TL;DR –.We explore the highs and lows, and lows, of the Transformers film series.
Disclosure – I paid for the Paramount+/Amazon Prime services that viewed these films.
Transformers –
We might be in the era of nostalgia, but that does not mean that current films can capture what made those original properties soar. An excellent example of this is Transformers, a series that swings wildly in quality and in how it connects with the series it is based on, and now I have watched them all.
TL;DR – This is a solid entry in the series that shows that there are still legs under this franchise, even if it does end in a very predictable way.
⭐⭐⭐⭐
Rating: 3.5 out of 5.
Post-Credit Scene – There is a mid-credit scene.
Disclosure – I paid to see this film
Transformers: Rise of the Beasts Review –
For a long time, it felt like the Transformers Franchise was destined to but absolute garbage, maybe occasionally dipping into mediocre. Then Bumblebee happened, and for the first time since maybe 2007, it felt like someone who understood the characters was taking a crack at the series, and good things happened. However, was this an anomaly or a start of a new trend? That is what we are exploring today.
So to set the scene, on a world a long time ago, a planet is under attack in a galaxy far away. But this is not just an invasion, for the planet eater Unicron (Colman Domingo) is here to not only consume the planet wholesale, but he sends his minion Scourge (Peter Dinklage) down to secure the Transwarp Key from the Maximals so that he can warp to any planet in the Universe and consume it. Apelinq (David Sobolov) fights to give his Maximals time to escape, and the key is lost. Back on Earth, it is 1994, and it has been seven years since the Autobots arrived at the end of Bumblebee, and their short pitstop has turned into a prolonged stay as they can’t find a way off the planet. This pains Optimus Prime (Peter Cullen). Still, when Elena Wallace (Dominique Fishback) accidentally reveals part of the Transwarp Key, he sees an opportunity, but the Autobots are not the only ones who spotted the key’s energy signature.
TL;DR – Builds upon everything that made the series great by focussing on the character development of every kind
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
Disclosure – I paid for the Apple TV+ service that viewed this episode.
Ted Lasso Review –
If there has been one consistent feature over the last few years of that evert the 2020s has been so far, it has been the joy that has come from Ted Lasso. I know this show is stylised, so it could almost be magical realism like The West Wing. But I don’t care. Every moment, every kick of a football, had me on the edge of my chair, and this final season of the show that maybe/probably/we’ll see was no exception. With today’s review, we will first look at the final episode aptly titled So Long, Farewell, and then we will look at the season as a whole.
So to set the scene, at the end of Season 2, the Richmond Greyhounds fount back from relegation to make it back into the Premier League. This is a triumph for the coaching staff Ted Lasso (Jason Sudeikis), Coach Beard (Brendan Hunt), and Roy Kent (Brett Goldstein). As well as team owner Rebecca Welton (Hannah Waddingham). As the season went on, there were struggles as “The Wonder Kid” Nathan “Nate” Shelley (Nick Mohammed) and his West Ham United team destroyed the team leading to a massive slump. However, as we come into this final episode, things are looking up, but in Mom City, Ted reveals to Rebecca that it is his time to drop a bombshell, and we open this final episode with Rebecca having breakfast in her house and Ted coming out to join her. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This article explores how a show can have an episode focused on nothing, yet still be everything.
Disclosure – I paid for the Apple TV+ service that viewed this show.
How Ted Lasso Perfected the Nothing/Everything Episode with Sunflowers–
One of the significant shifts in the Television landscape was the move from more episodic episodes to more serialised outings. It started taking steam in the 1990s with shows like Babylon 5 and Deep Space Nine. But this would explode in the streaming era, with nearly every show you watch having some serialised component. Whether the show works with the serialised content does not matter. With the insertion of boilerplate narrative arcs becoming more of the norm, looking at you Wednesday. In this world, can you have a stand-alone, nothing episode anymore?
There was a time when shows like Seinfeld built themselves around being the show about nothing, where there was no character growth. However, today if you have an episode, let alone a series, where nothing happens, you will get a chorus of comments claiming condensation over there being filler. I have seen a claim championed time after time, whether the show was filler. But can you still have an engaging episode of TV that does not move the plot along in the current landscape? Well, you must trust your audience to come along with you if you want to attempt something like this. Trust which is something that is earned, not given.
TL;DR Movie Reviews and Analysis 