TL;DR – A fun episode from start to finish that played off each of the cast’s strengths.
Score – 4 out of 5 stars
As the seventh season from Brooklyn Nine-Nine draws to a close in a couple of episodes, it has been really good to see them swing for the fences each episode. This week we get an episode that is quite small in scope but it pays off years of character developments.
So to set the scene, Jake (Andy Samberg) is in Holt’s (Andre Braugher) office because now he is captain again he is on a selection committee for a new city-wide task force called STOASRCEIUEO, which no shocker, Holt helped name. Everything was going fine, okay, Jake did his application in the form of a rap, so everything was not going fine. But things got worse when the precinct exploded. It seems that someone tried to prank Jake with a glitter bomb and it backfired. But who in the precinct could have done it? Well, there is one detective that Holt trusts to solve the case, Dillman (J.K. Simmons). Now we will be looking at the episode as a whole so you better believe that there will be [SPOILERS] ahead.
TL;DR – A documentary about one of my favourite shows of all time, please and thank-you
Score – 4.5 out of 5 stars
Post-Credit Scene – There is a mid and end-credit scene that you need to stay for
I have made many allusions in the past to just how much I love Star Trek: Deep Space Nine and to this day it is still my favourite installation in the Star Trek franchise. So when I heard that there was going to be a documentary made about it, I was excited, when it was coming out in Australian cinemas I was going to be there, and then that one weekend my life fell apart. Well, things are mostly better now, as long as I don’t read the news and stay home, which was the perfect time to catch up with something I missed and always wanted to watch.
So to set the scene, back in the 1990s the producers behind the very popular Star Trek series decided to do something a little different, instead of being in a ship that warps away at the end of each episode, the set the show on a space station. A station that is permanently positioned in the newly independent Bajor system, abandoned by the Cardassians after decades of ruin. It was an ambitious show, it was a controversial show, and it was and is still my favourite.
There are whole worlds out there that I had no idea existed or no idea of the complexities involved. One of those worlds is racing and specifically the F1. I know it exists, the basic rules, even many of the races and racers. However, I know very little about its history or the people that shaped. Well, today I take steps to fix that with a look at the life of Juan Manuel Fangio.
So to set the scene, we open in on Balcarce, Argentina as a voice-over lets us know how specialised being a top F1 racer is. It is here where we get a sense of just who this Juan Manuel Fangio is and the power his legacy has over the sport and racing in general. We start back in 1941 at the height of the WW2 where tiers were hard to come by, but he scraped it together and in 1947 was sent to Europe in Galliate, Italy which became his European base as he raced around the world.
TL;DR – It is the beginning of the end, and I don’t think I am ready
Score – 4 out of 5 stars
Oh wow, I can’t believe that we are already at the penultimate of Star Trek Picard. It is a show that feels like it was always with us, and also one that has gone in a blink of an eye. Well, today we get all out horses into line because the apocalypse is upon us and someone better stop it.
So to set the scene, at the end of last week’s Broken Pieces, the crew of La Sirena was about to do something monumentally stupid and that was to jump into the Borg’s transwarp network to get to Coppelius before the Romulans can blow it out of the sky. Well, this week we open with them doing just that, only they didn’t know that Narek (Harry Treadaway) was following them, oh and Seven of Nine (Jeri Ryan) has her own Borg cube now. Now we will be looking at the episode as a whole so you better believe that there will be [SPOILERS] ahead.
TL;DR – An interesting film, exploring interesting issues, but does not quite come together
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Warning – There is a lot of strobe lighting used in a sequence towards the end.
For me, sports, particularly football is something that I have only really gotten into recently. So it is something that I have tried to explore more, with what makes it tick, what drives it, and what drives people to love it. Well, today we have a film from Italy that explores all of this, but from a different perspective, that of the hardened supporters of the Italian football league.
To set the scene, we open in as a man walk through a crowd where everyone knows his name, as we wander through the town we arrive at a wedding, where flares are lit and everyone is having a good time. Which is of course when we cut to a montage of the more colourful moments in Italian football history, full of riots, flares, and a long rivalry between teams from Naples and Rome, or Napoli and Roma. It here where we see that behind the bravado is a sadness, a sadness of time gone by.
TL;DR – It continues the story gallantly, but the second outing is more restrained and does not fix the problems of the first season.
Score – 3.5 out of 5 stars
A couple of years ago, there was this odd TV series on Netflix that I described as “if Westworld and Blade Runner had a baby with Ghost in the Shell as the midwife.” It was odd, it was out there, and even though it had some limitations it kept powering through. Well, I have finally caught up with the second season and I have to say it is more of the say, which is both good and bad.
So to set the scene, we open in a dive bar on some desolate system out in the deep black. On the stage is a singer (Jihae) singing a haunting song when a synth that had just needle cast in-system. Trepp (Simone Missick) is a bounty hunter, and a good one at that, and she is looking for one Takeshi “Tak” Kovacs. But in what sleeve is he in? Possibly only the malfunctioning AI Poe (Chris Conner) behind the bar knows? Well, Trepp buts a bullet in his back and brings him to her employer Horace Axley (Michael Shanks). All Tak has to do is protect Axley and he gets to keep this new body (Anthony Mackie). But more importantly, he knows where he can find Quellcrist “Quell” Falconer (Renée Elise Goldsberry), the person he has been searching for all these years. It’s a good bargain, right up until the moment he needle casts in and finds Axley dead on the ground, and all of Harlan’s World is out for his blood. Now we will be looking at the season as a whole, so there may be some [SPOILERS] ahead.
TL;DR – It was a fantastic experience from an execution, experience and price point perspective
Score – 4 out of 5 stars
These days, video games can be created by vast teams with hundreds or even thousands of people working to bring a vision to life. However, there are still those games, or in that case more of an experience, that is the focus of a single creator’s vision. Today we look at just such a case with Matt Newell’s Mýrdalssandur, Iceland.
Now I should make clear right from the start, this is not a game, but more of an experience of walking around the titular Mýrdalssandur that you can find on Iceland’s southern coastline. It is a place of wondrous beauty and stark contrasts of green moss and black volcanic rock. If this sounds familiar to you, then it is likely that you have seen it before in Rogue One or other similar films.