take Vought down … if everyone can make it to the hearings alive. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is an episode of getting all our ducks in a row, but a good version of that.
Rating: 3.5 out of 5.
The Boys: We Gotta Go Now Review –
In a world where superheroes have the power to do anything they want … what is to stop them from just doing it? This is the question that The Boys has been asking for a while, and this week we get to see that the answer to that is not a whole lot.
So to set the scene, in last week’s Nothing Like it in the World everyone’s world got turned on their heads. A-Train (Jessie T. Usher) got kicked out of the Seven, Homelander (Antony Starr) is continuing to lose his position on top, and Butcher (Karl Urban) lost everything because of his blind hatred of Supes. With everyone spiralling out of control, it is the perfect time for people like Stormfront (Aya Cash) to spill in and upset everything, which is precisely what happens. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is the episode where we get to see the direction of the season
Rating: 4 out of 5.
The Boys: Nothing Like it in the World Review –
Well, The Boys came back with a whale splatted gore explosion, but unlike last season, we are getting weekly episodes to space out the carnage. Given the places this show goes, this is very much for the best to give us some moments to breathe given what we just watched. With that in mind, let’s dive into an episode that gets ew in 4 minutes.
So to set the scene, New York is still reeling from the supposed super-terrorist attack on an apartment building. However, we know it was not the terrorist but Stormfront (Aya Cash) the newest member of The Seven with clear Nazi undertones. With the way Vought is manipulating the media not even the revelation that supers are made not born has shaken them from the prime position they are in. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Confronting, uncomfortable, but entirely compelling.
Rating: 4 out of 5.
Warning – Depicts scenes of abuse
When I first heard of The Boys, the concept of ‘what if superheroes were assholes?’ I’ll be honest it didn’t grab me. Maybe it was the Suicide Squad fatigue that had set in; perhaps it was the general feel of the time. However, given this is 2020, and what’s the worst that can happen? Well, I am glad I did because a lot is going on here, some unsettling, some subversive, but all fascinating.
So to set the scene, we open with bank robbers driving recklessly through the streets of New York. The truck carriers off the side of the road heading to some innocent bystanders when Queen Maeve (Dominique McElligott) of The Seven steps in front and takes all the damage herself while Homelander (Antony Starr) flies in and laser eyes the bandits while stopping to take a selfie or two. Meanwhile, Hughie (Jack Quaid) is walking down the street with his girlfriend Robin (Jess Salgueiro) after finally deciding to move in with each other when one second she is standing there talking. The next she is red mist as A-Train (Jessie T. Usher) runs into her at super-speed after being too preoccupied to see what was coming. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – A film that combines great action, compelling characters, visual storytelling, and creative worldbuilding making it a must watch
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
There are some films out there that just don’t find their audience the first
time around, yet over the years they build upon and continue to find their
voice as a slow burn. These are films that are often referred to as Cult
Classics. Today I want to take a look at a film that is both of these things.
It is an action film, both beautiful and violent, it is a look at society, and
also is the home for some of the best one-liners in cinema.
So to set the scene, in the far future the world has been ravaged by war with
people crowding into mega cities where violence and murder are commonplace.
Long gone are democratic governance and due process, replaced with the Judges.
These are judge, jury, and indeed sometimes (a lot of the time) executioners.
They have the power to hand out justice as they see fit, only answering to
their other judges. One such Judge is Judge Dredd (Karl Urban) who is tasked by
the Chief Judge (Rakie Ayola) to give a new recruit Anderson (Olivia Thirlby)
an evaluation. She had marginally failed the final test but she is the best
psychic the Judges had ever seen so this is her sink or swim moment. They can
pick anything to respond to so they choose Peach Trees a mega block with 75,000
residents where ‘Ma Ma’ (Lena Headey) had just killed three men and made an
example of them. Judges rarely come to Peach Trees, but when they capture one
of her key lieutenants Kay (Wood Harris) alive and take him away to be
interrogated, Ma-Ma locks down the entire block forcing the Judges to fight
their way out.
TL;DR – Today we countdown my Top 10 films of all time; from towns where there are a lot of ‘accidents’, to all forms of Sci-Fi, to do you know the man with six fingers on his right hand, and everything in between.
Recently I watched the CineFix crew countdown their Top 10 films, and it had me thinking what are mine? Now it was at this point where I of course naturally spiralled as how can you reduce thousands of films that you have seen into only a Top 10. Just before I threw my hands up in resignation and chucked in the towel I happened to catch an episode of Movies with Mikey on how he determined the best sequel. With this in mind I wondered if there was a set of criteria that I could use to categorise the films into a list that I would be happy with, and after some work, I came up with the following criteria that work for me.
Films that are beautifully constructed
Films that mean something to me
Films that are always re-watchable
Films that have added to my love of the craft of cinema
With this criterion in mind I went through all the likely candidates and with a bit of a struggle I think I have been able to come to a final list, well at least until I change my mind next week, which is always a chance.
TL;DR – A visual extravaganza, Taika Waititi with the cast and crew gave their all to this film, and it amazing to watch.
Score – 4.5 out of 5 stars
P.S. – There is a Mid and End Credit Scene
Wow, what an amazing end to a film trilogy, and one of the strongest so far for Marvel. I’ve always had a kind of indecisive feeling towards the Thor films so far. They have been a case of fantastic casting matched with just ok storylines. Now when you have Anthony Hopkins going gangbusters, then even a bad script will look good, but overall I just thought the Thor films were ok and nothing more. To be fair, I think it was a testament to the quality of Marvel’s films that while Thor might have been my least favourite Marvel films it was because they were only ok, not fantastic. However, I was honestly wondering with everyone doing their big Cinematic Universes now if superhero fatigue would set in given my relationship with the films so far, but nope this film was a riot from start to end and I highly recommend it. So today we will set the scene, and then have a look at all the factors that went into making the film work. However because of the nature of Thor Ragnarok and its story, we are going to hit spoilers much earlier than we would normally do, so to be on the safe side I am implementing a [SPOILER] warning from this point onwards.
TL;DR – For The Love Of Spock is a beautiful reminder that human beings are immensely complex entities and a masterpiece in asking the question of where do our views of a man intersect with who he really is.
Tomorrow Rogue One is coming out in cinemas and once again Star Wars is going to absorb the cultural and science fiction landscape for a while, but before that happens I wanted to take a moment to look at the other sci-fi juggernaut Star Trek, and as we draw to a close on the 50th anniversary of Star Trek it is only fitting that we examine one of the characters that started it all Spock, and the man behind it Leonard Nimoy, and of course who is better to tell that story than Leonard’s son Adam.
TL;DR – A beautiful film with real heart, it is well filmed, well-acted, and the dragon is a delight
Score – 4.5 out of 5 stars
Well, the Disney remake season continues unabated, and after The Jungle Book earlier in the year (which was a good but not great film – Full Review), they have now reached back into the great magical Disney Vault to remake one of their lesser known films Pete’s Dragon. I do have some vague memories of the original film, that it was this weird look into poor America, but it has been years so I can’t tell you if this is a good remake/reinterpretation/whatever, but what I can tell you is that this is an amazing film in its own right.