Movie Review – Take Home Pay

TL;DR – A look at what happens when the competing interests of money and family collide

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Take Home Pay. Image Credit: M2S1 Films.

Review

Today we get to dive back into the world of Pasifika Cinema as we explore a film that takes on themes like tradition v modernity, brother v brother, money v family, and honour v fun. However, all of this is tempered by a comedic style that is unique to this part of the world and a heart that just shines.

So to set the scene, Popo (Ronnie Taulafo) and Alama (Vito Vito) are brothers living in rural Samoa working for their father planting, harvesting, and selling taro. Alama dreams of ways to make things easier for his family, even if it does not always go right, and Popo just dreams of getting out of the country. Well that opportunity arrives when they need labourers in New Zealand and both Alama and Popo get the chance to earn some more money for home. They spend their days picking kiwifruit and all is going well until the day they have to leave and Popo runs off, with both his and all of Alama’s money.

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Exploring the Past – Your Name (Kimi no Na wa, 君の名は) (2016)

TL;DR – Beautiful and yet also a bit melancholy. It takes what is a quite tired trope of cinema and breathes new life into it.

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Your Name (Kimi no Na wa, 君の名は). Image Credit: Madman.

Review

Last week I managed to catch a showing of a new anime film Weathering With You. It was beautiful, bittersweet, visually stunning, and emotionally resonate. Well after having such a profound experience with that film I had a look back at director/writer Makoto Shinkai’s filmography and came across Your Name. I had missed it when it can out in cinemas, so I made sure to check it out as soon as I could. Well one week later and what would you know, here it was live on the SBS Movie channel here in Australia and boy was it worth the watch.      

So to set the scene, Mitsuha Miyamizu (Mone Kamishiraishi) lives in a quiet village in the mountains of Japan’s Hida region. Itomori is a town with a long history of tradition but also of tragedy with fires destroying much of the town’s history. Mitsuha is a Miko (shrine maiden) in the Shinto temple that her family runs under the watchful hands of her grandmother Hitoha (Etsuko Ichihara). Mitsuha is frustrated with her life and where it is going and dreams of leaving her small town and moving to the big city in Tokyo. Well one day she gets her wish, but when she wakes up in the body of Taki Tachibana (Ryûnosuke Kamiki) a high school boy living in Tokyo, things don’t quite go the way she plans.     

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Movie Review – Back to School (La Grande Classe)

TL;DR – Mistaken identity, reflections on the past, and the scourge of time, all of these and more in a school reunion that goes very wrong.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Back to School (La Grande Classe). Image Credit: Netflix.

Review


School reunions are a fraught time, especially if school was not a fun time for you. It can be crash into past emotions, get a blunt showing of the passing of time, and revisit a time when you were at your most awkward. Well, this means that if you set your film around this event you have a set of emotions that everyone can understand but that universality can work against you if you get it wrong.

So to set the scene, growing up Johnathan (Ludovik) and Pierre-Yves (Jérôme Niel) did not have the best of times at Diderot Middle School being constantly bulled by the dragon gang. Well, in the preceding years the boys have gotten out of the town and all the way to Paris where they have just found ten-years funding for their algorithm. In their moment of triumph, they run into an old acquaintance from school who casually mentions that they’ll be talking more on the weekend. Confused they discover that everyone in the school had been invited to the reunion but them. Well there is only one thing to do in that situation, rock up as if you were invited, the first of many mistakes they make.

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Movie Review – Kardec

TL;DR – A biopic that had a real chance of being something interesting that unfortunately could never quite stick the landing.     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Kardec. Image Credit: Netflix.

Review

For a while now in the evening before going to sleep I have been taking to watching a couple of episodes of Penn and Teller: Fool Us. Penn and Teller are American magicians and one of the many things they are known for is debunking a number of things including the techniques behind spiritualism and mentalism. It has been interesting getting little hints as to how some of these tricks are done, so when a biography of one of the key spiritualists in France dropped on Netflix I was really interested to see how it would go.

So to set the scene, it is the 1850s in Paris, France and Rivail (Leonardo Medeiros) is a professor and teacher. He is a man of reason of logic and takes deep offence when a priest bursts into his classroom to give the catechisms. The influence of Catholicism in the classroom is a deal-breaker for the teacher and he retires. Struggling to find work, he agrees to do some translating work and it is here that is he is drawn into the new fad exploding among the fringes and not so fringes of French society.

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Movie Review – Falling Inn Love

TL;DR – A really solid rom-com with a kiwi twist.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Falling Inn Love. Image Credit: Netflix.

Review

As time marches on there are three things that remain inevitable, death, taxes, and Netflix will drop another adorable romantic comedy on you when you least expect it. Now while we hope your day is not filled with the first two, the question that we will try to answer is if it should be filled with the third.

So to set the scene, Gabriela (Christina Milian) works in an investment firm in San Francisco and is getting ready for her first big pitch only to get stuffed over by her dude-frat-bro colleagues. Well, time to regroup, but then the company she works just collapsed and then she finally realised that her wanker of a boyfriend has severe commitment issues. Well time to smother your sorrows in ice cream and then sign up to what is clearly a scam to win an inn in New Zealand. Well surprise she won the inn, but like all things the profile pictures on the internet can be misleading.

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Movie Review – Kaake Da Viyah

TL;DR – A really interesting scenario with some memorable performances, but it could have been streamlined a bit and it could have dialled the zany back a bit.

 Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Kaake Da Viyah. Image Credit: Yogmaya Productions.

Review

If there is one genre that I always find interesting, it is the family politics of conflicting generations. There is that divide between tradition and the future, people taking sides, and in the case of Indian cinema a good song or two. Well, today we get to look at a film that is just that as three generations try to use marriage to outmanoeuvre the rest.

So to set the scene, Navi (Jordan Sandhu) is studying and spending as much time away for home as possible because he has found his one true love Mahi (Prabh Grewal). That is because at home his mother Tej (Priti Sapru) and his grandmother Bebe (Nirmal Rishi) are constantly fighting. As Bebe never forgave that her son married Tej without her blessing. He wants to marry Mahi, but he is not sure how to break it to both of them, well the one day he finally finds the courage disaster strikes when he discovers that both his mother and grandmother have found wives for him and they are not Mahi.

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Movie Review – Weathering with You (Tenki no Ko, 天気の子)

TL;DR – There is a lot I could say about this film, but the most important thing is that there were times when I became overwhelmed with its beauty.    

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Weathering with You (Tenki no Ko, 天気の子). Image Credit: Madman.

Review

Oh wow, just wow. I have seen a lot of films in my time, and a lot of animated films, but rarely do they have moments that just take my breath away. Today we get to take a look at a film that does just that by exploring a new world and mythology that might not be as familiar to people.

So to set the scene, we open in on Hina (Nana Mori) as she holds the hand of her mother in the hospital. Outside is nothing but rain, with the weather matching her life at that moment. But out of the corner of her eye, she sees one ray of sunshine and she runs to it. About a year later Hodaka (Kotaro Daigo) arrives by boat to Tokyo, he has run away from home and is looking for a new life in the big city. But life is tough and he ends up on the street where he relents and starts working for Keisuke Suga (Shun Oguri) who runs an occult magazine of dubious quality. However, while working he hears of a girl that can bring the sun, which given that it has already rained for a month is something that a lot of people are interested in.    

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Movie Review – Angel Has Fallen

TL;DR –  I don’t think anything here will surprise you, but it was still a solid action flick, touching on all the big buzzword fears of the moment.   

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Angel Has Fallen. Image Credit Roadshow Films.

Review

A couple of years ago I popped and on a whim caught a showing of London Has Fallen. It was a perfectly fine if boilerplate action film and overall I did quite enjoy it. Though my mileage was a lot further than a lot of people as I had not seen the first film, so the fact that they hit almost the same plot beats was not as much of an issue. Well the third film in the series is out today and overall it’s pretty much the same as last time, with maybe a little something extra.

So to set the scene, we open with United States Secret Service agent Mike Banning (Gerard Butler) holding off a bunch of goons while under attack only for it to be just a paintball exercise. His old Army buddy Wade Jennings (Danny Huston) runs a training outfit and with Mike probably about to take over has head of the Secret Service he’s hoping he can send some training contracts his way. It is not likely as President Allan Trumbull (Morgan Freeman) has but a ban on contract armies. Well one day after visiting a doctor’s to discover how bad his back really is Mike is out protecting the President when they come under attack by drones. When he wakes up all of his team is dead, the President is in a coma and he is under arrest because they think he was the one who set it all up.

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Movie Review – The Australian Dream

TL;DR The Australian Dream is a film that I think every Australian should watch because it holds up a mirror to Australian society and we need to be ready for what it shows.

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Australian Dream. Image Credit: Madman.

Review

I thought when I sat down to see The Australian Dream that I was ready for what I was going to see. I was a fool. This might be the most important film I have seen all year because it shines the light on an episode that many in Australia feel more than content to sweep under the rug because to do otherwise would mean confronting our history, our way of life, and our commitment to all Australians.

At its core The Australian Dream tells the story of Adam Goodes former Australian of the Year and one of the best Australian Rules Footballers (AFL) to have ever played the game. It is the story of his life, the highs and the lows. However, it is something more than that, it is using the biography to focus in on a problem Australia has had for the last two-hundred odd years and that is how it has dealt with its Indigenous people and well there is a reason that Indigenous Australians call Australia Day, Invasion Day.

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Movie Review – Once Upon a Time in… Hollywood

TL;DR – I have used many adjectives to describe Quentin Tarantino’s films before but dull is a new one here.    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is an end-credit scene

Once Upon a Time in... Hollywood. Image Credit: Sony.

Review

Quentin Tarantino is a very specific kind of director and sort of puts him in a category where I find a lot of people either love or hate his films. I have found myself falling into both categories in the past with me adoring some of his films like Django Unchained and really not liking some of his other works like The Hateful Eight. However, whatever the case may be, I have always walked out of his films with strong feelings one way or the other, but not this time, this time I walked out looking at my watch to see how much time that took.

So to set the scene, we open in on Rick Dalton (Leonardo DiCaprio) star of the most popular show on TV Bounty Law as he gives an interview with his long-time stuntman Cliff Booth (Brad Pitt). Flash forward to the end of the decade and after a failed swing at movies Rick has been demoted to playing the bad guy or ‘heavy’ in other people’s shows and Cliff is still there as his driver and assistant. Well, one day a new opportunity arises for Rick, a real chance at something, but what neither Rick nor Cliff knows is that there are people out there that do not have everyone’s best interests at heart and a friendly smile might hide violent personality.

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