The Kitchen – Movie Review

TL;DR – A thoughtful meditation on identity, community, and family.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Izi pears out from behind the slit in his door.

The Kitchen Review

I am always fascinated by the techniques that filmmakers use to hit you with emotions. Sometimes, it can be pretty forceful, like a slap in the face. Other times, it is like a tide coming in, almost imperceptible, until you realise that you have been engulfed. Today’s film skews closer to the latter and is just as powerful for it.  

So to set the scene, in the not-to-distant future, Izi (Kane Robinson) lives in The Kitchen. A large, dense residential area on the outskirts of London’s centre. It is a difficult life because the police are trying to move people out of the slum, but most have nowhere to go. Izi works for Life After Life, a company that repurposes the remains of people who have died to become the support network for a new tree to be planted in a reclamation project. It is here when he discovers one of the names is someone deeply familiar to him from his past. A woman whose only griever is her son Benji (Jedaiah Bannerman).

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Lift – Movie Review

TL;DR – It may not be original, but it needs to be said that Lift failed to launch.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A literal ton of gold.

Lift Review

Historically, I have tended to have a better time with the sort of films that Netflix has been championing as of late because even if they are not high art, they still have amusing moments. Or at least bank their blandness of stars with personalities that can shine through. Well, today, we have a film that flounders when it should soar.

So to set the scene, we open on an art auction in Venice that is happening in tandem with London. Cyrus (Kevin Hart), a world-renowned art thief, is there, as is Abby (Gugu Mbatha-Raw), the Interpol agent out to capture him. When an NFT for N8 (Jacob Batalon) sale goes wrong, it is time for a chase through the canals. It is a scene of chaos, but it is all a distraction. But when Abby’s boss, Huxley (Jean Reno), discovers a terrorist plot and needs something heisted from a plane in mid-air, well, it looks like Abby will need Cyrus and his team.   

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Role Play – Movie Review

TL;DR – There are some moments when the film shines. However, there is a lot of space in between those moments filled with missed opportunities.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.  

Role Play Review

In the Spy and Spy-adjacent world, one of the core narratives that we see is when a spy’s family does not know what they do for a day job. The most famous is probably True Lies, but we see a lot of them moving from the more comical to the more serious, depending on the vibe that they want. That is if you can choose a vibe.  

So to set the scene, on the surface, the Brackett family is your perfectly normal middle-American suburban unit. The father, Dave (David Oyelowo), is an architect. They have two wonderful kids, Caroline (Lucia Aliu) & Wyatt (Regan Bryan-Gudgeon), and oh, by the way, when Emma (Kaley Cuoco) says she is going out of town to work cooperate management, she actually is a very successful assassin. Emma wants to have some time at home, but her handler, Raj (Rudi Dharmalingam), wants her back out in the field. After Emma forgets their anniversary, they decide to have a fun night out where they pretend to be two strangers meeting in a bar. One long ride stuck in the tunnel and the poor advances of Bob (Bill Nighy), and it looks like the night might be a bit of a mess. It would be the wrong time for someone’s cover to get blown.   

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Awards – My Top 20 Films of 2023

So far, in our awards, we have looked at Action, Animation, Best of Australia & New Zealand, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2023 awards, we crown our Best Film of 2023.

All films are subjective, so our list might look completely different from yours. Of the 121 films we reviewed last year, 113 had their Australian Theatrical/Streaming Release in 2023. This is the list we draw our entries from, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2022 for you but 2023 for us, and there may be some omissions here because we won’t get those films until later in 2024, which is why you won’t see The Holdovers on this list (it will be on the 2024 list)

Highly CommendedAsteroid City, Crater, John Wick: Chapter 4, M3GAN, Nimona, Sweet As & They Cloned Tyrone

Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2023.

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The Best Australian and New Zealand Cinema in 2023

This year, with the slight shift in how we format the awards, we added in a touch more flexibility. While that is mainly in the backend, I did want to take the opportunity to expand one of the awards we covered during this period.

It was a fantastic year for Australian and New Zealand Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level.

This list will look more at the locally made Australian and New Zealand productions/co-productions and not just films filmed in those countries.

Our Highly Commended in 2023 are Bring Him to Me, The Portable Door & True Spirit
Our Best Australian/New Zealand TV in 2023 are The Artful Dodger, Aunty Donna’s Coffee Café, Deadloch, & NCIS: Sydney



So, without further ado, these are the best of Australian and New Zealand Cinema in 2023. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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Tension That Kept You On The Edge Of Your Seat In 2023!

Well, we have looked at Emotion and swung wildly across the spectrum to Fun, and now we are completing that trifecta by looking at Tension. Tension is one of the most challenging facets of filmmaking because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses, then an essential part of the film falls apart.

