Tag Archives: TV

Lanterns: Bad Optics [S1E6] – TV Review

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TL;DR – A slow burn is a choice given the end of last week’s episode, but while we still come out swinging this week, the slower pace lets the show breathe, and the performances shine.

Rating: 4 out of 5.

Disclosure – I paid for the HBO Max service used to view this series.

End Credit Scene – There is a making-of and trailer after the end credits.

The Green Lanterns logo in the sky.

Lanterns Review Introduction

Well, what a season of television we have had so far. In any other show, last week’s episode, Lights Out, would have been the season finale, but no, not here. Not only is it not the season finale, but it was also just a stepping stone on the way to the endgame. Oh, to have such strength in your writing, and also, oh, to back it up each week.

So, to set the scene, it is 2026, and John Stewart (Aaron Pierre) has moved on to his real passion of architecture after giving up the ring, which is why he was surprised when his mother (Jasmine Cephas Jones) calls to say that not only is Hal Jordan (Kyle Chandler) out of jail, but that he now lives in Rushville and wants to apologise. One long drive out, and no apology later, John is at his wits’ end when he gets a call from Sheriff Kerry Kane (Kelly Macdonald). Hal is dead, murdered. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Reacher: Season Four – TV Review

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TL;DR – A solid season that never evolves the manual but does show why it works as well as it does.

Rating: 4 out of 5.

Disclosure – I paid for the Amazon Prime subscription that viewed this series.

Reacher looks out in concern.

Reacher Review Introduction

Another season of Reacher has come to a close, and thankfully it was a much better ride than what we got in Season Three. With that in mind, we will dive into what makes the series work as well as it does, and also what might be holding it back from really making a cultural moment.   

So, to set the scene, it is 2:18 am in Philadelphia, the city of brotherly love. Reacher (Alan Ritchson) is taking one of the last trains for the night when he notices a woman in clear distress, her hands hidden in a bag. Fearing the inevitable disaster, he tries to talk the lady down from the coming disaster. But when he lies to say he is a cop, hoping that will stop the escalation, it has the opposite result. Reacher feels like he failed the woman in her hour of need, but worse, every department in the federal government is now very interested in a suicide on an early morning train. Now, from here, we will be looking at the season as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Strange New Worlds – Orders of Magnitude [S4E8] – TV Review

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TL;DR – This week I feel as if we have seen a touch of the endgame of the season, as we suddenly have what might be the first normal episode of the season.  

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

The USS Enterprise over a planet.

Star Trek: Strange New Worlds Review Introduction

Today we are looking at a very odd episode, because if we removed it from all the context around it, then we get a solid episode of Star Trek: Strange New Worlds. However, once we bring in all the context available, it starts becoming odder, as it feels almost more like a reaction to an uneven season. If nothing else, it does make an interesting episode to mark Star Trek’s 60th Birthday.

So, to set the scene, the USS Enterprise has been patrolling one of the major trade routes of the Federation when a weak SOS has called Pike (Anson Mount), Una (Rebecca Romijn), Chapel (Jess Bush), Uhura (Celia Rose Gooding), and A’Sha (Bianca Nugara) down to some crystalline caves. This puts them out of communication when Admiral Simon Reeger (Joe Morton) arrives by shuttle. He is a hero of the Federation-Klingon War and is chasing an echo of a ship that committed the Vaardan massacre. There is not enough time to wait for Pike to get back, so Reeger takes command of the Enterprise and makes Kirk (Paul Wesley) his number one. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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The Gentlemen: The Road To Kingdom [S2E1] – TV Review

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TL;DR – A delightfully terse and messy return to a fascinating series.

Rating: 4 out of 5.

Disclosure – I paid for the Netflix service that I used to view this series.

The Price to buy a Cash-strapped Lord.

The Gentlemen Review –

Back in 2024, when I heard that they were going to make a spiritual homage to the movie The Gentlemen on a vibes level while keeping the title, I was a touch concerned. I shouldn’t have been, because Guy Ritchie’s works tend to be interesting if nothing else. The first season was full of style, but a bit uneven; it was absolutely enough to make me want to see where they go in a second outing.

So, to set the scene, we open with Edward “Eddie” Horniman, the 13th Duke of Halstead (Theo James), having a very, very, very bad day. Three months earlier, things are looking a lot better for the Duke, as he starts his manipulations for Susie’s (Kaya Scodelario) father, Bobby (Ray Winstone). All he has to do is grease Lord Richard Hawthorne (Hugh Bonneville) to get a peerage in the House of Lords, and keep his new Italian fixer Cico (Michele Morrone) in line. What is the worst that could happen? Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.  

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Star Trek: Strange New Worlds – Like Chronitons Through the Hourglass [S4E7] – TV Review

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TL;DR – While it didn’t land everything it set out to do, you could not help but get caught up in the drama somewhat.

Rating: 3.5 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

End Credit Scene – There is an end-credit scene.

An old timey tv production monitors.

Star Trek: Strange New Worlds Review Introduction

As this season of Strange New Worlds has progressed, I am finding myself agreeing with Seán Ferrick from TrekCulture in wondering what is the vibe for this season? This has been a series that always has had its statement episodes; this season has been nothing but that. It has led to a dramatically inconsistent season, of which we see another example today.

So, to set the scene, Pike (Anson Mount) wakes up in sickbay with a bandage wrapped around his head. He had been in a terrible shuttle accident. Something is very wrong: his memory is fuzzy, M’Benga (Babs Olusanmokun) keeps talking off into the distance, the lights are too bright, everyone is speaking with dramatic pauses, and was that a musical cue in the background that Pike can hear? Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Lanterns: OutKast [S1E3] – TV Review

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TL;DR – We go full-flashback episode this week, but they make it work.

