Tag Archives: Film

The Best Australian and New Zealand Cinema in 2023

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This year, with the slight shift in how we format the awards, we added in a touch more flexibility. While that is mainly in the backend, I did want to take the opportunity to expand one of the awards we covered during this period.

It was a fantastic year for Australian and New Zealand Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level.

This list will look more at the locally made Australian and New Zealand productions/co-productions and not just films filmed in those countries.

Our Highly Commended in 2023 are Bring Him to Me, The Portable Door & True Spirit
Our Best Australian/New Zealand TV in 2023 are The Artful Dodger, Aunty Donna’s Coffee Café, Deadloch, & NCIS: Sydney



So, without further ado, these are the best of Australian and New Zealand Cinema in 2023. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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Tension That Kept You On The Edge Of Your Seat In 2023!

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Well, we have looked at Emotion and swung wildly across the spectrum to Fun, and now we are completing that trifecta by looking at Tension. Tension is one of the most challenging facets of filmmaking because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses, then an essential part of the film falls apart.

In 2023, we continued to see some excellent use of tension to build mystery, to be the harbinger of the coming dread, or even to tick the clock of inevitability.   

Our Highly Commended in 2023 are Five Nights at Freddy’s, Killers of the Flower Moon, Knock at the Cabin, M3GAN, The Nun II & Saltburn
Our Best TV Tension in 2023 are Deadloch: Season 1, Doctor Who: 2023 Specials, The Last of Us: Season 1, Poker Face: Season 1 & Silo: Season 1

So, without further ado, these moments of tension kept us on the edge of our seats in 2023. Be warned that there may be slight spoilers ahead for the films in question.

And the Nominees are –

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The Films of 2023 That Emotionally Wrecked Us

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As I have gotten older, I am not afraid of having a good old-fashioned ugly cry in the cinemas when the time calls for it, and hell, I probably got emotional just writing this list (Spoiler: I did). Sometimes, they are tears of grief or tears of joy, and even still, sometimes, they are tears of anger. 

Emotion is a core part of the cinema experience. If you can’t get us to respond emotionally to your characters and/or the situation, I am sorry you failed to make a great film.

Our Highly Commended in 2023 are The Boy and the Heron, Crater, Creed III, Guardians of the Galaxy Vol. 3, Oppenheimer, Spoiler Alert, Till & Uproar
Our Best TV Emotions in 2023 are The Last of Us: Season 1, Loki: Season 2, Silo: Season 1, Star Trek: Strange New Worlds: Season 2 & Ted Lasso: Season 3

So, without further ado, these are the films of 2023 that emotionally wrecked us. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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Cinematography That Made You Go Wow in 2023!

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Cinematography is an art form that can be as bold as a gong crashing after a moment of silence or as subtle as the tide coming in. It elevates a film to the heights of accolades or becomes frustrating when it misfires.

While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.

Our Highly Commended in 2023 are The Creator, Godzilla Minus One & John Wick: Chapter 4

Our Best TV Cinematography in 2023 are Deadloch: Season 1, Foundation: Season 2, Jury Duty: Season 1, The Last of Us: Season 1 & Ted Lasso: Season 3

So, without further ado, these moments of cinematography took our breaths away in 2023. Be warned that there may be some slight spoilers for the films in question.

The Nominees Are –

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Miss Shampoo (Qing wen hai you na li xu yao jia qiang/請問，還有哪裡需要加強) – Movie Review

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TL;DR – It is a genuinely odd film, sometimes weird, sometimes wondering, often fascinating, but it also has moments where you wonder what it is that you are watching.

Rating: 3.5 out of 5.

Post-Credit Scene – There are mid-credit scenes and a slightly mean audio commentary at the end of the credits.

Disclosure – I paid for the Netflix service that viewed this film.

A pair of scissors in someone's hands.

Miss Shampoo Review –

Tonight, as I was sitting here cursing the heat and the humidity, I thought I would take my mind off it by watching something different. It was at that moment that I realised that it had been a while since we dived into Taiwanese Cinema, and a new romantic comedy just dropped on Netflix.

So to set the scene, it is a rainy night as Fen (Vivian Sung) is practicing her haircutting technique in the salon. When Tai (Daniel Hong) crashes into the salon badly wounded. Thai mercenaries are chasing him, but some quick thinking from Fen saves his life. All the bosses in town are trying to work out who killed Tai’s Boss. But the last thing that Fen was expecting was to see Tai walk back into her salon to ask for a cut when she is only able to wash hair. Nor was she expecting the world she was about to enter.

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Anyone But You – Movie Review

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TL;DR – This is a film that is based entirely on the chemistry of the two leading cast members. Thank goodness they have some.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Sydney.

Anyone But You Review –

There is a considerable risk when you base the entire foundation of your film on the charisma of your two leads. There are multiple examples, like Valerian and the City of a Thousand Planets, where that mistake has caused the film to fall flat on its face. It is a dangerous proposition … but what happens when you get it right?

