Tag Archives: Film

Trigger Warning – Movie Review

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TL;DR – When things click into place, this can be quite an entertaining film. Unfortunately, a lot of the connective tissue is full of awkwardness that holds it back.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Parker mourns her father.

Trigger Warning Review –

Okay, so I am going to be upfront with you right from the start. The reason I sat down to watch this film is because it has been an age since I have seen Jessica Alba in anything. She was one of those tent pole stars when I was growing up, and I am always here for a new renaissance.   

So to set the scene, we open in the Bādiyat al-Shām Desert, Syria, as two pickup trucks with machine guns chase down an aid vehicle that clearly is not delivering aid. Instead, it is driven by spec-ops operative Parker (Jessica Alba), who is very handy with a knife. But when an apparent cave-in kills her father at the mine he works in, Parker travels all the way home to deep rural America to find out what really happened. However, one look shows that the cave-in might be a very convenient conclusion.   

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Deadland – Movie Review

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TL;DR –  It is a film with a lot of intrigue, but I wish it had a bit more going on under the hood.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A man standing on the river's shore.

Deadland Review –

I do love when films get weird, when they play with your perceptions of what is real or not, though I should maybe stop playing them before bed. Today, we are looking at a film that does just that with the people in the movie, but does it have the same effect on the audience?

So, to set the scene, we find ourselves on the USA/Mexico border with US Customs and Border Patrol, where they find a suspicious van trying to cross. Agents Angel Waters (Roberto Urbina) and Ray Hitchcock (McCaul Lombardi) find just a kid behind the wheel and a whole lot of drugs in the back. It was just a routine day for The Patrol, but when Angel is alone and finds the body of The Stranger (Luis Chávez) floating dead in the river, he is the most surprised when the man wakes up out of his body bag on the drive home. But when Angel’s father, Ignacio Coronado (Manuel Uriza), returns and the dead man, now alive, turns up dead again, things start falling apart, and this is when Internal Affairs starts to sniff around.  

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Despicable Me 4 – Movie Review

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TL;DR – Look, the kids started laughing with the title card and stopped with the end credits, and I am not sure that anything more than that truly matters in the grand scheme of things.

Rating: 3 out of 5.

Post-Credit Scene – There are mid credit sequences but you don’t need to stay for them.

Disclosure – I was invited to a press screening of this film.

Minions in a pool.

Despicable Me 4 Review –

Well, it is time to get the banana papayas out because it is Minions time. Look, I have generally liked these films because there is an almost charm to the slapstick comedy that permeates every frame. Also, while my mother is not a fan of this, I don’t have any kids, so I only have to watch this film once—my deepest sympathies to those well into the double-digit viewings. But now we are six films deep into this world, can there be any more fun to be found? Well, that is what we will find out today.   

So to set the scene, Gru (Steve Carell) is still working for the Anti-Villain League, and this time, his mark is Maxime Le Mal (Will Ferrell), a heavily ‘French’ accented villain and former classmate of Gru. Indeed, Gru takes him down in the middle of their class reunion. Things are also looking up at home, where he and Lucy (Kristen Wiig) have welcomed a new child into the family, Gru Jr. But when Maxime escapes and threatens to ‘cockroach-ize’ the baby, well, the whole family has to go undercover to keep safe. You better hope your new neighbours are not secret supervillain fans.

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Kingdom of the Planet of the Apes – Movie Review

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TL;DR – While you can feel some tension in the script at times, this is still a solid entry into the franchise with characters you care about and a world you want to explore.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Noa rides through the ruins of the old world.

Kingdom of the Planet of the Apes Review –

Without a doubt, I have loved the Planet of the Apes reboot films. Rise of the Planet of the Apes was a great foundation, and Dawn of the Planet of the Apes was this sad meditation on the legacy of trauma, all before ending the trilogy with this grand biblical epic of War of the Planet of the Apes that hit the big 5 out of 5 stars. So, there was a bit of hesitance to come back to this world after such a long time and a new creative team, but thankfully, I had nothing to worry about.