Rating: 4.5 out of 5.

Disclosure – I paid for the HBO Max service used to view this series.

End Credit Scene – There is a making-of and trailer after the end credits.

John falling.

Lanterns Review Introduction

Today, we are looking at a style of episode that can be quite tricky: the flashback. This is when we put the current narrative on hold to jump back in time and give some more context around a character or an event. They can be fraught because putting your narrative on hold can feel indulgent, be a sign that you have not explained things properly, or worse, it can derail your entire story. Thankfully, we miss these potholes today.

So, to set the scene, it is 2016, and we begin with John Stewart (Aaron Pierre) falling through the air and landing on a pile of mattresses. It is a unique entry into what might be the most important interview in his life. Waiting for him is an unassuming lady, friendly but with a stare that pierces through you. Lianna (Laura Linney) has many questions, including, “Do you feel fear?” Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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The Airport Chaplain: God Complex [S1E1] – TV Review

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TL;DR – This premiere was a good grounding episode for all the drama, conflict, and vibes of the series.

Rating: 4 out of 5.

Disclosure – I watched this on SBS On Demand.

Airport Chaplain written on the back on a vest.

The Airport Chaplain Review Introduction

When you hear that Hugo Weaving is popping into an SBS series all about being an eccentric airport chaplain, well, you need to see what all that is about. It is one of those odd combinations that draws you in, and I am glad that it is also interesting.

So, to set the scene, it is a chaotic day at a Melbourne airport: planes are being delayed, a flight from Shanghai has been circling for half an hour with a dead body on board, and there is a security incident happening. It is one of those days when you need a fixer to help smooth these things over, which is a good thing: Airport Chaplain Tobias Wallace (Hugo Weaving) is on the case. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Lanterns: Trust Fall [S1E2] – TV Review

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TL;DR – I feel that this episode is a good encapsulation of the style of story that we will be getting for the rest of the season, and if that is the case, I will be very happy.

Rating: 4.5 out of 5.

Disclosure – I paid for the HBO Max service used to view this series.

End Credit Scene – There is a trailer after the end credits.

Hal Jordan walks into a town hall meeting about himself.

Lanterns Review Introduction

Well, the Pilot of Lanterns certainly landed a whole whack of mystery on us, intriguing at every turn. It is the kind of episode that says, “trust us, we know what we are doing”, and given the creator’s past work, you kind of believe them. But today we start getting into the weeds and seeing if that does start to pay dividends.  

So, to set the scene, at the end of Pilot we were hit with a flash forward to 2026 with a very dead Hal Jordan (Kyle Chandler) sitting on the high school stadium at Rushville, Nebraska. We start today back in 2016, with Hal berating John Stewart (Aaron Pierre) and sending him on busywork back to Coast City to get his Lantern. Meanwhile, Hal starts exploring the town, wondering why William Macon (Garret Dillahunt) knew to kill those four aliens, because that is not something you do on a hunch when he discovers the whole town in a meeting. This meeting is probably very much about him. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Strange New Worlds – Level-Five Transporter Accident [S4E5] – TV Review

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TL;DR – They are puppets.

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

Credit: Puppets by Jim Henson’s Creature Shop.

Star Trek: Strange New Worlds Review Introduction

It feels like Season Four of Star Trek: Strange New Worlds is on a mission to see how many different films they can create their own version of. For example, last week’s Casablanca homage with The Case of the Chiaroscuro. But of all the inspirations, I was not expecting The Muppet Show.   

So, to set the scene, Scottie (Martin Quinn) hopes to set a new record for the longest transport as the USS Enterprise makes a slow trip to Vulcan while on pirate patrol. Scottie needs Spock’s (Ethan Peck) help, but he is struggling to centre himself. Everything was going well until the puppet Scottie was using caused a feedback surge, and soon the cast is teleporting away. When Spock arrives back on the ship, he can’t find anyone until he notices something felt move, because all the crew have been turned into puppets. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Star Trek: Strange New Worlds – The Case of the Chiaroscuro [S4E4] – TV Review

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TL;DR – This could have been a very silly episode of Star Trek, but there was some real heart and design that helped elevate the story.

Rating: 4.5 out of 5.

Disclosure – I paid for the Paramount+ service used to view this series.

End Credit – There is a mid-credit scene

Star Trek: Strange New Worlds Review Introduction

It feels like this season of Star Trek: Strange New Worlds has been all about the curveballs, and today’s entry is no exception. It uses sci-fi technobabble to explain why a whole episode is broadcast in black and white. But as silly as this sounds, it is a choice that I can’t help but love seeing played out.

So, to set the scene, the USS Enterprise is on a secret mission near the border of Klingon Space. The Angelo-1 probe lost power and slipped past the border near the Mat’Aaran system, which could reignite a war if found. Una (Rebecca Romijn), Uhura (Celia Rose Gooding), and M’Benga (Babs Olusanmokun) have slipped across the border in a shuttle hidden because the local sun puts out energy that affects visual receptors and makes things hard to spot on scanners. But that scanner issue can cut both ways, and the shuttle is forced to hide on Mat’Aar XII, an occupied Klingon planet, to avoid a D7 battle cruiser. The crew must blend in with the local population until a window of escape can be found. But Una discovers that she might be wrapped into the fabric of this world more than she expects. Now, from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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