So to set the scene, it is a typical day in a coffee shop when Bea (Sydney Sweeney) runs into Ben (Glen Powell) while trying to get the key to the bathroom. Some shenanigans occur but sparks fly, and soon they are spending the night together. But the following day contrives a situation where both parties think the other was in the wrong, and they part ways with an odd story of a creep to tell their respective friend groups. Until we discover that those respective friend groups are the same because Bea’s sister Claudia (Alexandra Shipp) is the new finance of Halle (Hadley Robinson), whose brother Pete (GaTa) is best friends with Ben. That animosity gets heightened when both of them end up on a plane to Sydney, Australia, to attend the wedding, only to find both of their exes are there. So they fake being in a relationship. What is the worst that could happen?

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The Family Plan – Movie Review

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TL;DR – An interesting idea and solid family dynamics, that unfortunately gets dragged out past its strong point.

Rating: 3 out of 5.

Post-Credit Scene – There are mid-credit scenes.

Disclosure – I paid for the Apple TV+ service that viewed this film.

The back of the minivan with family stickers.

The Family Plan Review –

There are some actors that play themselves in every film they are in, which can be a good or a bad thing, depending on the movie. If there is a perfect example of this, it is Mark Wahlberg, who I can keep or take depending on the outing. Today’s film looks like it will be something right my alley, but I have been burnt before.    

So to set the scene, Dan Morgan (Mark Wahlberg) is a mild-mannered family man who is friends with the whole neighbourhood, does a good job selling cars, has a slightly dysfunctional family life, and does not like his photo taken. Which makes it most surprising when he is at the shops, an assassin attacks because it looks like someone has been burnt, and a whole world of pain is about to come to suburban Buffalo.

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Leave the World Behind – Movie Review

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TL;DR – What happens when the world slips away from you but only fragments at a time until you don’t even realise you ran off a ledge?

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

An Oil tanker crashes into the beach.

Leave the World Behind Review –

The disaster film is such an intriguing genre, especially when you are not sure what disaster you are in or even if there is one going on. For me, it is not the disasters themselves that bring the core of the work, but how people respond to the crisis. This week, we look at a film that focuses mainly on that, and I found it to be deeply compelling.  

So to set the scene, Amanda Sandford (Julia Roberts) and her husband Clay (Ethan Hawke) have had a long, stressful year, and one morning, as Amanda was up not sleeping, she decided to randomly book the family for a trip away in a hamlet by the beach. The aim is to leave the world behind for a time, and the house absolutely provides all of that. All is going well until an oil tanker crashes into the beach, and the TV and Wi-Fi stops working. Which is when late at night, there is a knock on the door when the purported owners of the house, G.H. Scott (Mahershala Ali) and his daughter Ruth (Myha’la), arrive and decide to stay.   

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The Boy and the Heron (Kimitachi wa Dō Ikiru ka, 君たちはどう生きるか) – Movie Review

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TL;DR – A heartbreaking and devastating exploration of grief set to a beautiful backdrop and wacky characters.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Mahito walks through grass.

The Boy and the Heron Review –

When you look at the great animation studios of history, one name does tend to stand out, so much so that we wrote a whole article about The Beauty of Ghibli. For a long time, we thought that there would be no more films because creator Hayao Miyazaki had retired. However, it seems like Miyazaki-san does not like to take it easy, and it means that we get another of his movies, and who am I to disagree?

So to set the scene, Mahito Maki (Soma Santoki/ Luca Padovan) is a young boy during WW2 who is haunted by the day he watched as the hospital with his mother inside burned to the ground. He has not really had a chance to process this when his father Shoichi (Takuya Kimura/ Christian Bale) marries his late wife’s younger sister Natsuko (Yoshino Kimura/ Gemma Chan) and moves into her estate in the countryside, where a Grey Heron (Masaki Suda/ Robert Pattinson) pays a particular notice to the new arrival.  

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Gold – Movie Review

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TL;DR – Brutal, uncomfortable, and completely compelling.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Stan subscription that viewed this film

Gold. Image Credit: Stan.

Gold Review –

When you are creating a film that wonders into the Survival genre, there are two very different ways you can engage your audience. The first is through shock, a sudden event or trauma like a bear attack. Or you can slowly pull everything away from people like a tide coming in or an approaching winter you are not ready for. Today we look at a film that explores the latter, but instead of the chill of winter, we get the brutal, unrelenting heat of the desert Sun.   

So to set the scene, some time, someplace, not far from now, a man is sitting in a train carriage boosting a ride in cargo. Man One (Zac Efron) has the clothes on his back and not much else as he walks out into the desert heat at Greenview Outpost. He is heading to the compound in the restricted Eastern Territories and gets a lift with Man Two (Anthony Hayes) through the inhospitable landscape. Man One goes off to take a leak after the car blows its radiator, which is when he spots something shiny in the desert, a gold nugget.

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