Tag Archives: Drama

My Old Ass – Movie Review

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TL;DR – This is a film that swims through the nostalgia of youth when significant changes are about to come, and you don’t know what the future might hold

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Elliott (39) talks to Elliott (18)

My Old Ass Review –

Today, we look at a slightly sweet film that tries to ride the line between a bombastic juvenile comedy and a quieter coming-of-age work. It is a very fine line to walk because there is not a lot of safe ground between those two points. Indeed, I know people who have entirely disagreed on where this film landed. I think I am more in that first category, but that might be just because this film is laser-targeted on who I am.

So, to set the scene, Elliott Labrant (Maisy Stella) has just turned 18, and in just 22 days, she is going to leave the life she has lived on a lake in Canada harvesting cranberries on her family’s farm to move to the big city. But before she leaves, she wants to have one more trip with her friends Ro (Kerrice Brooks) and Ruthie (Maddie Ziegler) out to an island on the lake to camp, chat, and, oh, maybe dabble in some hallucinogenic mushroom. While her friends see many interesting things like rabbit orchestra, nothing quite prepares Elliott to look over and see her 39-year-old self (Aubrey Plaza) looking back at her. They talked about life and love, and her older self warned her not to fall in love with Chad. “Well, that was an odd trip”, thought Elliott, until she found Chad (Percy Hynes White) working on her dad’s farm as a summer farmhand. Oh, and someone put a new contact ‘My Old Ass’ in her phone.

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The Wild Robot – Movie Review

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TL;DR – This is a stunningly beautiful film that hit me with a wave of emotions as if I were standing by the seaside watching them roll in.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit stinger.

Disclosure – I was invited to a press screening of this film.

Roz surrounded by butterflies.

The Wild Robot Review –

It is school holiday time here in Australia, and that usually means a web of family films gets unleashed into the cinemas. Many are quite average fare, just looking to entertain the little ones for an hour or two in air conditioning. However, every now and again, you find something exceptional, and this is what we will be looking at today.

So, to set the scene, in the potentially distant future, a bunch of otters find a very peculiar item washed up on shore. It is a box with some contraptions. After some exploration, they accidentally set it off to discover it was a ROZZUM unit 7134 (Lupita Nyong’o) personal assistance robot. She is now activated and is not looking for a task. The only problem is that she does not speak wild critter, and they are all afraid of her. But when a bear attacks, she accidentally crashes into a goose nest, leaving only a single egg behind. Roz has to look past her programming with the help of Fink (Pedro Pascal), a local fox who would be happy to eat the issue away and Pinktail (Catherine O’Hara), an opossum who knows about motherhood. Because the little Brightbill (Kit Connor/Boone Storm) needs to eat, swim, and fly, all before winter sets in. Because if he doesn’t leave on migration, he will die.

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Not Today – Movie Review

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TL;DR – A film that explores the subject of suicide, as two people are brought together on what could be the worst day of their lives.  

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress: if you are concerned, Lifeline Australia runs a confidential 24-hour hotline, which you can call inside Australia on 13 11 14.

Mamta quizzes Aliah.

Not Today Review –

Today, we look at a film that explores a very sensitive topic: suicide. It is a subject that is rarely tackled well in the media and in society. Given that this is such a difficult space to work in, how would you tackle a film where this subject is not only referenced but is central to the story? Well, that is what we are going to be looking at today.   

So, to set the scene, Aliah Rupawala (Rucha Inamdar) is training under Mamta (Vibhawari Deshpande) to be a suicide prevention counsellor. This is a profoundly difficult job not only because you are trying to intervein with people on their darkest day about engaging with actions that can’t be walked back from. But also because of the emotional toll it can take on the receptionists themselves. It is Aliah’s first day, and she has had to deal with learning a new environment, making prank calls, trying to waste their time, and more. But just as it is about to come to an end, she gets a message from Ashwin Mathur (Harsh Chhaya) that may turn her life upside-down.

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A Million Days – Movie Review

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TL;DR – A conceptually interesting film that just never quite coalesced in the way that it wanted.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Three astronauts with crosses for eyes.

A Million Days Review –

If there has been one major shift in technology in the 21st century so far, it is the rise of predictive AI. While the whole world is trying to rectify this new landscape, Science Fiction media has been playing in that space for decades. Today, we explore a film that is all about AI and what it means for the future of humanity.

So, to set the scene, in 2041, after decades of unchecked global warming, Earth is on the cusp of complete ecological collapse. The SEED project, powered by an AI called JAY, was created to try and make humanity a multi-planet civilization. Anderson (Simon Merrells) and Sam (Kemi-Bo Jacobs) help run the JAY project as the Lunar Colony is being established. However, when one of the new hires, Charlie (Hermione Corfield), accidentally runs a JAY simulation for a million days, they discover that something is wrong with humanity and its survival.   

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Touch (Snerting) – Movie Review

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TL;DR – This is a stunningly beautiful portrait of a man’s life that feels both deeply personal and universal in what drives him. It is profoundly moving and full of narrative grace that could have been all melancholy but is instead full of heart and joy.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Kristófer looks out over a city scape.

Touch Review –

I know this is only August, and there are many films I will see this month, let alone by the end of the year, but today, can I say that we are looking at one of my films of the year. If not, the film of the year. This is such a stunning work that it has sat with me the whole time since I first watched it. I mean, Touch is such a beautiful film that I am getting emotional from writing about it now.

