TL;DR – Just when I thought I had worked everything out, The Boys was like, you know nothing while pulling the rug out from under my feet and maintaining eye contact as I fell to the floor.
Rating: 4.5 out of 5.
What I Know Review –
After an exciting and long season, we have drawn to the final episode for their sophomore season. This is a season where back in episode three, we exploded through the guts of a whale in its entire gory spectacle, and even that was not the most bonkers moment. With that in mind, in today’s review, we are going to look first at how the final episode came together. Then we will explore an overview of the season as a whole.
So to set the scene, in last week’s episode Butcher, Baker, Candlestick Maker, we thought everything was coming to ahead … until the head’s started popping. Throughout this episode, there were several essential plotlines. The first was getting a good look at Butcher’s (Karl Urban) life and the world that formed him as to who he is today. Homelander (Antony Starr) and Stormfront (Aya Cash) manipulated Ryan (Cameron Crovetti) and turned him against his mother Becca (Shantel VanSanten). Meanwhile, after Vought captures starlight (Erin Moriarty), Hughie (Jack Quaid) goes on a rescue mission with Lamplighter (Shawn Ashmore) to save her, and it goes … mostly okay. Finally, after everything they have done up until this point, there is a congressional inquiry led by Victoria Neuman (Claudia Doumit) into Vought and what they did. Finally some progress, or not, as heads start exploding on live TV. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is the episode where we get to see the direction of the season
Rating: 4 out of 5.
The Boys: Nothing Like it in the World Review –
Well, The Boys came back with a whale splatted gore explosion, but unlike last season, we are getting weekly episodes to space out the carnage. Given the places this show goes, this is very much for the best to give us some moments to breathe given what we just watched. With that in mind, let’s dive into an episode that gets ew in 4 minutes.
So to set the scene, New York is still reeling from the supposed super-terrorist attack on an apartment building. However, we know it was not the terrorist but Stormfront (Aya Cash) the newest member of The Seven with clear Nazi undertones. With the way Vought is manipulating the media not even the revelation that supers are made not born has shaken them from the prime position they are in. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Confronting, uncomfortable, but entirely compelling.
Rating: 4 out of 5.
Warning – Depicts scenes of abuse
When I first heard of The Boys, the concept of ‘what if superheroes were assholes?’ I’ll be honest it didn’t grab me. Maybe it was the Suicide Squad fatigue that had set in; perhaps it was the general feel of the time. However, given this is 2020, and what’s the worst that can happen? Well, I am glad I did because a lot is going on here, some unsettling, some subversive, but all fascinating.
So to set the scene, we open with bank robbers driving recklessly through the streets of New York. The truck carriers off the side of the road heading to some innocent bystanders when Queen Maeve (Dominique McElligott) of The Seven steps in front and takes all the damage herself while Homelander (Antony Starr) flies in and laser eyes the bandits while stopping to take a selfie or two. Meanwhile, Hughie (Jack Quaid) is walking down the street with his girlfriend Robin (Jess Salgueiro) after finally deciding to move in with each other when one second she is standing there talking. The next she is red mist as A-Train (Jessie T. Usher) runs into her at super-speed after being too preoccupied to see what was coming. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.