Tag Archives: Action

Mission: Impossible – Dead Reckoning – Movie Review

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TL;DR – While the individual set piece moments are as good as ever, the connecting tissue feels a bit flat this time.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

Ethan Hunt/Tom Cruise running.

Mission: Impossible – Dead Reckoning Part One Review –

When I think back to the Mission: Impossible franchise, the first thing that comes to mind is solid consistency. You can know what to expect from the film before you walk in the door, and they nearly always deliver, yes, even M: I 2. I was delighted to see the next entry, even when a ‘Part One’ moniker is often a bit of a red flag and while those solid aspects are still there, some elements were lacking.

So to set the scene, we are under the Bearing Sea with the Russian submarine Sevastopol as it tests its new AI stealth drive. This drive has allowed it to approach the navies of every world power without being detected. However, when they are heading back to port, something odd happens when an American submarine suddenly sees them but disappears from their monitors after they fire torpedoes. But destruction soon follows. Two keys lead to the sub’s heart, and one ends up in the hands of Ilsa Faust (Rebecca Ferguson) in the Yemeni Desert. Eugene Kittridge (Henry Czerny) tasks Ethan Hunt (Tom Cruise) to obtain the key that every nation in the world wants because, with it, they can control the AI that is currently destroying every intelligence apparatus they have.    

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Indiana Jones and the Dial of Destiny – Movie Review

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TL;DR – While some aspects don’t quite work, I would say this is a nice epilogue to the Indiana Jones franchise.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Indy in a tomb.

Indiana Jones and the Dial of Destiny Review –

We have seen many films try to recapture the past with a middling effect, hoping that nostalgia will lead to a quick buck. But rarely do you see them try to pivot that nostalgia to create a swansong for a character. Well, that is sort of what we get today, with a legacy film that is not looking to pass the torch but raise one last drink before the bar closes.

So to set the scene, it is the closing months of WW2 and Indy (Harrison Ford) is trying to infiltrate a castle in the French Alps that the Nazis are using as a staging post to ship back all their looted goods as France is reclaimed. He and Basil (Toby Jones) are after the Lance of Longinus [the spear that pierced Christ’s side], but it is whisked away on a train. While the Spear turns out to be a fake, on the train, Nazi physicist Jürgen Voller (Mads Mikkelsen) discovers something much more valuable. It is now 1969, and Indy is feeling bitter with the world after the death of his son and the failure of his marriage, but when Basil’s daughter and his god-daughter, Helena (Phoebe Waller-Bridge), arrives looking for the item they stole from that train, darker forces might be just on her heals.

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Extraction 2 – Movie Review

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TL;DR – It might not stick the landing, but it was a good action romp until then.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Chris Hemsworth stare down in an elevator.

Extraction 2 Review –

When I watched the first Extraction, I found it to be a film that barely had a working narrative, with just enough connective tissue to move from action set piece to action set piece. But each action set piece was strong enough to carry the film to its conclusion. But given the first film went to 100% and stayed there, was there room for them to go any further in the sequel? This is the question I sought to find out when I sat down to watch Extraction 2.  


So to set the scene, Tyler Rake (Chris Hemsworth) is feared dead until he washes ashore on a river in Bangladesh, barely clinging to life. He is medically evacuated to Dubai, where they can save his life, but Tyler is faced with an immense mountain of physical therapy because of his wounds and is unsure if he has the strength to make it through it. In Kojori, Georgia, local underworld figure Zurab’s (Tornike Gogrichiani) brother Davit’s (Tornike Bziava) prison sentence was extended, and Zurab is murdering the local governor kind of upset. Nik Kahn (Golshifteh Farahani) and her brother Yaz Kahn (Adam Bessa) set Tyler up in a cabin on the side of a lake in Gmunden, Austria, to try and give him some drive to recover. When Alcott (Idris Elba) gives him a mission, he has to get his sister-in-law, Davit’s wife Ketevan (Tinatin Dalakishvili), and her children out of the prison that Davit has locked them up in. It is a simple mission. What could go wrong?    

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Guy Ritchie’s The Covenant (The Covenant) – Movie Review

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TL;DR – A solid action film that knows how to craft tension from its narrative and musical score.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

Looking down a crosshair.

