Tag Archives: Drama

Companion – Movie Review

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TL;DR – Companion is a film full of juxtapositions, hilarious and incredibly violent, fascinating yet also profoundly exploitative, and a fascinating romp even when it is trying to plum the depths of human depravity.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – This film contains scenes that may cause distress.

Iris shopping.

Companion Review –

Today, we look at a film that is fundamentally ambitious with the themes and tone that it wants to set. A Dark Comedy that is also exploring the world of manipulation, power, control, and personhood. All significant themes in their own right, and the question then becomes: can you do them all justice in 90-minute runtime and a shoestring budget?  

So, to set the scene, Iris (Sophie Thatcher) and Josh (Jack Quaid) have the perfect meet/cute story: they randomly bumped into each other in a grocery store, and Josh was so awkward that he accidentally knocked over a whole table full of oranges. It could have been a moment of disaster, but they found love in that odd place. It was such a decisive moment that Iris listed it as the only time that she moved out of her benign world and into something more profound. Oh, well and that one other time, the day she killed Josh.  

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A Complete Unknown – Movie Review

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TL;DR – A wild exploration of one of the most prominent musical writers of an age or two, but also of a time and movement in American music that I don’t think we’ll see again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Bob arrives in New York.

A Complete Unknown Review –

There are a lot of musical biopics out there in the world, some more earned than others. But there is an understandable power behind them, given music’s ability to move your soul. But when you think back to which songwriters have had the most impact on music in the modern era, few names are in the same ballpark as Bob Dylan, and it makes sense to explore his life and the effect it did have and well is still having to this day.   

So, to set the scene, one cold New York night, a young Bob Dylan (Timothée Chalamet) arrives at the hospital bed of his idol Woody Guthrie (Scoot McNairy) after hearing he was unwell. Bob is an expert in Folk Music, having picked up sounds from across America. Luckily for Bob, who was also visiting Woody at that time, was famed folk musician Pete Seeger (Edward Norton), who brought the young man under his wings. Soon, Bob will be captivating the New York Folk Music scene, but being a singular talent comes with as many downsides as successes.  

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The Brutalist – Movie Review

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TL;DR – Elegant, stunning, and powerful, it is a film that will stay with me for a long time even though I don’t think I will ever watch it again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

An upside-down Statue of Liberty.
An upside-down Statue of Liberty.

The Brutalist Review –

Today, we look at a film that absolutely captivated me from start to finish, and given that it is three and a half hours long, that is a lot of runtime to have to keep you engaged. However, I think you might see how each and every step captivates, even when the film can be deeply uncomfortable.  

So, to set the scene, László Tóth (Adrien Brody) is a Hungarian Jew who was separated from everyone he loves during World War Two. Escaping Europe by himself, he manages to make it to America and go live with and work for his cousin Attila (Alessandro Nivola) in Philadelphia. Things are tense in the closed environment. However, a chance encounter with Harry Lee Van Buren (Joe Alwyn) puts him into the orbit of the powerful, industrious Harrison Lee Van Buren (Guy Pearce), someone who might just let László create his brutalist masterpiece.

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Thelma – Movie Review

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TL;DR – It is an absolute blast that also hits you so hard in the feels that you can’t help but surf a wave of emotions.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film.

Thelma Review –

Well, what a surprise this film was. When you hear that there is a revenge film out there, but the hook is that the lead actors are in their 90s, well, that is something that you need to check out. If they had just kept the film at that, it would have been fine. But no, they don’t stop there, and the film is so much better for it.

So, to set the scene, Thelma (June Squibb) is living her life in a world that is very different than the one she grew up in, but she does not mind because she has her knitting, her routine, and a grandson Daniel (Fred Hechinger) who she loves. Daniel has been teaching Thelma how to use her computer so she can connect more with her family. But Thelma becomes a victim of the “Hi Mum” scam and loses $10,000 in cash. When she finds out she has been scammed, there is only one thing to do, which is Tom Cruise it! Hunt down those who scammed her and make them pay.

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Better Man – Movie Review

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TL;DR – A fascinating look at a pop icon that takes some wild swings that don’t always pan out.

Rating: 3.5 out of 5.

Disclosure – I paid to watch this film

Warning – contains scenes that may cause distress.

Better Man Review –

Today, we look at one of the oddest films that I watched in 2024. On the one hand, this was a very boilerplate biopic that explored the life of pop icon Robbie Williams. However, they also make massive artistic choices throughout the film, most notably by depicting the focus of the biopic as an ape. This was a fascinating choice, but did it work? And that is the question we will explore today.

So, to set the scene, Robbie Williams (Robbie Williams/Jonno Davies/Adam Tucker) had spent most of his life growing up in the small town of Stoke-On-Trent. Living with his mother Janet (Kate Mulvany) and Nan Betty (Alison Steadman) after his father Peter (Steve Pemberton) left to try and be an entertainer. He hasn’t done well at school because he has these lyrics in his head and a drive to be famous. It’s a good thing that his first big break has just strolled into town as Nigel Martin-Smith (Damon Herriman) is looking for boys to be part of a new band, Take That, which is Robbie’s chance to get out of this town and make something of himself.   

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Robot Dreams – Movie Review

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TL;DR – A warm winter hug while the winds blast all around you.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Robot Dreams Review –

One of the many strengths of animation is how easier it is to translate across cultures and languages. There are a lot of examples, maybe most notably, that show that with sound localization, the skies are the limit. But what if not even the language was a barrier?

