Tag Archives: Australian Cinema

Scurry – Movie Review

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TL;DR – A strong premise brings you into this world, but the narrative does not quite have the six legs to get all the way to the end.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A man holds a lighter up for light.

Setting the Scene

This has been an excellent year for Sparke Films, with its flagship Primitive War showing that you absolutely can do a dinosaur film without the word Jurassic in the title. But that was a big, bombastic work, and I was interested to see what they could do on a more concentrated effort, and today we find out.   

So, to set the scene, chaos reigns as something is causing a city to be evacuated and destroyed in equal measure. At the bottom of a sinkhole lies Mark (Jamie Costa), who had the unfortunate luck of standing on the road as it gave out underneath him. Stuck and with no phone connection, things are not looking good for him, nor is that car hanging precariously over the edge, filling anyone with confidence. There better not be a helicopter crashing from the sky that will make this situation worse, and what was that chittering sound in the background?

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Kangaroo (2025) – Movie Review

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TL;DR – This is a profoundly Australian film, and in that I mean more its structure than the narrative. But once it gets going, you can’t help but get caught up in the charm, because it has it in spades.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Joeys.

Kangaroo Review Introduction –

While Australia is known as a place where big-budget films come to film, where you can walk down the street of Brisbane one day and suddenly it is New York for Thor. However, we also have a vibrant domestic film culture, or we do at the moment, looking at you politicians not doing enough to support the local industry. However, there are times when you could tell a film is Australian, even if no sound of an accent passed your ears, and today’s film is a good example of this.  

So, to set the scene, Chris Masterman (Ryan Corr) is the local weather reporter for Channel 6’s Rise and Shine Australia. He wants to be more than the person they cut to in the morning when they need someone to get a bucket of water thrown at them. But no one takes him seriously. Well, Chris is going to change that when the opportunity to go viral presents itself. Unfortunately, it blows up so spectacularly in his face that not only is he not up for promotion, but he is fired and put on the instant reject list for every production team in Sydney and beyond. He has one shot to get his career back on track, and that is to drive to Broome and do some regional work. But when his car accidentally hits a kangaroo on the outskirts of Silver Gum, he is stuck in the small town waiting for his car to be fixed, but also looking after a now orphaned joey with the help of Charlie (Lily Whiteley).

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Primitive War – Movie Review

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TL;DR – Few films can sell me on a premise alone, but what if Dinosaurs were in the Vietnam War is 100% the way to go about it.

Rating: 4 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes with flashing lights.

A boat glides up a Vietnamese river.

Primitive War Introduction –

Every now and again, you find a film that has been laser-focused on your interests. For me, you must work to make me not interested once you have mentioned the word dinosaurs. Start with the premise ‘what if dinosaurs suddenly showed up in the middle of the Vietnam War’, now you don’t just have my interest, you have my full attention

So, to set the scene, it is 1968, and the Vietnam War is in full swing. In the middle of the war, a Green Beret platoon was sent into a jungle valley to find out what the Russians were doing there, only for none of them to return, and a final radio call was cut off halfway through. General Amadeus Jericho (Jeremy Piven) needs the information the recon team collected. Still, he can’t have it known, so he sends in the Vulture Squad led by Ryan Baker (Ryan Kwanten), as they are a bunch of misfits. They find the remains of the Green Berets, but also an unusually large feather. It is clear that the Green Berets were not able to finish their recon before they were taken out, so the Vulture Squad trek into the jungle to find the Russian base, not realising what might be waiting, hiding, stalking in the bushes.  

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Space/Time – Movie Review

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TL;DR – A wildly ambitious film, which while it doesn’t always live up to the promise it makes, when it does land, it is wildly fascinating.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A plant sits in front of the machine about to make a portal.

Space/Time Review –

One of the things I like best about my job is when you find something that has taken a big swing to explore. Not content to play it safe, they reach for the sky and don’t care if they hit the Moon or not. I do love exploring that kind of creativity, even if it does not always pan out.

So, to set the scene, in the not-too-distant future, society is on the verge of collapse. Years of environmental degradation have taken their toll, and the biosphere might not hold up in the long run. It is in this space where scientists, like Holt (Hugh Parker), have been working on a secluded island to find ways to stave off the collapse. They tried to develop wormhole travel, but it backfired spectacularly, and many were killed. Liv (Ashlee Lollback) and Harris (Pacharo Mzembe) have tried to move on with their lives after the calamity. Still, when the opportunity to dabble in some illegal science comes up, Liv can’t help but dive back into a world that almost took her life last time.  

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The Best Australian and New Zealand Cinema in 2024

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It was a fantastic year for Australian and New Zealand Cinema, with each film I saw knocking it out of the park. Some works held up a mirror to society, those that explored Indigenous voices, and those that brought the action to a new level.

This list will look more at the locally made Australian and New Zealand productions/co-productions and not just films filmed in those countries.

Our Highly Commended Films in 2024 are: Better Man, The Convert, Force of Nature, The Lord of the Rings: The War of the Rohirrim, Nugget is Dead & Runt

Our Highly Commended TV in 2024 are: Buried, Nautilus & Population 11

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Better Man – Movie Review

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TL;DR – A fascinating look at a pop icon that takes some wild swings that don’t always pan out.

Rating: 3.5 out of 5.

Disclosure – I paid to watch this film

Warning – contains scenes that may cause distress.

