TL;DR – After a long time, they nailed what it is to do a Batman film.
Rating: 4 out of 5.
Post-Credit Scene – There is no post-credit scene, there is a thing at the end, but you can Google it rather than stay back for it.
Disclosure – I paid to watch this film
Warning – some scenes in this film use flashing lights.
The Batman Review –
I don’t think it will be news to anyone that the DC Extended Universe has been a bit hit and miss. The race to get to the Justice League film meant that there was no time to establish your characters, and one of the significant casualties of that was Batman. While it was clear that Ben Affleck was throwing his all into it, the character never found its feet. This all led to a mix of emotions when it was announced that there would be a stand-alone Batman film, but DC adjacent and starring Robert Pattinson. Thankfully, I should not have worried.
So to set the scene, it is Halloween in Gotham City, a city that is barely holding it together after years of corruption and nepotism. However, that night Mayor Don Mitchell Jr. (Rupert Penry-Jones) looks at his dwindling polling numbers. A figure appears in the background and strikes. The Riddler (Paul Dano) has made his first kill. However, while the city might be on the precipice, there is at least one farce trying to stop the crime, the masked crusader, the dark night, vengeance himself, the Batman (Robert Pattinson).
TL;DR – A masterpiece in animation, in incorporating comics into film,and exploring all the emotions, a must watch.
Score – 5 out of 5 stars
Post-Credit Scene – There is a post-credit scene and the credits are a technicolour dream coat
When I first heard that they were going to do a new Spider-Man animated film outside of the MCU I honestly didn’t have a lot of hope. It felt like a plan of a company that is trying to scramble while not doing anything new with a property that had stagnated for years. Then they announced that the story was from Phil Lord, and that piqued my interest, and then that first trailer dropped and I knew instantly that I was going to have to eat my words. Now that I have seen the movie proper I can honestly say that this is not only one of the best films of the year, but it might be the best superhero film I have seen in a while. This has been a bumper year for Spider-Man with Infinity War, the Spider-Man video game from Insomniac Games, but Into the Spider-Verse is the crown achievement and I have never been so glad to be wrong.
TL;DR – Today we countdown my Top 10 films of all time; from towns where there are a lot of ‘accidents’, to all forms of Sci-Fi, to do you know the man with six fingers on his right hand, and everything in between.
Recently I watched the CineFix crew countdown their Top 10 films, and it had me thinking what are mine? Now it was at this point where I of course naturally spiralled as how can you reduce thousands of films that you have seen into only a Top 10. Just before I threw my hands up in resignation and chucked in the towel I happened to catch an episode of Movies with Mikey on how he determined the best sequel. With this in mind I wondered if there was a set of criteria that I could use to categorise the films into a list that I would be happy with, and after some work, I came up with the following criteria that work for me.
Films that are beautifully constructed
Films that mean something to me
Films that are always re-watchable
Films that have added to my love of the craft of cinema
With this criterion in mind I went through all the likely candidates and with a bit of a struggle I think I have been able to come to a final list, well at least until I change my mind next week, which is always a chance.
TL;DR – It’s not the best film I have seen, while it has some laughs, it is let down by its highly predictable storyline.
Score – 2.5 out of 5 stars
P.S. – There is a Mid & End credit sequence
It is the year 2009, those heady days when Balloon Boy was a thing, remember that, oh and Kanye West was an ass at the VMA, wow how times have changed. It was during this year that The Hangover a relatively small budget (35mill) R-rated comedy came out in cinemas and made a metric-ass-ton of cash at the box-office. Since that time there have been a string of R-rated ensemble comedy films that have tried to capture that same draw with 2011’s Bridesmaids being the closest contender. So why do companies keep making them, well they’re cheap, low risk, and a chance at a very big potential reward, but because of this combination the films tend not to be that good most of the time. So today we are going to be looking at the next challenger into this realm with Rough Night which while not being anything revolutionary does have its moments of interest.
TL;DR – It takes the very best of Batman, adds in some great animation and adds an interesting villain, I highly recommend it
Score – 4 out of 5 stars
“I’m Batman”, it is a phrase so common I bet you just said it in your head Christian Bale style or indeed Will Arnett style. Batman is one of those unambiguous pop-culture references and touchstones that everyone knows about even if they have never read a comic or seen a movie. So if you are a marketing executive you are loving this exposure, however, the Batman from the Lego films is a parody and an almost one-note parody at that. This is a problem because we have seen over and over again when you take the zany side character and give them their own film it often doesn’t work, see the last Pirates of the Caribbean. So with today’s review, we are going to take a moment to look at what lead to the creation of this film, then look at the animation, story and characters, and see if it holds up.
TL;DR – A masterpiece of action and cinema, something you should go see just for the spectacle.
Score – 5 out of 5 stars
Wow, just wow, George Miller knows how to put on a visual spectacle. Now I should mention at this point that I have never seen any of the other Mad Max’s (outside of those clips you see from time to time on TV) so while I had a basic understanding of the lore, I (for better or worse) did not come into this film with nostalgia baggage, which is good because you don’t need any of that to enjoy this film.