Tag Archives: Drama

Dawn of the Planet of the Apes (2014) Review – Exploring the Past

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TL;DR – It is a profoundly emotional work that builds on the first film in nearly every way.   

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

Caesar in war paint.

Dawn of the Planet of the Apes Review –

It has been ten years since this movie first came out, and I was taken aback by just how good visual effects had grown, even by the high standards that the Lord of the Rings brought us. But with Kingdom of the Planet of the Apes coming out this week, I wanted to take a moment to go back in time and see how well this second entry before War of the Planet of the Apes holds up.

So to set the scene, it has been ten years since the Simian Flu pandemic spread across the globe with a survival rate of only 1 in 500, as was seen at the end of Rise of the Planet of the Apes. As human society completely collapsed, the ape colony founded by Caesar (Andy Serkis) began to thrive in the growing woods outside of what was once San Francisco. It has been two years since they even saw a human, which made that first sound of a gun going off echo throughout the colony. One of the few human settlements left on the Earth has set up shop in the ruins of San Francisco. Caesar does not acquiesce to the drum beats of war but gives the humans an ultimatum: stay away from their area. Peace has a chance, just as long as no one on either side decides to fall on the animosity of the past.     

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Rise of the Planet of the Apes (2011) Review – Exploring the Past

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TL;DR –.It is a remarkable film that still holds up today and provided a strong foundation for everything that followed.  

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

Caesar looks down on San Fransisco.

Rise of the Planet of the Apes Review –

Back in the 2010s, remakes were all the rage, and most of them were not great. So, I am not sure that anyone was expecting a prequel remake reboot of the beloved cult Classic Planet of the Apes was going to be any good, let alone spawn one of the best trilogies of the modern cinematic era concluding with War of the Planet of the Apes. Well, with Kingdom of the Planet of the Apes coming out this week, I knew it was time to jump back in and refresh myself in this world.

So to set the scene, we open in on a rainforest where a troop of chimpanzees is led into a trap by poachers. In San Fransisco, Dr. William “Will” Rodman (James Franco) is desperately trying to find a cure for Alzheimer’s, using chimpanzees as part of the trial. But when the first trial goes terribly wrong, they discover a surprise: the trial chip was pregnant. It is this new baby called Caesar (Andy Serkis) that Will discovers the hope he has been looking for as his father, Charles (John Lithgow), slips further behind. But will the world see what Will sees, or will they see a threat?  

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Corner Office – Movie Review

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TL;DR – It has its moments, and it very much lands its vibe, but there is an intensity that loses its impact halfway through.

Rating: 3 out of 5.
The brutalist concrete building they work in.

Corner Office Review –

Today we are looking at a film that I can’t quite place into the world of genre’s it is not quite a comedy, or a drama, or even a mystery. It has elements of all of those, but not enough to categories it. The only thing I can say is that it is a film about facial hair, and how there is probably a reason those styles are not popular anymore.

So to set the scene, we open in a car park covered in a layer of snow as the wind howls around. Orson (Jon Hamm) is arriving for their first day at work at The Authority Inc. in a large brutalist building. He is trying to stand out in the office, which is full of quirky characters, including his tablemate Rakesh (Danny Pudi). One day, while trying to find where they hid the printer paper, he stumbled across a room Orson had never seen before: a beautiful corner office. The room calls to him, like a forbidden lover, a place worthy of who he thinks he is, even if that does not match reality. The only problem is that no one else acknowledges that the room even exists.  

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Turtles All the Way Down – Movie Review

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TL;DR – Come for the interesting exploration of mental health and the bond of teenagers in the face of tragedy. Stay tuned for the exciting trivia about Indianapolis.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Binge service that viewed this film.

Warning – Contains scenes that may cause distress.

Yellow microbes on a black banner.

Turtles All the Way Down Review –

Today, we look at a film in which I had some deep trepidation before pressing play. I generally like the author’s work and have read all of his other novels; however, when I sat down to read the Turtles book, I hit a wall. There was this moment early in the book when it went from being a fictional story to being too real and personal, and I had to put the book down. And I am sorry to say, I never picked it back up again. So today, what we have is almost a second attempt for me to find a new first impression and see if I can make it further into the work than last time. Well, I have a packet of Wagon Wheels in front of me and the house smells of roast potatoes, and there is no time like the present.  

So to set the scene, we open with Aza Holmes (Isabela Merced) lamenting or musing about how 50% of the human body mass is made up of microbial entities and what that means on a philosophical level with her therapist Dr. Kira Singh (Poorna Jagannathan). Aza has OCD, which relates to how she perceives the microbial world, both within and without. When she goes to have lunch with her best friend Daisy Ramirez (Cree), they discover that Aza’s old friend Davis Pickett’s (Felix Mallard) father has gone missing, and there is a $100,000 reward.

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Challengers – Movie Review

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TL;DR – Wild, sensual, and captivating. While not all of it works, when it is on fire, it is electric.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Tashi Duncan (Zendaya) watches the tennis match behind sunglasses.

Challengers Review –

Some films can captivate you just by hearing the name of a director and an idea. Luca Guadagnino’s previous works, like Call Me by Your Name and Bones and All, were not perfect, but they were immensely captivating, sucking you into their worlds. Well, I was interested in seeing where he would go from there when exploring the world of tennis.

