TL;DR – A work of art that hits on every emotional level from start to finish.
Post-Credit Scene – There is a mid-credit scene
Disclosure – I paid for the Netflix service that viewed this film.
Guillermo del Toro’s Pinocchio Review –
Some names instantly intrigue you when you hear they are attached to a project. Which is entirely what happened when I heard that Guillermo del Toro was going to make a Pinocchio film. This alone was enough to interest me. Then you discover that it will be an animated film, not just that, a stop-motion animation film, and the masters of puppets, The Jim Henson Company, will produce it. Well, that is a combination that could not be missed, and I am fundamentally glad I watched it.
So to set the scene, master craftsman Geppetto (David Bradley) lost his only child Calro (Gregory Mann), during the Great War when he was only ten years old. A stray bomb destroyed the church that they were working in, and it is a loss that he has never recovered from. Sometime later, Sebastian J. Cricket (Ewan McGregor), a travelling cricket, came to live in the tree planted at Carlo’s grave and watched as a drunk Geppetto laments over his lost son. But as that is happening, some old spirits from the forest who typically ignore humanity hear the pleas of the grieving father and when he cuts down the pine tree that was planted at the grave to turn it into a puppet. So The Wood Sprite (Tilda Swinton) looks over the creation and then brings that puppet Pinocchio (Gregory Mann) to life.