So, to set the scene, Kristófer (Egill Ólafsson) is going through the motions of his life in Iceland at the start of the COVID pandemic. He is a famous restaurateur on the island, but he has now closed his restaurant and is spending time at a local choir and trying to invoke his past diaries. But as the world starts to close up, Kristófer sets on a mission to answer one of the great questions of his past when he (Palmi Kormakur) was a young student in London and one day, he walked into a Japanese restaurant and met Miko (Kōki).

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Blink Twice – Movie Review

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TL;DR – This is a profoundly uncomfortable film that grabs onto you and refuses to let go until the credits roll.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

WARNING – Scenes in this film will cause distress.

Frida stands in front of a bunch of red bags all lined up.

Blink Twice Review –

Wow, rarely has there been a film when I felt the need to debrief with people to process what we just watched. However, that is the film we are looking at today. A movie that I had to catch myself from letting out an expletive during the session. This is not an easy film to watch.

So, to set the scene, Frida (Naomi Ackie) and her friend Jess (Alia Shawkat) work as waiters at big fancy events in New York City. One such event is being chaired by Slater King (Channing Tatum), a billionaire doing a redemption campaign after being forced out of his company due to rampant harassment. Frida and Jess slip into some cocktail dresses and sneak into the event when Slater takes a fancy to them. Before you can say it, they are on a plane to his fancy private island, full of all sorts of debauchery. All the girls are having a blast with the endless champagne, fancy food, and anything they could want. It is just that something here does not feel right.

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The G – Movie Review

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TL;DR – This is a wonderful character piece that maybe promises a touch more on what it can deliver.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

Two men burring a person.

The G Review –

In the current cinema landscape, it can be easy to go for style over substance. We can do the flash and bang and also the alakazam, but we linger on the surface. Things only become interesting once you dig a little deeper. Today, we look at a film that completely understands that even if it does not quite stick that landing.  

So, to set the scene, we open with two men digging in the snow, only to find them burying a body. These are people who know how to get their way. Their next victim is Ann Hunter (Dale Dickey), an elderly retiree who cares for nothing but her granddaughter Emma (Romane Denis). She is struggling to cope with the pressures of looking after her ill husband Chip (Greg Ellwand), but her life is upturned when Rivera (Bruce Ramsay) pushes them into a home with a trumped-up court order so they can steal her house. But there is no way she is going to let them do that to her.    

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Walden (The Stenographer) – Movie Review

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TL;DR – While the premise is novel, the final product left me more frustrated than anything else.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

The Alexandra Court House.

Walden Review –

When you make a film, you have the whole world to play in, and more really. However, when you touch on real-world issues, do you have an obligation actually to engage with them in a meaningful way? Today, we look at a movie working in that space to see.  

So, to set the scene, in the small town of Alexandria near the City of Atlanta, there is a court stenographer called Walden (Emile Hirsch). It is a job that he is good at, but it does mean that he sees the worst of humanity every day. When a particularly monstrous person tries to kill the judge in front of everyone, well, that changes someone, even worse when you discover you have a brain tumour. However, knowing you are going to die does have a clarifying factor on one’s life and goals. Suddenly helpless, Walden might not be so helpless anymore.    

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The Delicate Cycle – Movie Review

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TL;DR – It makes the most of its one location to explore the emotions of significant life changes.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

A washing machine about to start.

The Delicate Cycle Review –

While a short film can be constraining, those limitations can be turned into strengths. You can concentrate things down into their core forms. For example, that transient information that gets passed down from generation to generation. Today, we are looking at a film that is working in that space.  

So, to set the scene, it is just a typical day for Lance (Fred Mancuso) as he gets into the laundromat as early as possible to get his clothes done. Usually, there is no one there, bar maybe Anita (Yassmin Flores), but today there was someone new, a young kid called Adam (Dean Norris Jr.) who is in the process of trying to win at Ms Pacman but also struggling with his emotions.

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Twisters – Movie Review

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TL;DR – It has a lot of charm and action as long as you don’t dwell on the science for a moment.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

A tornado bares down on a truck.

Twisters Review –

Well, today, we look at a bit of an odd duck in that this could almost be classed as a straight-up legacy sequel to the seminal 1996 film Twister. However, bar one significant reference right at the start, you would be remiss to see any connection between the two films beyond vibes, narrative structure, and a deep love for tornadoes. But that love is still there, as well as a metric spoonful of unreserved swagger.

So, to set the scene, Kate Cooper (Daisy Edgar-Jones) is a whiz at tornadoes. She just has a feel for them and how they form. But growing up in Oklahoma, which is smack dab in the middle of tornado alley, Kate also knows the destruction that they can cause. To combat that, she and her team, including Javi (Anthony Ramos), Addy (Kiernan Shipka), Jeb (Daryl McCormack), and Praveen (Nik Dodani), have put together a plan to use reagents to suck the moisture out of a tornado. They planned to test it on a small EF1 tornado, but something went wrong, and the target intensified to EF5, and you can’t run from that. Five years later, Javi catches up with Kate, who works in New York. He needs her skill to help map a tornado using newly developed military technology. She is hesitant but agrees to come back for one week only. It is a week that just so happens to have some of the worst storms in living history, and where she comes face-to-face with the rascally Tyler Owens (Glen Powell), professional tornado chaser.      

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