So to set the scene, we open with the final funeral of Caeser, a leader who brought his people out of danger and into a new promised land but was unable to enter himself. Led by Maurice (Karin Konoval), it is a solemn event, but it is the start of something, and you see that in the world several generations later. It is here where Noa (Owen Teague) and his friends Soona (Lydia Peckham) and Anaya (Travis Jeffery) climb up through the ruins of the old world to find eagle eggs. They are a village of eagle trainers, and Noa’s dad, Koro (Neil Sandilands), is the leader who sings to the new eggs. However, when Noa sees an Echo (human), little does he know the carnage that is following in their wake and how his world is about to change forever.

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Dawn of the Planet of the Apes (2014) Review – Exploring the Past

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TL;DR – It is a profoundly emotional work that builds on the first film in nearly every way.   

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

Caesar in war paint.

Dawn of the Planet of the Apes Review –

It has been ten years since this movie first came out, and I was taken aback by just how good visual effects had grown, even by the high standards that the Lord of the Rings brought us. But with Kingdom of the Planet of the Apes coming out this week, I wanted to take a moment to go back in time and see how well this second entry before War of the Planet of the Apes holds up.

So to set the scene, it has been ten years since the Simian Flu pandemic spread across the globe with a survival rate of only 1 in 500, as was seen at the end of Rise of the Planet of the Apes. As human society completely collapsed, the ape colony founded by Caesar (Andy Serkis) began to thrive in the growing woods outside of what was once San Francisco. It has been two years since they even saw a human, which made that first sound of a gun going off echo throughout the colony. One of the few human settlements left on the Earth has set up shop in the ruins of San Francisco. Caesar does not acquiesce to the drum beats of war but gives the humans an ultimatum: stay away from their area. Peace has a chance, just as long as no one on either side decides to fall on the animosity of the past.     

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Corner Office – Movie Review

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TL;DR – It has its moments, and it very much lands its vibe, but there is an intensity that loses its impact halfway through.

Rating: 3 out of 5.
The brutalist concrete building they work in.

Corner Office Review –

Today we are looking at a film that I can’t quite place into the world of genre’s it is not quite a comedy, or a drama, or even a mystery. It has elements of all of those, but not enough to categories it. The only thing I can say is that it is a film about facial hair, and how there is probably a reason those styles are not popular anymore.

So to set the scene, we open in a car park covered in a layer of snow as the wind howls around. Orson (Jon Hamm) is arriving for their first day at work at The Authority Inc. in a large brutalist building. He is trying to stand out in the office, which is full of quirky characters, including his tablemate Rakesh (Danny Pudi). One day, while trying to find where they hid the printer paper, he stumbled across a room Orson had never seen before: a beautiful corner office. The room calls to him, like a forbidden lover, a place worthy of who he thinks he is, even if that does not match reality. The only problem is that no one else acknowledges that the room even exists.  

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The Fall Guy – Movie Review

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TL;DR – It’s a wonderful romp, full of pomp and circumstance, and a desperate need for an extra edit.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a sequence in the credits and a mid-credit scene.

Disclosure – I was invited to a press screening of the film.

Filming a car chase.

The Fall Guy Review –

Today, I am looking at a film that is genuinely quite odd. It is an Action-Adventure, Romantic-Comedy, Mystery, Adaption of an Old TV Show, that is also making a meta-commentary on how Hollywood treats people who work on the stunt team. Yet with all of that, they made it work, and a blast of fun at that.

