Tag Archives: Netflix

Damsel – Movie Review

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TL;DR – While a bit messy in places, strong casting and a solid central premise combine to make a fascinating film at times.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Shadows encroach over the kingdom.

Damsel Review –

I have always loved a good schlocky fantasy film. One that knows its premise and its voice and excels from there. It is in this space that we get gems like The Mummy and Dungeons and Dragons. Today, we are looking at a film that is trying to capture that kind of energy and see if they can pull it off.   

So to set the scene, we open in as a platoon of knights crawl into a dragon’s (Shohreh Aghdashloo) lair, hoping to slay the beast before ending in a conflagration of flames. Centuries later, in a faraway land on the verge of ruin lives Elodie (Millie Bobby Brown), a princess. It is at this dark moment when an envoy from the Kingdom of Aurea arrives looking for Elodie’s hand in marriage for their prince. This marriage would give Elodie’s kingdom enough resources to make it to the thaw. As the family arrives at Aurea, its wealth greets them, and also a sense that not everything is as it seems, for the mountains behind the kingdom cast long shadows.

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The Gentlemen: Refined Aggression – TV Review

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TL;DR – This was a weird, odd, yet profoundly compelling opening to a series.  

Rating: 4 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Eddie Halstead meets Susie Glass.

The Gentlemen Review –

It wasn’t all that long ago that I sat down to watch a truly bonkers yet very rough film called The Gentlemen. I hadn’t thought in a while, but as I was watching, snippets came back to me, and I remembered how genuinely wild it was. The question then becomes, can you improve on the first by transforming/ spinning it off into a television series on Netflix? Well this is the question that I find myself asking today.   

So to set the scene, we find ourselves on the Türkiye/Syrian Border at a United Nations manned checkpoint. It is just an ordinary day until the Unit Leader Eddie (Theo James) discovers that his father is gravely ill and he is needed at home. A world of luxury awaits, a far distance from the rural Middle East. It should be a short trip because 600 hundred years of tradition means that the title and lands go to the first-born son, Freddy (Daniel Ings), which makes the will reading all that more perplexing. I sure hope no one has any significant debts that could complicate things. Now from here, we will be looking at the episode, so there will be some [SPOILERS] ahead.  

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Avatar: The Last Airbender – Aang – TV Review

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TL;DR – While it had its clunky moments, the first episode does a good job of setting up this world that we are about to dive into.

Rating: 3.5 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Southern Air Temple.

Avatar: The Last Airbender Review –

Today, we are looking at an interesting show because I feel that it has all the cards stacked against it. It is a live-action remake of a beloved property made by Netflix, and there is a graveyard behind us of failed attempts at this. Then there were the original creators leaving because of some pretty significant creative differences before we got one of the most ill-fated press campaigns, which was probably only tempers because Madame Webb was happening at the same time. However, a rocky production does not mean the end product is not great, and this is what we are looking at today.  

So to set the scene, in the world of Avatar, there are four elements that people can bend: Earth, Wind, Water, and Fire. However, only the Avatar can bend all four elements and use this to keep the peace between the different tribes. However, while the world waits for the next Avatar to come from the Air Tribe, the leader of the Fire Tribe, Fire Lord Sozin (Hiro Kanagawa), uses the moment of Sozin’s Comet’s appearance to attack the Air Temples all he has to do is kill the Avatar before they are announced, the only problem is that no one knows who it is, so they have to kill all of them. But they were not ready for the rambunctious Aang (Gordon Cormier), who had different ideas that fated night.

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Ashes (Kül) – Movie Review

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TL;DR – A film that does a fantastic job of setting up a world and mystery that unfortunately can’t sustain itself all the way to the end.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Some scenes may cause distress.

The manuscript Kül.

Ashes Review –

Today, we dive back into the world of romance but with a side of danger as we explore Turkish cinema for the first time properly on the site. Romance films can be fascinating because they can meld and merge into so many different genres and take on a broad scope of tone. In today’s film, we dive into the harder edge of the genre, where danger awaits.

So to set the scene, from all appearances, Gökçe (Funda Eryigit) is living her best life. She is a successful publisher with a talent for picking good manuscripts, something that has made her husband Kenan (Mehmet Günsür) fabulously wealthy. But her life feels like it is missing something, missing a lot of things. But when a manuscript called Kül arrives, she is immediately transported into its prose. Being captured by its narrative, it awakens a joy that she had not realised was missing. But when she discovers the bakery in the book is real, and more of the book is real, she hunts down the mysterious man.

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Badland Hunters (Hwang-ya/황야) – Movie Review

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TL;DR – While some moments hit hard, it felt like we had a world that was only ankle-deep deep, and you really wished you could dive in.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The destruction of Seoul.

Badland Hunters Review –

The thing that makes the post-apocalypse setting such an excellent world to explore is that you can explore human stories without the frameworks that hold everything in place. But if you are going to dive into that world, you need to bring something to the table.

