Tag Archives: Movie Review

Sisu: Road to Revenge – Movie Review

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TL;DR – While it loses some of its drive halfway through, it is still the action romp that it needs to be as carnage stretches across Russia.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit sequences.

Disclosure – I paid to watch this film.

Sisu: A Finnish word that cannot be translated. It means the white-knuckled force of courage and unimaginable determination.

Sisu: Road to Revenge Review Introduction –

It is that time of year when I take a look back on 2025, and see all the films that I missed that I need to take a look at before I start my best of 2025 lists. I won’t get to all of them; there isn’t enough time. However, one film I knew I had to see was the follow-up to a Finnish gem from 2023. Sisu is one of the few films in the post-John Wick era that took the action style and improved on it. But can lightning strike twice?  


So, to set the scene, after WW2, Finland lost territory to the Soviet Union, and the Finns living there were forced to flee. In 1946, after finding all that gold in Lappland, Aatami Korpi (Jorma Tommila) returned to his home in Karelia, now on the wrong side of the border, to where his dead family once lived, hoping to take the house and rebuild it in a land of peace. But when Aatami crossed the border, his passport triggered a response in Soviet high command. The KGB (Richard Brake) tasks Igor Draganov (Stephen Lang), the man who killed Aatami’s family, to finish the job. But Aatami is a man who has left hundreds of Red Army and Nazi corpses in his wake, and he won’t go down without a fight.    

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Predator: Badlands – Movie Review

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TL;DR – an absolute blast of a film from start to finish. Taking 1980s action sensibilities and bringing them into a modern sci-fi film. Bright, fun, but also thoroughly grounded in the universe they are working in.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-title card scene.

Disclosure – I paid to watch this film.

Dek standing with a sword.

Predator: Badlands Review Introduction –

When you hear that a new entry in a famously American R-rated franchise has been handed the dreaded American PG-13 rating, you cringe a little. You get flashbacks to Die Hard 4 and others who were forced, kicking and screaming, into the lower rating to make it more marketable. However, today we look at a film that bucks that trend by being a fun, family-friendly film that remains grounded in its universe.

So, to set the scene, we open on the Predator homeland of Yautja Prime, where Dek (Dimitrius Schuster-Koloamatangi) is sparring off with his brother Kwei (Mike Homik). While Dek is a runt in Yautja society, his brother sees his strength and worth. Dek should have the chance to go on a hunt and prove himself in Yautja society. Unfortunately, their father Njohrr (Dimitrius Schuster-Koloamatangi) feels differently. Dek manages to escape and lands on Genna, a planet where every part of the biosystem is out to kill you. However, it is the home of the Kalisk, a creature so powerful that no Yautja has succeeded in killing it, and it even scares Dek’s father. But before you can get to the Kalisk, you need to survive Genna, and maybe the synth Thia (Elle Fanning) might be your only hope to pull that off.     

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Scurry – Movie Review

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TL;DR – A strong premise brings you into this world, but the narrative does not quite have the six legs to get all the way to the end.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A man holds a lighter up for light.

Setting the Scene

This has been an excellent year for Sparke Films, with its flagship Primitive War showing that you absolutely can do a dinosaur film without the word Jurassic in the title. But that was a big, bombastic work, and I was interested to see what they could do on a more concentrated effort, and today we find out.   

So, to set the scene, chaos reigns as something is causing a city to be evacuated and destroyed in equal measure. At the bottom of a sinkhole lies Mark (Jamie Costa), who had the unfortunate luck of standing on the road as it gave out underneath him. Stuck and with no phone connection, things are not looking good for him, nor is that car hanging precariously over the edge, filling anyone with confidence. There better not be a helicopter crashing from the sky that will make this situation worse, and what was that chittering sound in the background?

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Fight or Flight – Movie Review

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TL;DR – This is what happens when you build a film entirely around your leading star’s personality, and it works.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A phone with a bounty image of Josh Hartnett.

