Tag Archives: Netflix

Maboroshi (Alice and Therese’s Illusory Factory/ Alice to Therese no Maboroshi Kôjô/ アリスとテレスのまぼろし工場) – Movie Review

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TL;DR – While there were some good ideas here, an unfortunate narrative focus and other frustrating narrative issues held it back for me.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Steel Factory on fire.

Maboroshi Review –

When something supernatural happens, is that divine retribution or divine protection? In a time of crisis, do people continue to carry on, or do they give up? What happens when you are stuck? Can you go on?

So to set the scene, it is 1991 in a small town in Japan, as Masamune (Junya Enoki) and his friends are all staying up late studying when an explosion rips out into the night. The local steel factory is ablaze, sending flames up into the air. Then, a light flashes through the air, and time becomes a bit funky. Running outside, they see the factory on fire, but cracks appear in the sky, and the smoke from the factory is not as innocent as it first appears. Everyone in the town senses the presence because everyone is trapped, and no one can get out.  

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Rebel Moon – Part One: A Child of Fire – Movie Review

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TL;DR – Moments of interest in the middle of a sea of mess.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Gas Giant.

Rebel Moon – Part One: A Child of Fire Review –

Before we begin our best of 2023 list, there are a handful of movies that I want to catch up on, one of them being this new Science Fiction magnum opus from Zack Snyder. Snyder has always been at least an interesting director because he has a clear visual style, and that has worked for him in the past. The question is if this will work for him today?

So to set the scene, there is a large empire that spans across space, reaching out and conquering all they could find from the Motherworld. That is until assassins kill the King (Cary Elwes) and Queen (Rhian Rees) in a coup d’etat. There is a power vacuum filled by a Regent (Fra Fee) who sent his ships out to the edge of his domain to make sure no plant picks this moment to rebel against them. On the backwater moon of Veldt, things are proceeding as they always do until the ship commanded by Atticus Noble (Ed Skrein) appears in orbit over their settlement. While some in the town see an opportunity, Kora (Sofia Boutella) knows the reality: they are here to take, and take, and take.

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Miss Shampoo (Qing wen hai you na li xu yao jia qiang/請問，還有哪裡需要加強) – Movie Review

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TL;DR – It is a genuinely odd film, sometimes weird, sometimes wondering, often fascinating, but it also has moments where you wonder what it is that you are watching.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes and a slightly mean audio commentary at the end of the credits.

Disclosure – I paid for the Netflix service that viewed this film.

A pair of scissors in someone's hands.

Miss Shampoo Review –

Tonight, as I was sitting here cursing the heat and the humidity, I thought I would take my mind off it by watching something different. It was at that moment that I realised that it had been a while since we dived into Taiwanese Cinema, and a new romantic comedy just dropped on Netflix.

So to set the scene, it is a rainy night as Fen (Vivian Sung) is practicing her haircutting technique in the salon. When Tai (Daniel Hong) crashes into the salon badly wounded. Thai mercenaries are chasing him, but some quick thinking from Fen saves his life. All the bosses in town are trying to work out who killed Tai’s Boss. But the last thing that Fen was expecting was to see Tai walk back into her salon to ask for a cut when she is only able to wash hair. Nor was she expecting the world she was about to enter.

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Pokémon Concierge: Season 1 – TV Review

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TL;DR – It is bringing Pokémon into a new medium while being charming to its very core.

Rating: 4.5 out of 5.

Disclosure – I paid for the Netflix service that viewed this show.

End Credit Scene – The final episode has an end credit scene.

Haru and Psyduck

Pokémon Concierge Review –

Well, today, we looked at a show that came out of nowhere and had me excited the moment I locked eyes on it. To be fair, I am an easy mark when it comes to Pokémon. I’ve been playing since Yellow. However, this felt like a fresh take on a formula that has, in many ways, been done to death, and I am glad to say that having now watched it, I was right.  

So to set the scene, Haru (Non/ Karen Fukuhara) is not having the best time. First, her boyfriend of six years breaks up with her over text message (what an arse), then a presentation didn’t go to plan, and worst of all, her work bestie quit. This series of unfortunate events leads Haru to make a drastic career change and become a concierge at the Pokémon Resort. Haru is nervous as to what she will need to do on her first day of work, but out of everything she was expecting, having Miss Watanabe (Yoshiko Takemura/ Lori Alan) tell her to enjoy the resort was not anywhere on her list. Now from here, we will be looking at the season as a whole, so there will be [SPOILERS] ahead.  

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Chicken Run: Dawn of the Nugget – Movie Review

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TL;DR – While it does not quite hit the heights of the first film, it is still a fun time.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The many faces of Mrs Tweedy.

Chicken Run: Dawn of the Nugget Review –

Well, if there has been something I have been waiting for an age for, it is a dive back into the world of Chicken Run. The original film was such a delight that it still sits in my Top 10 Animation Films of All Time list. However, after some understandable voice cast changes and some less understandable changes, some concerns did slip in. Thus, it is time to see if lighting can strike twice in the world of clay animation.

So to set the scene, it has been some time since Ginger (Thandiwe Newton), Rocky (Zachary Levi), Bunty (Imelda Staunton), Mac (Lynn Ferguson), Babs (Jane Horrocks), and Fowler (David Bradley) escaped from Mrs Tweedy’s (Miranda Richardson) farm and landed in the bird sanctuary. Since then, they have founded a new society, built houses, planted all sorts of crops, and started having chicks. Well, Ginger and Rocky’s daughter Molly (Bella Ramsey) is at that age where she wants to understand the world outside of their little island, with all the drive of her mother. But when a new road is built, and the danger of humans reappears, the chickens decide to hide rather than fight, which is when Molly decides to sneak out in the middle of the night.