Better Man Review –

Today, we look at one of the oddest films that I watched in 2024. On the one hand, this was a very boilerplate biopic that explored the life of pop icon Robbie Williams. However, they also make massive artistic choices throughout the film, most notably by depicting the focus of the biopic as an ape. This was a fascinating choice, but did it work? And that is the question we will explore today.

So, to set the scene, Robbie Williams (Robbie Williams/Jonno Davies/Adam Tucker) had spent most of his life growing up in the small town of Stoke-On-Trent. Living with his mother Janet (Kate Mulvany) and Nan Betty (Alison Steadman) after his father Peter (Steve Pemberton) left to try and be an entertainer. He hasn’t done well at school because he has these lyrics in his head and a drive to be famous. It’s a good thing that his first big break has just strolled into town as Nigel Martin-Smith (Damon Herriman) is looking for boys to be part of a new band, Take That, which is Robbie’s chance to get out of this town and make something of himself.   

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How to Make Gravy Review: A Deep Dive into Generational Trauma

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TL;DR – I was not sure what to expect with this film going, but a deep exploration of generational trauma was the surprise that the film needed, that and gravy.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Binge service that viewed this film.

Warning – Contains scenes that may cause distress.

Art of rescuing his dad from jail.

How to Make Gravy Review –

One of the many odd traditions that happen in an Australian Christmas, along with seafood for Christmas lunch and the need to make Santa learn how to surf in his winter outfit for some reason, is that a song about making gravy becomes fantastically popular. It is a sad song of regret and longing for the family at a time when connections are fraught, and it has always felt like an odd choice for a Christmas song, but I didn’t get a say in that collective cultural choice. But will that song make a good film? Well, that is the question we will look at today.

So, to set the scene, last Christmas, everything changed, especially when it was the first Christmas without their grandmother. But no matter what happens, the family comes together and quietly judges that Joe (Daniel Henshall) lost his job. There is the joy of all the family coming together, but then the undercurrent of loss because one person is no longer there. Joe was struggling with everything and just does not want to talk to everyone, even though wants him to speak. Soon, a tipping point was reached, and Joe didn’t come home. Now, all his son Angus (Jonah Wren Phillips) wants for Christmas is to see his dad again.

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Nugget is Dead: A Christmas Story – Movie Review

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TL;DR – A wild story of a family that will probably be recognisable to you even in this crazy situation.  

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Stan service that viewed this film.

Chaos in the Stools family.

Nugget is Dead Review –

Many things foreshadow that the end of the year is near, the temperatures rise, the rains come in, people care about turkey for some reason, there is tinsel everywhere, and Stan will release their Christmas film. Back in 2023, we got the fascinating Jones Family Christmas. In 2022, we got a Christmas Ransom. And all the way back in the past of 2021, we got the film that started it all: A Sunburnt Christmas. They have all been fun, charming events, and the question is: can that follow that trend in 2024?

So, to set the scene, back in Christmas 2010, the Stools family introduced a new member of the family, the puppy Nugget. Many years later, as the family has grown up and moved out of home, it is once again three days before Christmas. However, as their eldest, Steph (Vic Zerbst), has made the decision not to come home for Christmas, one problem is that she didn’t tell her family. They don’t seem like the listening type anyway, and also Nugget (Reuben) is sick. So, now Steph is going down to visit her family, who does not know she is not staying, and they are A LOT. She just needs to deal with them for 24 hours and escape … if everything goes to plan.

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The Moogai – Movie Review

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TL;DR – A truly emotional ride through a new mother’s hell realised when no one trusts her that something is coming for her son.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A tree ringed with fire.

The Moogai Review –

Today, we are looking at a fascinating film that, like Cargo, started life as a short film and then was expanded into a feature. Also, much like Cargo, I have never watched a short film, so I am coming into this world without any preconceived notions about where it would go. Indeed, I only knew that it was a horror film and that the production behind it is Indigenous, a combination I had not seen much of since Cleverman, and I am glad that I made the trek to BIFF to watch this, even if it meant I did not sleep well that night.   

So, to set the scene, it is the 1970s and officers from the government were snooping around the missions, hoping to take away the kids as their fathers were away for work. Agnes (Precious Ann) and her sister (Aisha Alma) run into the bush to escape, but Agnes hides in the one cave she should not have gone into. In 2024, Sarah (Shari Sebbens) has just closed a deal at her law firm and is enjoying the highlife with her husband Fergus (Meyne Wyatt) when suddenly her baby comes without warning, and both almost lose their lives in the process. Sarah is trying to adapt to the trauma and is not helped by her birth mother, Ruth (Tessa Rose), nosing in. But as she tries to sleep, she sees white-eyed children warning her that ‘he’ is coming ‘to take her baby away’.

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Double or Nothing – Movie Review

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TL;DR – Snippets of chaos that never come together as a whole

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

The Gold Coast skyline

Double or Nothing Review –

We are currently in the midst of the Brisbane International Film Festival, or if you are friends, BIFF. It is a cozy festival where I always find a gem or two every year. Today, we are looking at a small Aussie movie filmed in my backyard (metaphorically) about what happens when you get trodden on over and over again.

So, to set the scene, Turbo (Andrew Ian Pope) and Nick (Rowan Howard) are cousins who never quite can get their luck together. Turbo always owes people money, and Nick is just trying to get through his parole without rocking any feathers. But they both need money to survive, and this means doing jobs for their boss, Col (John Jarratt), of a more explosive nature. But when there is a shift in management, the boys find themselves up a certain creek without a paddle.

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