Setting the Scene

If there is anything that 2025 cinema is going to be known for, it has been the bountiful number of action films we have gotten. Some look back to the past to find inspiration, some work in the medium as it stands, and some are still looking forward and charting their own path. Today’s entity is trying to do a bit of all three, and while I don’t think it landed all the aspects, it does get points for the pun in the title.  

So, to set the scene, Aaron Hunter (Julian Kostov) is not having a good day because one of the teams he is overseeing just got wiped out in Bangkok by a ghost. Not a literal ghost, but given how The Ghost has eluded capture so far, it might as well have been one. His boss, Katherine Brunt (Katee Sackhoff), knows that capturing The Ghost will be a fantastic stepping stone in her career; the only problem is that, with the Bangkok team dead, and The Ghost heading to the airport, she doesn’t have time to get a team onto the plane to capture the target. She is left with only one choice, Lucas Reyes (Josh Hartnett), a man burned by the intelligence agencies, but might be willing to take the gig, only to get off the no-fly list. He agrees, reluctantly, however, as he boards the plane, what he does not know is that he might not be the only person on the plane hunting The Ghost.

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The Bad Guys 2 – Movie Review

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TL;DR – A film full of energetic characters, stunning animation, and a wonderful, uplifting vibe that permeated every part of the story.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Bad Guys driving a car out of a building.

The Bad Guys 2 Review Introduction –

Back in 2022, Dreamworks Animation was in a bit of a creative quandary. It had just finished up its Kung Fu Panda and How to Train Your Dragon series, but then it kind of just floundered for a while. But then The Bad Guys happened. It was an explosion of energy in a way the studio hadn’t found in the past years. But it was also stepping into a brand-new animation style that blended 2D and 3D styles into something that perfectly understood the medium they were adapting. We dipped back into this world with The Bad Guys: Little Lies and Alibis earlier in the year, but I am glad to say that it is time to dive into the sequel I have been waiting for.


So, to set the scene, ever since the events of The Bad Guys where the team of Mr Wolf (Sam Rockwell), Mr Snake (Marc Maron), Mr Piranha (Anthony Ramos), Mr Shark (Craig Robinson), and Ms Tarantula (Awkwafina) turned good to stop the master villain Professor Marmalade (Richard Ayoade). They have been serving their time and trying to reemerge in society. But they can’t find a job, because everyone thinks that they are just undercover waiting to rob everyone. This is made more complicated when the Phantom Bandit starts robbing the city of all its MacGuffinite in the style of The Bad Guys. What’s worse: being blamed for a crime you didn’t commit, or knowing someone’s out there copying your old moves? Well, The Bad Guys need to get to the bottom of this before Governor Diane Foxington (Zazie Beetz) and police commissioner Misty Luggins (Alex Borstein) must act.

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The Roses – Movie Review

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TL;DR – A film built entirely on the chemistry of Benedict Cumberbatch and Olivia Colman, which is a fundamentally good idea. But then the film makes several choices that make you pause.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Benedict Cumberbatch and Olivia Colman.

The Roses Review Introduction –

Unfortunately, 2025 has not been kind to the satirical Dark Comedy, with many noted filmmakers falling in the attempt to capture that vibe. With film after film falling in its wake. However, can a remake of a classic from 1989 find its footing? Well, to pull that off, you would need to cast two leads with impeccable chemistry and bring it into the 21st century, but there is a chance you can pull it off.    

So, to set the scene, Theo (Benedict Cumberbatch) and Ivy (Olivia Colman) are both professionals working in London and being held back by their respective bosses. However, fate brought them together one day, and the chemistry was instant, so instant that they took a gamble to fly off to California after one meeting. Ten years later, they are married with twins, and Ivy has put her career on hold to raise the family. But when a calamity strikes and Theo is fired, Ivy steps up to take the slack, working in her new restaurant. It is a complete 180° shift in their marriage dynamic, which I am sure will have no lasting repercussions.   

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Outbreak – Movie Review

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TL;DR – Outbreak shows early promise, but weak character work and mounting frustrations prevent its ending from landing as intended.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I sent a screener of this film.

Warning – Contains scenes that may cause distress.

