TL;DR – A film that comes at you like the rising tide, slow at first and then before you know it you have become overwhelmed
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Having grown up in the era of Erin Brockovich, I am hard-wired to like a good biopic, especially one where someone takes down a major corporation that should have known better. Well, today we get to see a film that does pretty much all of that and does it very well indeed.
So to set the scene, we open back in the 1970s as a bunch of kids go skinny dipping in a lake in Parkersburg, West Virginia only to get shoed away from the site by men from the DuPont Corporation in a boat firing foam at a residue building up on the surface. Sometime later, in Cincinnati, Ohio, Robert Bilott (Mark Ruffalo) has just been made a partner in the Taft Stettinius & Hollister law firm when he is interrupted in a meeting by Wilbur Tennant (Bill Camp) an old friend of Robert’s grandmother. He has a problem with his farm, ever since DuPont built a rubbish tip next door to his property all of his cattle have been dying of odd diseases. Robert is reluctant to intercede but he makes a trip out to Parkersburg and finds things are not what they seem.
TL;DR – Infinity War brings everyone together and then tares them apart leaving you with a foreboding as to what will happen next, but also an excitement as they try to work it all out.
Score – 4 out of 5 stars (this is a tentative score, it might change after Part 2)
Post-Credit Scene – There is an end credit scene
It should be no surprise that I have been eagerly awaiting the new Avengers film. In preparation not only did I map out the Marvel Cinematic Universe (see here) but I also ranked every film released in the build-up (see here). However, if I am to be perfectly honest, part of this stemmed from a nervousness, could they stick the landing, could they create a story that would give justice to all the desperate characters they were involved, could they actually bring on Thanos? Well as you can probably tell I have seen the film now, so I can now answer those questions … sort of. Now a quick note today, there will be [SPOILERS] for several of the recently released Marvel films including Thor: Ragnarok (see review) and Black Panther (see review). As well as this, I will try to avoid most of the major spoilers until a paragraph at the end when we discuss the ending, but because of how quick the film moves this is just a general [SPOILER] warning if you have not seen the film yet.
TL;DR – A visual extravaganza, Taika Waititi with the cast and crew gave their all to this film, and it amazing to watch.
Score – 4.5 out of 5 stars
P.S. – There is a Mid and End Credit Scene
Wow, what an amazing end to a film trilogy, and one of the strongest so far for Marvel. I’ve always had a kind of indecisive feeling towards the Thor films so far. They have been a case of fantastic casting matched with just ok storylines. Now when you have Anthony Hopkins going gangbusters, then even a bad script will look good, but overall I just thought the Thor films were ok and nothing more. To be fair, I think it was a testament to the quality of Marvel’s films that while Thor might have been my least favourite Marvel films it was because they were only ok, not fantastic. However, I was honestly wondering with everyone doing their big Cinematic Universes now if superhero fatigue would set in given my relationship with the films so far, but nope this film was a riot from start to end and I highly recommend it. So today we will set the scene, and then have a look at all the factors that went into making the film work. However because of the nature of Thor Ragnarok and its story, we are going to hit spoilers much earlier than we would normally do, so to be on the safe side I am implementing a [SPOILER] warning from this point onwards.
TL;DR – This is a real life story that needed to be told, of scumbags who hurt children and them covered it up, I just wish it had been done a bit better.
Score – 4 out of 5 stars
Spotlight is the real life story of the Spotlight team of The Boston Globe. This is a team of investigative journalists who pick their own stories to investigate, sometimes spending years researching their cases. In early 2001 after some prompting, they start looking into the Catholic Church in the Boston area and how they handled sexual abuse cases. Here they discover that it is not just a couple of bad apples and that it is a much bigger problem, one the Church knew about and one they covered up.