The Wheel of Time: Season 1 – TV Review

TL;DR – This is a show that looks amazing but always feels like it is just about to click together but does not quite get there

Rating: 3.5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this episode.

The Wheel of Time. Image Credit: Amazon Prime.

The Wheel of Time Review

I have been at a bit of a loss for a while now, leading to me spending nights just binge-watching Alone, which is not a good headspace when you live alone in the middle of a global pandemic. Realising that it was probably not good for me to continue down that road, I decided to focus those energies elsewhere and catch up on some of the Fantasy shows that I missed last year. The first of the three is Amazon Prime’s dive into the 14-book world of Rober Jordan.

So to set the scene, 3000 years before the start of the series, there was a battle to lock The Dark One (Fares Fares) away for good, only it backfired. The Dragon was tainted and, as legend stated, ‘broke the world’. This legacy is felt to this day as men still can’t channel the One Power without being driven insane eventually. However, prophecy has stated that the Dragon will be reborn again and will heal the world or break it apart again. This is the mission that Aes Sedai Moiraine Damodred (Rosamund Pike) and her ward al’Lan Mandragoran (Daniel Henney) are on as they race to find the Dragon before others of her sect, or even the Dark One finds them. As fate would have it, five people fit the bill for the Dragon, Nynaeve al’Meara (Zoë Robins), the Wisdom of Emond’s Field, her apprentice Egwene al’Vere (Madeleine Madden). Egwene’s love interest Rand al’Thor (Josha Stradowski), and his best friends Perrin Aybara (Marcus Rutherford) and Mat Cauthon (Barney Harris). However, before Moiraine could tell which of the five could be the Dragon, an army of Trollocs attacked the village. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.     

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TV Review – Tidelands: Season One

TL;DR – This opener immediately drags you into a world of multiple factions that are all untrustworthy and makes you wonder who will you back?

Score – 4 out of 5 stars

Tidelands. Image Credit: Netflix

Review

There is this surreal moment that, I assume if you lived in Vancouver or cities like that you would be used to, when you see someone drive down a street in a film and then instantly realise that you have driven there before. You know those cane fields, the factories, you know that bridge, that university hall. It has happened before with places I have visited overseas, but never here in Australia, and never with Brisbane playing Brisbane.However as a critic, this is potentially dangerous territory, do I like the show because it is good or because I have a natural drive to see the local film industry do well. However, with Netflix’s new show Tidelands, I don’t think this is the case, and as I review all of the first season I think you will see immediately if this is a show that you should dive into or not.     

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TV Review – Tidelands: Home

TL;DR – This opener immediately drags you into a world of multiple factions that are all untrustworthy and makes you wonder who will you back?

Score – 4 out of 5 stars

Tidelands. Image Credit: Netflix

Netflix is this big global juggernaut, which is currently dominating the media landscape. Now while that’s fine because we are getting such amazing shoes like Stranger Things (see review) and Lost in Space (see review) however, they have not really engaged with local content as much as they should. Well, today we see the first steps in changing that with Tidelands,Netflix’s first show produced for them out of Australia. So without a doubt, there is a certain amount of novelty seeing my hometown up there on the big screen, and you can’t help but be sucked in. However, beyond the novelty is a story that had me immediately hooked and wanting to see more.

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TV Review – Mystery Road: Season One

TL;DR Mystery Road is a mystery ‘who done it’ where every reveal has weight and you have to watch every episode just to see what happened next.

Score – 4.5 out of 5 stars

Mystery Road

Review

Australian TV is kind of going through a period of uncertainty, how does it adapt to a changing global marketplace where streaming services are the new norm, or to governments that do not feel like supporting the arts is a good thing any more. Indeed, when you look at the list of currently running drama series in Australia it is almost anaemic compared to even ten years ago. Within this world, it is an unfortunate reality that you have to make each chance count, and with today’s Mystery Road we have a show that does just that. Now before we move onto the review proper just a couple of points. Firstly, this is based off a series of films created by Ivan Sen that I have unfortunately not seen, however, if you are like me in this regard, don’t worry because anything you do need to know about them is told in the show so you are not missing out. As well as this, we will be looking at the series as a whole so there will be some [SPOILERS] ahead, but we will leave discussions about the final episode to a paragraph all to itself so you can skip that if you don’t want to find out the conclusion.

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TV Review – Picnic at Hanging Rock

TL;DR – A surreal experience that plays on the power structures of the time, an important retelling of an Australian classic that everyone should watch.

Score – 5 out of 5 stars

Picnic at Hanging Rock banner

Review

What happened to the girls at the Hanging Rock?” It is one of the most famous questions in Australian mythology. Was there foul play, did they run away, was it something out of this world? The book by Joan Lindsay and the fictional yet presented as the real account is one of the most important works of literature to out of this fair country, and it was turned into a very successful film in 1975. Well, that was over forty years ago and today we have a new take at adapting the classic book into a mini-series format. Today we take a look at the world at the turn of the twentieth century, a world of pomp and ceremony, and a world of oppression and conformity.

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