Outbreak Introduction –

2025 continues to be a standout year for the old Zombie romp. We have old franchises return with 28 Years Later, The Last of Us came out swinging with its second season, and even Star Trek has had a try. – Despite the crowded field, there’s always room for a surprise and Outbreak came close.  

So, to set the scene, Neil Morris (Billy Burke) is a local ranger at Mourning Rock State Park, going on what they thought was a routine callout to a dog with rabies. But Neil is not at ease with what is going on, as this is the third dog in weeks to become infected, which is made worse by the fact that Chief Mike Cortez (Raoul Max Trujillo) got bitten by the dog in the scuffle and Neil is still dealing with the death/disappearance of his son Ben (Kylr Coffman). But as Neil was out walking in the state park, he was attacked by a woman in partial decomposition, and she was not alone, as screams of others puncture the day.

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Holy Cow (Vingt Dieux) – Movie Review

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TL;DR – A delightful romp set in the French countryside, in a world of cheese, stock cars, and the perils of growing up.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Comté cheese.

Holy Cow Introduction –

One of my favourite films to review is when directors/writers have been putting in the work to build their craft and finally get the chance to bring their first feature outing to the big screen. Today’s entry is just such a film, with Louise Courvoisier bringing so much of herself to the big screen. Well, it is time to fly to rural France and into the world of cheese.  

So, to set the scene, Totone (Clément Faveau) has just left school and is enjoying that time in his life where all he needs to do in a day is have fun, go drinking with his friends, and occasionally get into fights with kids from the other village. However, his entire life is upended when his father is killed in a car crash, and suddenly, he must care for his young sister Claire (Luna Garret). Totone must sell almost everything to survive; however, when he discovers there is a €30,000 prize for the best Comté cheese. Well, Totone takes it upon himself and commits some minor theft to make the best cheese in the valley.

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Eddington – Movie Review

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TL;DR – While the cast is giving their all, the production quality is there. Unfortunately,  what we get is a film that is weird but not interesting, a satire that does not have the strength to interrogate the themes it is working in, and a third act that dulled me to the point I desperately wanted it to be over and done with.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes that may cause distress.

Joaquin Phoenix and Pedro Pascal stand off against each other.

Eddington Introduction –

Today, we are looking at a film that could be best described as controversial. It is a black comedy, satirising the current political situation in the United States, which in itself would be a fascinating exploration. But add in the guiding hand of vanguard Indy director/writer Ari Aster, and you should have something intriguing. Unfortunately, for me, the word ‘should’ is the operative word in the last sentence.   
 
So, to set the scene, in the Colorado town of Eddington, people are struggling with the new lockdown laws as COVID-19 runs through the country. It is only May 2020, so we are fumbling around trying to see what would work. In this space, we have Joe Cross (Joaquin Phoenix), Eddington’s sheriff, who may have only got the job because he married Louise (Emma Stone), the daughter of the last sheriff. He struggles with many ailments and is struggling with the COVID-19 restrictions put in place by local mayor Ted Garcia (Pedro Pascal). After several confrontations, Cross decides to contest the current mayoral elections, which is where everything descends into chaos.

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Escape – Movie Review

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TL;DR – While it dabbles in exploitation, the film never really comes together as a whole.

Rating: 2 out of 5.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A woman running towards a cabin in the desert.

Escape Review –

So, to set the scene, we open with a woman running for her life in a desert as she is being chased by a truck. 24 hours earlier, while a bunch of women have arrived at a luxurious island hideaway for a holiday, at a workshop, a comically evil trafficker is setting out the rules to his henchmen. They need ten women captured to be shipped off by Friday. The women are having a blast, not knowing they are walking into danger.  

Well, there is a lot I can say about this film, but I want to highlight some of its strengths. They make the most of their shooting location on the Canary Islands, which helps the narrative or at least makes it more energetic. I also liked that, on the whole, the women were written as out of their depth but not entirely stupid. For example, realising that maybe having a wrench would be a good idea. However, I think they would have preferred being kidnapped and wearing more practical footwear.

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