Downton Abbey: A New Era – Movie Review

TL;DR – While it does suffer from pacing issues when it finds its grove, it becomes a true delight    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Downton Abbey

Downton Abbey: A New Era Review

As we said back in our review of the first Downton Abbey film, I have never watched any of the TV Show that is the basis for these films. It was a pop-culture phenomenon, so even without watching, you picked up things like one character’s untimely death via car crash after visiting his newborn son. With that in mind, I am approaching these films and these reviews as someone who has not seen the supporting show and thus present how it works or does not work for those who have not watched the show.

So to set the scene, we open with a wedding as Tom Branson (Allen Leech) and Lucy (Tuppence Middleton) as the whole family comes to share in the nuptials. However, as they return to Downton, Robert Crawley, 7th Earl of Grantham (Hugh Bonneville) and his daughter Lady Mary Talbot (Michelle Dockery) are called into a meeting with Violet Crawley, The Dowager Countess of Grantham (Maggie Smith) and her lawyer. For you see, Violet has inherited a villa in the south of France in a surprising and disputed way. Half the household makes the trip down south to work this all out. Meanwhile, those who stayed back at the Abbey must contend with the mansion being used as a location site for a film. It is a big imposition, but the appearance of Guy Dexter (Dominic West) and enough money to fix the roof help ease the pain.

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The Gentlemen – Movie Review

TL;DR – A fascinating and engaging story filled with great performances and many yikes moments     

Rating: 3.5 out of 5.

TL;DR – A fascinating and engaging story filled with great performances and many yikes moments     

The Gentlemen. Image Credit: STXfilms.

Review

When you sign up to watch a Guy Ritchie film, you sort of know what you are going to get yourself into as he has a very specific style. It is one that is a very flash in the pan, but with a lot more substance than similar filmmakers. On the whole, I do tend to enjoy his style of filmmaking and the stories he focuses on because at the very least they will be entertaining. Well let’s dive into his latest that I was not able to catch in cinemas given ‘waves hands around’, but I am looking forward to now.     

So to set the scene, we open with Michael ‘Mickey’ Pearson (Matthew McConaughey) walking into a pub he owns ordering a pint and a pickled egg and phoning his wife Rosalind ‘Ros’ Pearson (Michelle Dockery). Only to find out there is someone unknown in the house with her which is just the moment that someone puts a bullet in the back of his head. Jump to Raymond ‘Ray’ Smith (Charlie Hunnam) arriving at his home only to find general sleazeball and private instigator Fletcher (Hugh Grant) waiting for him with a story and a demand for 20 million dollars. A tale of a bad man who wants to get into the world of legitimacy from a world of danger and it goes about as well as you can expect.      

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Movie Review – Self/less

TL;DR – An interesting premise that is completely wasted in its execution.

Score – 2 out of 5 stars

Self/less. Image credit: Focus Features.

Review

This is a bad film but what is worse is that there is actually an interesting idea here that could have been a great film, so this week we’re are going look at more a dissection of where this film went wrong. I should say that we will be getting into spoilery territory but since you should give this one a pass I don’t think it should be much worry.

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