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The Gray Man – Movie Review

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TL;DR – A perfectly serviceable if messy action film but one that struggles to find an identity.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

A plane about to crash.

The Gray Man Review –

You can feel that Netflix is a company going through an identity issue. No longer is it just ‘the place where you go for binging streaming content’ because others are doing it just as well, and now even the concept of binging has lost its value. So what we are getting are things being cancelled left, right and centre, but then $200 million being dropped on big-name films. I am not sure how this will go for the company, but we are getting to see the results of this tonight with The Gray Man.   

So to set the scene, we opened in 2003 in a state prison in Florida, where Donald Fitzroy (Billy Bob Thornton) of the CIA is here to recruit Court Gentry (Ryan Gosling). He is looking for people to add to his black-ops team, whose central role is assassinations in the ‘grey’. Eighteen years later, in Bangkok, Court is now Sierra Six and is one of the CIA’s best assists in the field, where he takes an op from Dani Miranda (Ana de Armas). It is a time-sensitive mission to take out Dining Car (Callan Mulvey), which is why they are using Six. But when he won’t risk the collateral of children, things start spiralling out of control, and then Six discovers that the mark Dining Car is Sierra Four and that his boss Denny Carmichael (Regé-Jean Page), might not be on the up and up.

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The Bubble – Movie Review

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TL;DR –  While the central conceit  is good, and the cast is there for it, unfortunately, the concept runs out of steam about halfway through

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The Bubble. Image Credit: Netflix.

The Bubble Review –

I don’t think it is a surprise that the pandemic has sucked, impacting every industry, including motion pictures. We have seen films like Spider-Man, where it is clearly filmed in social distancing but were still written beforehand. However, now we are starting to see films that were both written and produced during COVID, and it is going to be interesting to see how it all pans out.

 So to set the scene, in the era of big-budget franchises, one of the somewhat more successful runs was that of Cliff Beasts staring Sean Knox (Keegan-Michael Key), Carol Cobb (Karen Gillan), Lauren Van Chance (Leslie Mann), Dustin Mulray (David Duchovny), and Howie Frangopolous (Guz Khan). Having several successful sequels like Cliff Beasts Re-Extinction, Cliff Beasts Oceana, Cliff Beasts Beijing Beast, and Cliff Beasts Space Fury, the team have come back together to film Cliff Beasts 6. Unfortunately, this occurred during the COVID pandemic, which this documentary explores. How does a film get made in the age of a bubble?       

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Stowaway – Movie Review

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TL;DR – A film that understands the weight of the question it asks and the damage that would do to people.     

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this movie

Stowaway. Image Credit: Netflix.

Stowaway Review –

It should come as no surprise to long or short term readers that I love Science Fiction. While the fantastical location of space is an excellent place to set your film, and I enjoy them no matter how they come. What can make a film special is when they use that setting to ponder important questions about the human condition. Today we have a look at a film that delves into crucial Kobayashi Maru territory.   

So to set the scene, we open in as the Hyperion mission on MTS42 is about to launch. Mission commander Marina Barnett (Toni Collette) is setting the ship on a course for a two-year mission out to Mars and back. Along for the mission is Zoe Levenson (Anna Kendrick), a medical researcher and David Kim (Daniel Dae Kim), the ship’s biologist. You feel the rumble of engines, the shake that makes you think the very ship will through itself apart, but then you break free into the void. Once connected with the main module, they begin the long trip to Mars. However, this is a mission with supplies for three people, but as the title implies, someone else made the journey into orbit.

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DOTA: Dragon’s Blood: Season One – TV Review

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TL;DR –A little convoluted yet strangely compelling ride through the expanded lore of one of the most popular video games out there.

Rating: 3.5 out of 5.

Disclosure – I paid for the Netflix subscription that viewed this series.

DOTA: Dragon’s Blood. Image Credit: Netflix.

DOTA: Dragon’s Blood Review –

DOTA is one of those video games that I know, but I have never been able to get into, and that is not from a lack of trying. It is this phenomenon that I have watched from a distance with this odd curiosity. While the game itself feels like an impenetrable mess, there is a lot of style and intrigue going on, and I know that there is a whole lot of lore built into the game that could be good to explore.    

So to set the scene, we open with a huge info lore dump that you probably don’t need to understand fully. We then cut to the middle of a battle as many militiamen get ripped apart by a dragon that dives in and out of the ground. It is a losing conflict until Davion (Yuri Lowenthal), the Dragon Knight, enters the fray as his squire Bram (Josh Keaton) watches on. It is a glorious battle that dives in and out of the ground, and eventually, it is killed. It a moment of rejoicing. However, Frühling (Matthew Waterson), the captain of the guard, is less than pleased because an elder dragon still sleeps nearby, waiting to attack. But when he goes down into the lair of the best, he finds there is more terror there than he expected. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead. 

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Animals on the Loose: A You vs. Wild Movie – Movie Review

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TL;DR – An improvement on this style of story, but an odd juxtaposition holds it back.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this movie.

Animals on the Loose: A You vs. Wild Movie. Image Credit: Netflix.

Animals on the Loose: A You vs. Wild Movie Review –

 

One way that Netflix has tried to differentiate itself in an increasingly bifurcated market has been the implementation of ‘choose your own adventure’ films. These echo back to an old style of storytelling, but while the nostalgia has been interesting, none of them has been able to nail the technique so far. However, if anyone has a shot at it, it would be Bear Grylls for the entertainment factor alone.

So to set the scene, we open in a wildlife sanctuary in South Africa, where we find Bear Grylls (Bear Grylls) running from a lion only to reach his car to find it locked. We then jump back earlier in the day to find Bear inspecting a fence to see that something had broken through and that the fence that should be electric is not working. You have to fix, the power, find a baboon, and stop a lion all before a storm comes in.

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