So to set the scene, Colt Seavers (Ryan Gosling) is a suave and super-confident stuntman who knows how to take a fall while on fire and thrown into a rock. When he is not being blown up, he is flirting with the very professional camera operator, Jody Moreno (Emily Blunt). However, when his incompetent actor Tom Ryder (Aaron Taylor-Johnson), who could not do his own stunts in his dreams, wanted a stunt done again because they saw ‘too much face’. But the stunt goes wrong, and Colt breaks his back. Eighteen months later, Tom’s Producer, Gail Meyer (Hannah Waddingham), calls Colt, who is now a valet. She needs him to come back to Sydney because Jody has her first director role, and they need his stunt prowess. But did anyone ask Jody?

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Abigail – Movie Review

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TL;DR – A bloody joy when it is working and a bit of a slog when it is not.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film

Abigail reveals herself.

Abigail Review –

Have you ever heard a film premise and immediately thought, “I need to see that”? Well, that is what happened to me when I first heard about Abigail. A group of thugs think they are kidnapping a little girl, but they actually take a monster. I mean, there are whole fairy tales based around concepts just like this and how they turn out. Add in the team behind Ready or Not, and you will have me sold.

So to set the scene, one evening, a group of professionals start casing out a house, waiting to capture the person within. Frank (Dan Stevens) is the boss, Joey (Melissa Barrera) is client control, Sammy (Kathryn Newton) is their hacker, Rickles (William Catlett) is the sniper, Peter (Kevin Durand) is their muscle, and Dean (Angus Cloud) is their car man. But the person they are kidnapping is a little girl, Abigail (Alisha Weir), who just got back from ballet practice. People are not okay with kidnapping a kid, but $7 million is $7 million. However, when they arrive at the creepy house run by Lambert (Giancarlo Esposito) and must hold the child for 24 hours, it would be a shame if there was also a monster stuck in there with them.

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The Stolen Valley (Alta Valley) – Movie Review

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TL;DR – While it starts strong, it unfortunately runs out of gas after the first act as the storyline becomes convoluted.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film

The Utah Countryside.

The Stolen Valley Review –

Today, we are looking at a film that is wearing its influences on its sleeves. That is not a bad thing. In fact, just last week, we watched Monkey Man do just that, and it was grand. But there is danger in this approach because if people are constantly thinking about other movies and not your own work, well, something has gone badly wrong. Today, we look at where The Stolen Valley lands on this spectrum. 

So to set the scene, Lupe (Briza Covarrubias) struggles to find her place in the world. Trying to connect with her mother, Lizette (Paulette Lamori), learn her native language, Diné, or just get ahead in a world where everyone is taking from her. But when her mother becomes sick, and there are only experimental and expensive options left, Lupe is forced to find her father, who she thought was dead. But a run-in with Maddy (Allee Sutton Hethcoat) after she just crossed local crime lord Antonio (Ricardo Herranz) leads to a dangerous gun-filled chase.

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Desperation Road – Movie Review

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TL;DR – An exploration of the enduring legacy of trauma and the damage it can leave if you can get past one particular plot point.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes including flashing lights.

Maben runs with her daughter.

Desperation Road Review –

Today, we come into a film with more than a bit of trepidation. On the one hand, we have Garrett Hedlund, whose work I have generally enjoyed and whose Tron Legacy lives rent-free in my brain. However, then we have Mel Gibson, who was once a force of nature, but when I last saw him in The Continental, he was an anchor that held the entire production back, though to be fair, that was not the show’s only issue. How is this dichotomy going to work? Well, it turns out the answer was Willa Fitzgerald.    

So, to set the scene, Maben (Willa Fitzgerald) and her daughter Analee (Pyper Braun) hit hard times as they made their way on foot to Mississippi. But when a police officer sexually assaults Maben, and then she shoots him in self-defence. This is bad, really bad. Meanwhile, Russell (Garrett Hedlund) is just getting off a bus from jail when he gets a beat down, with a promise that his debt is not paid. After a chat and a gun pick from his father Mitchell (Mel Gibson), he heads home to find a recently renovated house, now with no windows and glass everywhere. These two worlds are about to collide explosively because there are few secrets in a small town.    

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