The Covenant Review –

When it comes to war films, the more straightforward the narrative, the defined sides, and the motivations, the more likely a movie will be made. This is why there are more WW2 films than, say, Vietnam. In modern times, it has been a struggle to depict the war in Afghanistan, with the gung-ho narrative falling flat, given how easily the Taliban retook the country back. Any film exploring this terrain needs to work through a myriad of complexities. Which is what the movie we are looking at today at least attempts.     

So to set the scene, in the aftermath of 9/11, America invaded Afghanistan in 2001. It is now March 2018 in Lashkar Gah. Where Master Sgt. John Kinley (Jake Gyllenhaal), Staff Sergeant Charlie ‘Jizzy’ Crow (Sean Sagar), Joshua ‘JJ’ Jung (Jason Wong), Jack’ Jack Jack’ Jackson (James Nelson-Joyce), Sergeant First Class Kawa Mawlayee (Kawa Mawlayee), Eduardo’ Chow Chow’ Lopez (Christian Ochoa Lavernia), Tom’ Tom Cat’ Hancock (Rhys Yates), are all inspecting vehicles at a checkpoint, when one of the trucks explodes. Returning to Bagram Air Base, they pick up their new interpreter Ahmed (Dar Salim). Their team is meant to be looking for Taliban weapon caches or IED factories, but after striking out the official way, they start taking unofficial measures, which is when things turn sideways.

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The Flash – Movie Review

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TL;DR – Through all its pre-production issues, the final product is a blast of fun, but I am not sure it would have the staying power on repeat watches.

Rating: 2.5 out of 5.

Post-Credit Scene – There is a post-credit scene.

Disclosure – I was invited to a press screening of this film

The Flash running at speed.

The Flash Review –

We are entering quite a tricky period for Superhero films. While they have been the dominant media property over the last decade, the shine is starting to come off the genre. While we will probably not see the great Western collapse again, how many players does the industry have room for? Can you still engage with a property you know is about to be rebooted? And can multiverses still work? These are some of the questions we will look at with our review of The Flash today.

So to set the scene, Barry Allen (Ezra Miller) is living his life as part of the Justice League, but not as a leading figure as we see when Alfred (Jeremy Irons) calls him up before his morning breakfast to help clean up some of Batman’s (Ben Affleck) mess in Gotham City. But while he is very good at catching babies, the main issue in his life is trying to get his father, Henry (Ron Livingston), out of jail. He is serving a life sentence for murdering his wife, and Barry’s mother, Nora (Maribel Verdú), something Barry knows his dad did not do, but no one listened to him because he was just a kid at the time. In his frustration, Barry runs so fast that he breaches the speed of light and begins to transverse back and forwards in time, and surely nothing bad can happen from that.  

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Transformers: Rise of the Beasts – Movie Review

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TL;DR – This is a solid entry in the series that shows that there are still legs under this franchise, even if it does end in a very predictable way.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to see this film

Optimus Prime

Transformers: Rise of the Beasts Review –

For a long time, it felt like the Transformers Franchise was destined to but absolute garbage, maybe occasionally dipping into mediocre. Then Bumblebee happened, and for the first time since maybe 2007, it felt like someone who understood the characters was taking a crack at the series, and good things happened. However, was this an anomaly or a start of a new trend? That is what we are exploring today.

So to set the scene, on a world a long time ago, a planet is under attack in a galaxy far away. But this is not just an invasion, for the planet eater Unicron (Colman Domingo) is here to not only consume the planet wholesale, but he sends his minion Scourge (Peter Dinklage) down to secure the Transwarp Key from the Maximals so that he can warp to any planet in the Universe and consume it. Apelinq (David Sobolov) fights to give his Maximals time to escape, and the key is lost. Back on Earth, it is 1994, and it has been seven years since the Autobots arrived at the end of Bumblebee, and their short pitstop has turned into a prolonged stay as they can’t find a way off the planet. This pains Optimus Prime (Peter Cullen). Still, when Elena Wallace (Dominique Fishback) accidentally reveals part of the Transwarp Key, he sees an opportunity, but the Autobots are not the only ones who spotted the key’s energy signature.   

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Indiana Jones Series Review – Exploring a Franchise

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TL;DR –.We look at the varied highs and lows of the Indiana Jones franchise up to now.   