So to set the scene, we open in the middle of the 2019 New Rochelle Champions Tournament as Patrick Zweig (Josh O’Connor) and Art Donaldson (Mike Faist) are facing it out in the finals. A dual for the ages. However, both sets of eyes are not focusing on each other but on someone in the audience, Tashi Duncan (Zendaya). There is a palpable tension the court that can only exist between people with a deep history, which is when we cut back thirteen years.     

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Desperation Road – Movie Review

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TL;DR – An exploration of the enduring legacy of trauma and the damage it can leave if you can get past one particular plot point.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes including flashing lights.

Maben runs with her daughter.

Desperation Road Review –

Today, we come into a film with more than a bit of trepidation. On the one hand, we have Garrett Hedlund, whose work I have generally enjoyed and whose Tron Legacy lives rent-free in my brain. However, then we have Mel Gibson, who was once a force of nature, but when I last saw him in The Continental, he was an anchor that held the entire production back, though to be fair, that was not the show’s only issue. How is this dichotomy going to work? Well, it turns out the answer was Willa Fitzgerald.    

So, to set the scene, Maben (Willa Fitzgerald) and her daughter Analee (Pyper Braun) hit hard times as they made their way on foot to Mississippi. But when a police officer sexually assaults Maben, and then she shoots him in self-defence. This is bad, really bad. Meanwhile, Russell (Garrett Hedlund) is just getting off a bus from jail when he gets a beat down, with a promise that his debt is not paid. After a chat and a gun pick from his father Mitchell (Mel Gibson), he heads home to find a recently renovated house, now with no windows and glass everywhere. These two worlds are about to collide explosively because there are few secrets in a small town.    

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Dune: Part Two – Movie Review

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TL;DR – Even with such a weight of expectation that I had for it, Dune: Part 2 still stuck the landing with a gusto I was not expecting.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Paul stands in front of an explosion.

Dune: Part Two Review –

I need to be clear when coming into this that this might have been the most excited I have been to see a film since maybe The Lord of the Rings. I adore this universe (okay, only the first three books, don’t @ me), and to see the First Film not only get the universe they were adapting but also have the budget to show it off. Well, there is a reason it was my favourite film of 2021. However, that is a lot of expectation, and in my experience, that can be a recipe for disaster.

So to set the scene, the plan of Baron Vladimir Harkonnen (Stellan Skarsgård) has succeeded. With the help of  Padishah Emperor Shaddam IV (Christopher Walken), Arrakis/Dune is his, the Atreides are dead, the millennia-long feud is over, and Feyd-Rautha Harkonnen (Austin Butler) is getting ready to take over from his incompetent brother Glossu Rabban Harkonnen (Dave Bautista). There is only one problem: not all the Atreides are dead, for Paul (Timothée Chalamet) and Lady Jessica (Rebecca Ferguson) made it through the desert to the Fremen people and are now in the hands of Stilgar (Javier Bardem) and Chani (Zendaya). It was safety brought with a blood price, which is increasing as the Harkonnen troops send patrols deeper into the desert. For Paul, his new place with the Fremen could be a way to find revenge for the destruction of his family, but is he ready for leadership to be thrust upon him? For once the Fremen are unleashed, can they be stopped?

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Force of Nature: The Dry 2 – Movie Review

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TL;DR – There is a solid film in here; you just need to find it through all the messiness.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Victorian bush.

Force of Nature: The Dry 2 Review –

Back in 2020, there was a great moment when, thanks to the current circumstances, The Dry, Penguin Bloom, and High Ground were the top films in Australia, the first time in an age that three Australian films had managed that. Of those, there was one that was primed for a sequel, and that is what we are looking at today.

So to set the scene, it is a wet and cold morning as four women crash through the bush of the Giralang Ranges to the sound of a coming car. Jill Bailey (Deborra-Lee Furness), Beth (Sisi Stringer), Bree (Lucy Ansell) & Lauren (Robin McLeavy) are cold, wet, and hurt, but all the more importantly, they are missing one of their group, Alice (Anna Torv). It is a dense forest, and searching it will be difficult, but as we discover, Alice is an informant, and her last phone call to Aaron Falk (Eric Bana) was profoundly concerning, making people wonder just what happened up on that mountain.    

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Ashes (Kül) – Movie Review

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TL;DR – A film that does a fantastic job of setting up a world and mystery that unfortunately can’t sustain itself all the way to the end.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Some scenes may cause distress.

The manuscript Kül.

Ashes Review –

Today, we dive back into the world of romance but with a side of danger as we explore Turkish cinema for the first time properly on the site. Romance films can be fascinating because they can meld and merge into so many different genres and take on a broad scope of tone. In today’s film, we dive into the harder edge of the genre, where danger awaits.

So to set the scene, from all appearances, Gökçe (Funda Eryigit) is living her best life. She is a successful publisher with a talent for picking good manuscripts, something that has made her husband Kenan (Mehmet Günsür) fabulously wealthy. But her life feels like it is missing something, missing a lot of things. But when a manuscript called Kül arrives, she is immediately transported into its prose. Being captured by its narrative, it awakens a joy that she had not realised was missing. But when she discovers the bakery in the book is real, and more of the book is real, she hunts down the mysterious man.

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The Kitchen – Movie Review

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TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review –

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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