So, to set the scene, it is 1984 in New York, and Dog sits alone at night eating his microwaved meal. In his loneliness, he sees an ad for a companion robot, and phone orders it right away. One building montage that would put Ikea to shame later, and while pigeons watch, Robot is created. So, Dog takes Robot on a tour of the city, but things go wrong on a trip to the beach when Robot breaks down, and Dog can’t get to him.

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Civil War – Movie Review

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TL;DR – A deeply haunting film that engaged you so you could not look away, even though you wanted to.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this series.

Warning – Contains scenes that may cause distress.

Civil War Review –


Today, we look at a film that I didn’t know if I was going to review or not. It had awkward screening times when it had its theatrical release, and the election happened, and things felt a little too real to dive into a film like this. However, as the year came to a close, I felt like this was one of the films of 2024 that I had to watch to be able to understand the year that was.

So, to set the scene, in the not-too-distant future, The United States has devolved into civil war again, with the forces of the so-called central United States government based out of Washington DC up against the Western Forces of Texas and California. It is a chaotic time, with competing narratives as to what is happening and scarcities of resources like water putting pressure on everyone. In the midst of all of this are the photographers who are documenting the war, including veteran photojournalist Lee Smith (Kirsten Dunst), who has been doing this long enough to know when a suicide bomber is coming. Everyone can see that DC is going to fall, and rather than being on the frontlines, Lee and her partner Joel (Wagner Moura) want to go into the Capital and interview The President (Nick Offerman) before he is murdered by whatever faction gets to the Capital first. The only problem, well one of many problems for them, is that the road from New York to the Capital is fraught with fighting, damage, and military forces looking to blow up anything that moves.    

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Earth Abides: Forever is Tomorrow is Today & Full Season – TV Review

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TL;DR – A beautifully contemplative end to a fascinating series.

Rating: 4 out of 5.

Disclosure – I paid for the Stan service that viewed this series.

Warning – Contains scenes that may cause distress.

Year 20.

Earth Abides Review –

One of the interesting little gems that I found towards the end of the year was an exploration of life and death in the aftermath of absolute tragedy. What do you do when you are alone in a world that was once teaming with life? Do you survive? Do you pack it in? Do you reach out? Or do you close yourselves off from everything? These are the questions we ask in the ruins of the old world.   

So, to set the scene, twin tragedies have struck the small community of San Lupo. First, Heather (Aleksandra Cross) has returned home alone after a long sojourn north without Raif (River Codack). Even worse, after twenty years, the virus returned, and soon, many members of the town became ill. Sadder for Ish (Alexander Ludwig) and Emma (Jessica Frances Dukes), one of those affected is their son Joey (Elias Leacock), whose shoulders much of the future was resting on. We will be looking at the episode and season as a whole from here, so there will be some [SPOILERS] ahead.   

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Kneecap – Movie Review

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TL;DR – Sex, drugs, and rap, with a dash of politics, violence, and only one reference to the Pope

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film

Arlo flips the bird at a government helicopter.

Kneecap Review –

Today, I start the process of catching up on all the films of 2024 that I missed on the first release, and the first one off the bat is a film out of Northern Ireland or the North of Ireland, depending on your perspective. I was drawn to this film because it is about the Irish language, which should be a part of my heritage, given my ancestry, but it is a gap that I want to explore today.

So, to set the scene, in the tumultuous world of Northern Ireland, contestation of politics can be everywhere, even in language. It is here where so-called ceasefire babies grew up. In this world lives Naoise “Móglaí Bap” Ó Cairealláin (Naoise “Móglaí Bap” Ó Cairealláin), Liam Óg “Mo Chara” Ó Hannaidh (Liam Óg “Mo Chara” Ó Hannaidh), and JJ “DJ Próvaí” Ó Dochartaigh (JJ “DJ Próvaí” Ó Dochartaigh). They are dealing with a multitude of issues, like Naoise’s father, Arlo (Michael Fassbender), living undercover after faking his death. In the shadows of the Irish Language Act debate, the three find themselves coming together for a drug-filled night of music-making. Where they discover a way to bring the Irish language to a new generation.

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Latency (Hana’s Game) Review: A Missed Opportunity in Sci-Fi

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TL;DR – Latency is a film that explores an exciting topic but feels more defined by its limitations than what it was trying to achieve.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Aliens converge on Hana.

Latency Review –

Today, we are looking at a film that explores the interface between biology and technology, which is probably one of the significant issues that will impact people in the not-so-distant future. This is the kind of science fiction that we have seen a lot of in the last couple of years but with more of a video game lean to it. Which I always find fascinating.

So, to set the scene, we open with Hana (Sasha Luss) hearing something crashing against her door when it crashes open and aggressive aliens storm in. She takes out her gun and despatches wave after wave on them until she notices one of them glitching through a wall. She likes QA work because she has agoraphobia and struggles to leave her unit with only her friend Jen (Alexis Ren) able to come inside without Hana having a breakdown. But when Hana gets a surprise package of the next Omnia headset, she has to try it out. But it is more than just a game. It is a brain-computer interface that can interface with every device in your life and learn from your brain patterns. It should give zero latency to gaming. It is revolutionary, but it also has the stink of a corporation messing where it shouldn’t.

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