Tag Archives: Trauma

Anemone – Movie Review

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TL;DR – While the scenery is stunning, the cast is giving their all, and the themes they are exploring are quite important. Unfortunately, Anemone is a victim of the whole not being as good as the sum of its parts.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes which may cause distress.

A man looking out to a storm coming in over the ocean.

Anemone Review Introduction –

Let’s be honest, there is a lot I could say here in my opening paragraph as to what made me want to watch this film. However, we all know why you are immediately captivated by this slightly odd film; it is because Daniel Day-Lewis came out of retirement to star in one more movie. No matter what else is happening, that makes it a must-watch.

So, to set the scene, we open with Jem Stoker (Sean Bean) making the long trek into the wilderness of England looking for his brother Ray Stoker (Daniel Day-Lewis). Twenty years ago, Ray left his house and his pregnant wife Nessa Stoker (Samantha Morton) to build a life in isolation. Well, now his son Brian Stoker (Samuel Bottomley) is in trouble because the absence of his father has followed him around wherever he goes, and Jem hopes that bringing Ray back to speak with Brian will stop the boy from going down a dark path.  

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Star Trek: Starfleet Academy – The Life of the Stars [S1E8] – TV Review

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TL;DR – A quiet, thoughtful meditation on the effects of grief and trauma from a number of perspectives.

Rating: 4.5 out of 5.

Disclosure – I paid for the Paramount+ service that airs this series.

The USS Athena docked at Starfleet Academy on Earth.

Star Trek: Starfleet Academy – The Life of the Stars –

As we get into the back half of the season, it is clear that Come, Let’s Away is the fulcrum that the whole season pivots on. That is interesting because last week’s attempt to explore the repercussions of the event, Ko’Zeine, fell flat on its face for me. But maybe the second time is the charm.   

So, to set the scene, as Tarima Sadal (Zoë Steiner) arrives back on Earth, she is no longer attending the War College because of the fear of permanent damage if she uses her powers again. This puts Tarima in an odd place, being so close to where she wants to be but missing out. It adds to the pain that has been bubbling up for a long time and is affecting the candidates’ ability to work as a team. Seeing the problem and knowing it could lead to irreparable damage, Chancellor Nahla (Holly Hunter) decides to bring in some reinforcements in the form of Lt. Sylvia Tilly (Mary Wiseman). But for one of the cadets, it might be too little, too late. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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The Moogai – Movie Review

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TL;DR – A truly emotional ride through a new mother’s hell realised when no one trusts her that something is coming for her son.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A tree ringed with fire.

The Moogai Review –

Today, we are looking at a fascinating film that, like Cargo, started life as a short film and then was expanded into a feature. Also, much like Cargo, I have never watched a short film, so I am coming into this world without any preconceived notions about where it would go. Indeed, I only knew that it was a horror film and that the production behind it is Indigenous, a combination I had not seen much of since Cleverman, and I am glad that I made the trek to BIFF to watch this, even if it meant I did not sleep well that night.   

So, to set the scene, it is the 1970s and officers from the government were snooping around the missions, hoping to take away the kids as their fathers were away for work. Agnes (Precious Ann) and her sister (Aisha Alma) run into the bush to escape, but Agnes hides in the one cave she should not have gone into. In 2024, Sarah (Shari Sebbens) has just closed a deal at her law firm and is enjoying the highlife with her husband Fergus (Meyne Wyatt) when suddenly her baby comes without warning, and both almost lose their lives in the process. Sarah is trying to adapt to the trauma and is not helped by her birth mother, Ruth (Tessa Rose), nosing in. But as she tries to sleep, she sees white-eyed children warning her that ‘he’ is coming ‘to take her baby away’.

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Movie Review – Nobody Knows I’m Here (Nadie Sabe Que Estoy Aquí)

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TL;DR – A haunting look at the damage that fame can do set in the beautiful world of the Chilean coast.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Nobody Knows I'm Here (Nadie Sabe Que Estoy Aquí). Image Credit: Netflix.

Review –

Fame, it is a thing that many people want, and in the world of Twitch, YouTube, and TikTok it is almost more obtainable than in any other point in history. However, fame can come with a cost, fame can come with damage, and fame can have lasting effects. Today we look at a film that explores these issues and the legacy that can leave in their wake.

So to set the scene, a child musical prodigy Memo (Lukas Vergara) had a lot of hope at one point but now all grown up Memo (Jorge Garcia) spends time breaking into houses and not doing much else. The rest of his time is spent working on his uncle’s Mr Braulio’s (Luis Gnecco) sheep farm on a coastal island of Southern Chile. His past haunts Memo as the damage of his youth lives through every part of his life.  

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Movie Review – The Windermere Children

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TL;DR – A deeply emotional and confronting film that looks at the aftermath of trauma and how you can walk back from it.   

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: The Emotion.

The Windermere Children. Image Credit: Fremantle.

Review –

There are those moments in life where we get to see the full depths of human cruelty and few moments have exemplified it more than the Holocaust. It was a moment where human depravity was industrialised and weaponised in the endeavour to exterminate an entire race. Today we explore a film that deals with the aftermath and trauma through the eyes of the children that survived it.     

So to set the scene, we open in on a bus full of children as they make their way through the British countryside at night. The bus is full of children refugees rescued from Holocaust camps. One thousand children brought from the camps to Brittan and 300 of them came to Calgarth Estate on the shores of Lake Windermere. As they arrive, there is a real fear that they have swapped one camp of despair for another. Their families are likely all dead, and all of them have suffered travesties that make every dog a threat and food something you hide when you can. They only have funding for four months to help them with their trauma, which is not enough time given everything they had gone through.

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