So to set the scene, a scientist, Yang Gi-su (Lee Hee-joon), was involved in many unethical experiments in an attempt to bring back his daughter. However, just as the authorities reach him, Seoul is struck with an earthquake so severe that it destroys most buildings and leaves much of the Korean Peninsular a barren wasteland. If you are lucky, you will find a place to barter on what food and water is left. If you are unlucky, you will see yourself set upon by cannibals. Nam-san (Ma Dong-seok) and Choi Ji-wan (Lee Jun-young) work as hunters bringing food to the local settlement, but when people kidnap Han Su-na (Roh Jeong-eui) with a bad habit of not dying, well, that is not on.   

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The Kitchen – Movie Review

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TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review –

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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Sixty Minutes (60 Minuten) – Movie Review

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TL;DR – While the narrative needed some strength, we got a quality action film with some stand-out brawls.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Octavio runs while time counts down.

Sixty Minutes Review –

It is Action Friday because after finishing off the final episode of Reacher’s second season, it is time to take a trip to Berlin to check out a German action film. While we have seen a lot of action films, I realised that I have never seen one out of Germany before. Well, today is the day I will fix that.

So to set the scene, Octavio Bergmann (Emilio Sakraya) is an MMA fighter who is stuck in a dilemma. He is facing the biggest and most prosperous fight in his life. But it is also his daughter Leonie’s (Morîk Maya Heydo) birthday, and the fighter Benko (Aristo Luis) is late, very late. He is stuck between a rock and a hard. But when his ex and mother of Leonie, Mina (Livia Matthes), gives him an ultimatum: see his daughter by 6 pm (one hour away) or be cut out of her life, well, that decision becomes clear for Octavio. Just maybe not for all the shady people who put bets on the fight. Oh, and it is rush hour in Berlin.

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Lift – Movie Review

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TL;DR – It may not be original, but it needs to be said that Lift failed to launch.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A literal ton of gold.

Lift Review –

Historically, I have tended to have a better time with the sort of films that Netflix has been championing as of late because even if they are not high art, they still have amusing moments. Or at least bank their blandness of stars with personalities that can shine through. Well, today, we have a film that flounders when it should soar.

So to set the scene, we open on an art auction in Venice that is happening in tandem with London. Cyrus (Kevin Hart), a world-renowned art thief, is there, as is Abby (Gugu Mbatha-Raw), the Interpol agent out to capture him. When an NFT for N8 (Jacob Batalon) sale goes wrong, it is time for a chase through the canals. It is a scene of chaos, but it is all a distraction. But when Abby’s boss, Huxley (Jean Reno), discovers a terrorist plot and needs something heisted from a plane in mid-air, well, it looks like Abby will need Cyrus and his team.   

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Maboroshi (Alice and Therese’s Illusory Factory/ Alice to Therese no Maboroshi Kôjô/ アリスとテレスのまぼろし工場) – Movie Review

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TL;DR – While there were some good ideas here, an unfortunate narrative focus and other frustrating narrative issues held it back for me.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Steel Factory on fire.

Maboroshi Review –

When something supernatural happens, is that divine retribution or divine protection? In a time of crisis, do people continue to carry on, or do they give up? What happens when you are stuck? Can you go on?

So to set the scene, it is 1991 in a small town in Japan, as Masamune (Junya Enoki) and his friends are all staying up late studying when an explosion rips out into the night. The local steel factory is ablaze, sending flames up into the air. Then, a light flashes through the air, and time becomes a bit funky. Running outside, they see the factory on fire, but cracks appear in the sky, and the smoke from the factory is not as innocent as it first appears. Everyone in the town senses the presence because everyone is trapped, and no one can get out.  

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Rebel Moon – Part One: A Child of Fire – Movie Review

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TL;DR – Moments of interest in the middle of a sea of mess.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Gas Giant.

Rebel Moon – Part One: A Child of Fire Review –

Before we begin our best of 2023 list, there are a handful of movies that I want to catch up on, one of them being this new Science Fiction magnum opus from Zack Snyder. Snyder has always been at least an interesting director because he has a clear visual style, and that has worked for him in the past. The question is if this will work for him today?

So to set the scene, there is a large empire that spans across space, reaching out and conquering all they could find from the Motherworld. That is until assassins kill the King (Cary Elwes) and Queen (Rhian Rees) in a coup d’etat. There is a power vacuum filled by a Regent (Fra Fee) who sent his ships out to the edge of his domain to make sure no plant picks this moment to rebel against them. On the backwater moon of Veldt, things are proceeding as they always do until the ship commanded by Atticus Noble (Ed Skrein) appears in orbit over their settlement. While some in the town see an opportunity, Kora (Sofia Boutella) knows the reality: they are here to take, and take, and take.

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