In 2023, we continued to see some excellent use of tension to build mystery, to be the harbinger of the coming dread, or even to tick the clock of inevitability.   

Our Highly Commended in 2023 are Five Nights at Freddy’s, Killers of the Flower Moon, Knock at the Cabin, M3GAN, The Nun II & Saltburn
Our Best TV Tension in 2023 are Deadloch: Season 1, Doctor Who: 2023 Specials, The Last of Us: Season 1, Poker Face: Season 1 & Silo: Season 1

So, without further ado, these moments of tension kept us on the edge of our seats in 2023. Be warned that there may be slight spoilers ahead for the films in question.

And the Nominees are

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The Films of 2023 That Emotionally Wrecked Us

As I have gotten older, I am not afraid of having a good old-fashioned ugly cry in the cinemas when the time calls for it, and hell, I probably got emotional just writing this list (Spoiler: I did). Sometimes, they are tears of grief or tears of joy, and even still, sometimes, they are tears of anger. 

Emotion is a core part of the cinema experience. If you can’t get us to respond emotionally to your characters and/or the situation, I am sorry you failed to make a great film.

Our Highly Commended in 2023 are The Boy and the Heron, Crater, Creed III, Guardians of the Galaxy Vol. 3, Oppenheimer, Spoiler Alert, Till & Uproar
Our Best TV Emotions in 2023 are The Last of Us: Season 1, Loki: Season 2, Silo: Season 1, Star Trek: Strange New Worlds: Season 2 & Ted Lasso: Season 3

So, without further ado, these are the films of 2023 that emotionally wrecked us. Be warned that there will be significant spoilers for the films in question.

The Nominees Are

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Cinematography That Made You Go Wow in 2023!

Cinematography is an art form that can be as bold as a gong crashing after a moment of silence or as subtle as the tide coming in. It elevates a film to the heights of accolades or becomes frustrating when it misfires.

While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.

Our Highly Commended in 2023 are The Creator, Godzilla Minus One & John Wick: Chapter 4

Our Best TV Cinematography in 2023 are Deadloch: Season 1, Foundation: Season 2, Jury Duty: Season 1, The Last of Us: Season 1 & Ted Lasso: Season 3

So, without further ado, these moments of cinematography took our breaths away in 2023. Be warned that there may be some slight spoilers for the films in question.

The Nominees Are –

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Miss Shampoo (Qing wen hai you na li xu yao jia qiang/請問,還有哪裡需要加強) – Movie Review

TL;DR – It is a genuinely odd film, sometimes weird, sometimes wondering, often fascinating, but it also has moments where you wonder what it is that you are watching.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes and a slightly mean audio commentary at the end of the credits.

Disclosure – I paid for the Netflix service that viewed this film.

A pair of scissors in someone's hands.

Miss Shampoo Review

Tonight, as I was sitting here cursing the heat and the humidity, I thought I would take my mind off it by watching something different. It was at that moment that I realised that it had been a while since we dived into Taiwanese Cinema, and a new romantic comedy just dropped on Netflix.

So to set the scene, it is a rainy night as Fen (Vivian Sung) is practicing her haircutting technique in the salon. When Tai (Daniel Hong) crashes into the salon badly wounded. Thai mercenaries are chasing him, but some quick thinking from Fen saves his life. All the bosses in town are trying to work out who killed Tai’s Boss. But the last thing that Fen was expecting was to see Tai walk back into her salon to ask for a cut when she is only able to wash hair. Nor was she expecting the world she was about to enter.

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Anyone But You – Movie Review

TL;DR – This is a film that is based entirely on the chemistry of the two leading cast members. Thank goodness they have some.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Sydney.

Anyone But You Review

There is a considerable risk when you base the entire foundation of your film on the charisma of your two leads. There are multiple examples, like Valerian and the City of a Thousand Planets, where that mistake has caused the film to fall flat on its face. It is a dangerous proposition … but what happens when you get it right?

So to set the scene, it is a typical day in a coffee shop when Bea (Sydney Sweeney) runs into Ben (Glen Powell) while trying to get the key to the bathroom. Some shenanigans occur but sparks fly, and soon they are spending the night together. But the following day contrives a situation where both parties think the other was in the wrong, and they part ways with an odd story of a creep to tell their respective friend groups. Until we discover that those respective friend groups are the same because Bea’s sister Claudia (Alexandra Shipp) is the new finance of Halle (Hadley Robinson), whose brother Pete (GaTa) is best friends with Ben. That animosity gets heightened when both of them end up on a plane to Sydney, Australia, to attend the wedding, only to find both of their exes are there. So they fake being in a relationship. What is the worst that could happen?

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