Disclosure – I paid for the Disney+ service that viewed these films

Indiana Jones and Raiders of the Lost Ark. Image Credit: Lucasfilm Ltd.

Indiana Jones –

There are moments when you sit around with nothing to do for a weekend and decide it is time to dive into some nostalgia from the past. With Indiana Jones and the Dial of Destiny coming out later this month, and it has been years since I had seen the older films, some not since cinemas, it was good timing when they all appeared on Disney+ this week. Well, good time with a massive dash of marketing. So we dive back in time not quite to a galaxy far, far away, but not, not a galaxy far, far away.

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Spider-Man: Across the Spider-Verse – Movie Review

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TL;DR – A pure delight from start to finish in an absolutely stunningly realised world.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to watch this film

Gwen and Miles sit upside down looking at the sky line of New York.

Spider-Man: Across the Spider-Verse Review –

If there is ever a tough act to follow, it is Spider-Man: Into the Spider-Verse. A film that shifted an entire film production style that many movies like The Mitchells vs. The Machines and Puss in Boots: The Last Wish have taken onboard since. Indeed, I loved the movie so much that it sits on My Personal Top 10 Animated Films of All Time. There is no way a sequel could like up to that legacy … but hear me out … what if it could.

So to set the scene, It has been one year since the event of the last film, and Gwen (Hailee Steinfeld) has been struggling with being all alone again after finding a kindred spirit with Miles (Shameik Moore). However, when a Vulture (Jorma Taccone) from a Renaissance-style universe trashes the Guggenheim Museum, she discovers that the Spider-verse is not closed off. But also her dad George Stacy (Shea Whigham), finds out she is Spider-Woman, and tries to arrest her. This could have ended badly without the rescue from Miguel O’Hara / Spider-Man 2099 (Oscar Isaac) and Jessica Drew / Spider-Woman (Issa Rae), for a Spider-Society is protecting the Multiverse from all threats, and Gwen is the newest member.

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Plane – Movie Review

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TL;DR – Not the biggest or most bombastic action film I have seen, but it knows precisely what it wants to be and makes it work because of that.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this film.

Place Seatbelts light flashing.

Plane Review –

For a long time, if you went to watch a Gerard Butler action film, you knew entirely what you would get. Some fun moments but no real substance. However, Greenland changed all that, and suddenly things became interesting again. But the question is, can that interest last?   

So to set the scene, Brodie Torrance (Gerard Butler) is running through security, which is important because he is the plane’s pilot. It feels like a relativity typical run on New-Years Day, bar for some weather and for a surprise passenger Louis Gaspare (Mike Colter), who is being extradited for a murder. But then a lighting strike takes out all the avionics and radio, giving them only 10 minutes to land the plane before they drop out of the sky. They make a miraculous landing, but getting the plane down might be the easy part.  

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Fast X – Movie Review

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TL;DR – A high-octane blast from start to finish, with a bombastic style that only this series can pull off.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film

Warning – There are many flashing lights in this film

Dom drifts his car.

Fast X Review –

If you had asked me which new film from 2001 would spawn so many sequels that you could legitimately call it a Saga, it would not have been The Fast and the Furious. I mean, it was not a bad film. Indeed it was an interesting spin on a standard narrative setup. But I struggled to connect with the series until I watched Fast Five. It was then that I got it. I bring this up because we might be at the 10th film, but we are diving back into the past.

So to set the scene, we open ten years in the past as Dominic Toretto (Vin Diesel) and Brian O’Conner (Paul Walker) rip a vault out of a police station and onto the streets of Rio de Janeiro. It was a great success, but in the process, they kill Hernan Reyes (Joaquim de Almeida) and knock his son Dante Reyes (Jason Momoa) into the bay. Ten years later, Dom is teaching his son Brian Marcos (Leo Abelo Perry) how to drive, and all is well with the family when a knock on the door reveals a wounded Cipher (Charlize Theron). She warns him that someone is out to get him and his family, which is a problem because Roman (Tyrese Gibson), Tej (Chris “Ludacris” Bridges), Ramsey (Nathalie Emmanuel), and Han (Sung Kang) are in Rome, and no one can contact them.

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