Tag Archives: Drama

Force of Nature: The Dry 2 – Movie Review

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TL;DR – There is a solid film in here; you just need to find it through all the messiness.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Victorian bush.

Force of Nature: The Dry 2 Review –

Back in 2020, there was a great moment when, thanks to the current circumstances, The Dry, Penguin Bloom, and High Ground were the top films in Australia, the first time in an age that three Australian films had managed that. Of those, there was one that was primed for a sequel, and that is what we are looking at today.

So to set the scene, it is a wet and cold morning as four women crash through the bush of the Giralang Ranges to the sound of a coming car. Jill Bailey (Deborra-Lee Furness), Beth (Sisi Stringer), Bree (Lucy Ansell) & Lauren (Robin McLeavy) are cold, wet, and hurt, but all the more importantly, they are missing one of their group, Alice (Anna Torv). It is a dense forest, and searching it will be difficult, but as we discover, Alice is an informant, and her last phone call to Aaron Falk (Eric Bana) was profoundly concerning, making people wonder just what happened up on that mountain.    

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Ashes (Kül) – Movie Review

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TL;DR – A film that does a fantastic job of setting up a world and mystery that unfortunately can’t sustain itself all the way to the end.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Some scenes may cause distress.

The manuscript Kül.

Ashes Review –

Today, we dive back into the world of romance but with a side of danger as we explore Turkish cinema for the first time properly on the site. Romance films can be fascinating because they can meld and merge into so many different genres and take on a broad scope of tone. In today’s film, we dive into the harder edge of the genre, where danger awaits.

So to set the scene, from all appearances, Gökçe (Funda Eryigit) is living her best life. She is a successful publisher with a talent for picking good manuscripts, something that has made her husband Kenan (Mehmet Günsür) fabulously wealthy. But her life feels like it is missing something, missing a lot of things. But when a manuscript called Kül arrives, she is immediately transported into its prose. Being captured by its narrative, it awakens a joy that she had not realised was missing. But when she discovers the bakery in the book is real, and more of the book is real, she hunts down the mysterious man.

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The Kitchen – Movie Review

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TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review –

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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The Color Purple (2024) – Movie Review

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TL;DR – While it has its powerful moments, you can’t help but sit there and feel that this would have been better not as a musical.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening for this film

Warning – Contains scenes that may cause distress.

Celie and Nettie play in a tree.

The Color Purple Review –

Today, we are looking at a film that is quite difficult to parse because it is a film of mountains and valleys. When it soars, it soars, and you are captivated by the movie as it sweeps through the sky. But for every peak, we must then wade through a deep valley of missed opportunities. It is such a stark range that it is hard to find your footing at times.

So to set the scene, Celie (Phylicia Pearl Mpasi) and Nettie (Halle Bailey) are grouping up on the Georgia coastline at the start of the 1900s. Things are difficult for the sisters for many reasons, most notably their step-father Alfonso (Deon Cole). His actions have led to Celie being pregnant twice now and both babies being sent away. Life for Celie only becomes worse when she is married off to Ol’ Mister Johnson (Louis Gossett Jr.) and her sister is sent away. But the coming of Shug Avery (Taraji P. Henson) might be the chance Celie (Fantasia Barrino) needs to find herself.       

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Maboroshi (Alice and Therese’s Illusory Factory/ Alice to Therese no Maboroshi Kôjô/ アリスとテレスのまぼろし工場) – Movie Review

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TL;DR – While there were some good ideas here, an unfortunate narrative focus and other frustrating narrative issues held it back for me.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Contains scenes that may cause distress.

Steel Factory on fire.

Maboroshi Review –

When something supernatural happens, is that divine retribution or divine protection? In a time of crisis, do people continue to carry on, or do they give up? What happens when you are stuck? Can you go on?

So to set the scene, it is 1991 in a small town in Japan, as Masamune (Junya Enoki) and his friends are all staying up late studying when an explosion rips out into the night. The local steel factory is ablaze, sending flames up into the air. Then, a light flashes through the air, and time becomes a bit funky. Running outside, they see the factory on fire, but cracks appear in the sky, and the smoke from the factory is not as innocent as it first appears. Everyone in the town senses the presence because everyone is trapped, and no one can get out.  

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The Holdovers – Movie Review

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TL;DR – It was a wonderful, moving, sad, delightful, and wild ride, unlike anything I have seen before, and it has been sitting in the back of my mind since I watched it. 

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review –

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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NCIS: Sydney – Blonde Ambition & Full Season 1 – TV Review

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TL;DR – They may have saved the best for last with a banger of a season finale.

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this series.

The surf off Sydney.

Well, we have come to the end of the first season of NCIS: Sydney. It has been an odd season, with moments of highs and also a lot of frustrations. However, things started to coalesce towards the end, and I wondered if the show could stick the landing.   

So to set the scene, we open at a kids birthday party where a deeply bad clown is performing for the kids, but things turn sinister when the clown steals the birthday boy. Meanwhile, they have the secretive woman Anna (Georgina Haig) they captured in Bunker Down, who has been a thorn in everyone’s side since Gone Fission. The team is wondering why Anna feels so secure even though she is in handcuffs and locked to a desk when the call comes in that the child that was stolen was JD’s (Todd Lasance). We will be looking at the episode and season as a whole from here, so there will be some [SPOILERS] ahead.    

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Tetris – Movie Review

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TL;DR – An absolute fun blast of a film that might not match entirely with history, but it wears all of its influences on its sleeve.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the Apple TV+ service that viewed this film.

Soviet Military Parade.

Tetris Review –

I think, like most people, I rolled my eyes when I heard that there was going to be a Tetris film. That is because I thought they were going to try and turn it into some sort of Battleship situation. I am not sure that we were ready for a dramatized retelling of how the worldwide video game rights made it out of the Soviet Union or for how good the story would be.  

So to set the scene, it is 1988, a precarious time in world history. The Cold War was rapidly coming to a peaceful end, and the first big computer boom was in full swing. It is in this world that Henk Rogers (Taron Egerton) of Bullet-Proof Software sees someone selling Tetris at the Consumer Electronics Expo in Las Vegas. The problem is that Henk does not have the money to buy the game, let alone license it for Japan, which means that he must sweat-talk his Banker (Rick Yune) into letting him do what he has already done. Because a deal with Nintendo only comes around once in a blue moon, all he must do is bet the house … literally.   

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The Boys in the Boat – Movie Review

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TL;DR – A perfectly okay film that refuses to integrate any of the themes it proports to be exploring.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The boys lined up with their oars.

The Boys in the Boat Review –

Today, we look at an interesting biographical film because, at its core, it is more interesting for what it does not do than what it is that we see in the final product. This creates a film that, by all metrics, is perfectly okay from a technical perspective, but the moment you integrate any of the narrative, you find it to have the solidity of balsa wood.  

So to set the scene, it is 1936 in Washington state, at the height of the Great Depression. Joe Rantz (Callum Turner) has spent most of his life sleeping rough but still managed to get into the University of Washington. But when financing becomes tight, he decides to take up an opportunity with the University rowing team because it comes with a room and a small financial compensation. The Washington University rowing team has not won a race in a long time, and coach Al Ulbrickson (Joel Edgerton) is starting to feel the pressure from above to place or get replaced. But could this new batch of rowers be the best crew he ever taught? And in an Olympic year, no less?

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Leave the World Behind – Movie Review

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TL;DR – What happens when the world slips away from you but only fragments at a time until you don’t even realise you ran off a ledge?

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

An Oil tanker crashes into the beach.

Leave the World Behind Review –

The disaster film is such an intriguing genre, especially when you are not sure what disaster you are in or even if there is one going on. For me, it is not the disasters themselves that bring the core of the work, but how people respond to the crisis. This week, we look at a film that focuses mainly on that, and I found it to be deeply compelling.  

So to set the scene, Amanda Sandford (Julia Roberts) and her husband Clay (Ethan Hawke) have had a long, stressful year, and one morning, as Amanda was up not sleeping, she decided to randomly book the family for a trip away in a hamlet by the beach. The aim is to leave the world behind for a time, and the house absolutely provides all of that. All is going well until an oil tanker crashes into the beach, and the TV and Wi-Fi stops working. Which is when late at night, there is a knock on the door when the purported owners of the house, G.H. Scott (Mahershala Ali) and his daughter Ruth (Myha’la), arrive and decide to stay.   

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